Books published by publisher LIBRARY OF AMERICA

For the first time, the best work of a distinctive master of American noir is available in authoritative e-book editions from The Library of America. The Moon in the Gutter (1953) is one of David Goodis’s many tours of the down-and-out neighborhoods of his native city of Philadelphia. William Kerrigan’s pursuit of the riddle of his sister’s death in an obscure alleyway provides the starting point for a tortuous journey into “the darkness of all lost dreams.” Other David Goodis novels available as Library of America E-Book Classics include: Nightfall, Dark Passage, The Burglar, and Street of No Return.

In the winter of 1912, Sherwood Anderson (1876–1941) abruptly left his office and spent three days wandering through the Ohio countryside, a victim of “nervous exhaustion.” Over the next few years, abandoning his family and his business, he resolved to become a writer. Novels and poetry followed, but it was with the story collection Winesburg, Ohio that he found his ideal form, remaking the American short story for the modern era. Hart Crane, one of the first to recognize Anderson’s genius, quickly hailed his accomplishment: “America should read this book on her knees.” Here––for the first time in a single volume––are all the collections Anderson published during his lifetime: Winesburg, Ohio (1919), The Triumph of the Egg (1921), Horses and Men (1923), and Death in the Woods (1933), along with a generous selection of stories left uncollected or unpublished at his death. Exploring the hidden recesses of small town life, these haunting, understated, often sexually frank stories pivot on seemingly quiet moments when lives change, futures are recast, and pasts come to reckon. They transformed the tone of American storytelling, inspiring writers like Hemingway, Faulkner, and Mailer, and defining a tradition of midwestern fiction that includes Charles Baxter, editor of this volume.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

THE ESSENTIAL PLAYLIST OF GREAT WRITING ABOUT THE MUSIC THAT ROCKED AMERICA Jonathan Lethem and Kevin Dettmar's Shake It Up invites the reader into the tumult and excitement of the rock revolution through fifty landmark pieces by a supergroup of writers on rock in all its variety, from heavy metal to disco, punk to hip-hop. Stanley Booth describes a recording session with Otis Redding; Ellen Willis traces the meteoric career of Janis Joplin; Ellen Sander recalls the chaotic world of Led Zeppelin on tour; Nick Tosches etches a portrait of the young Jerry Lee Lewis; Eve Babitz remembers Jim Morrison. Alongside are Lenny Kaye on acapella and Greg Tate on hip-hop, Vince Aletti on disco and Gerald Early on Motown; Robert Christgau on Prince, Nelson George on Marvin Gaye, Luc Sante on Bob Dylan, Hilton Als on Michael Jackson, Anthony DeCurtis on the Rolling Stones, Kelefa Sanneh on Jay Z. The story this anthology tells is a ongoing one: “it’s too early,” editors Jonathan Lethem and Kevin Dettmar note, “for canon formation in a field so marvelously volatile—a volatility that mirrors, still, that of pop music itself, which remains smokestack lightning. The writing here attempts to catch some in a bottle.” Also features:NAT HENTOFF on BOB DYLAN AMIRI BARAKA on R&B LESTER BANGS on ELVIS PRESLEY ROBERT CHRISTGAU on PRINCE DEBRA RAE COHEN on DAVID BOWIE EVE BABITZ on JIM MORRISON ROBERT PALMER on SAM COOKE CHUCK KLOSTERMAN on HEAVY METAL JESSICA HOPPER on EMO JOHN JEREMIAH SULLIVAN on AXL ROSE ELIJAH WALD on THE BEATLES GREIL MARCUS on CHRISTIAN MARCLAY and much more.

In Main Street and Babbitt, Sinclair Lewis drew on his boyhood memories of Sauk Centre, Minnesota, to reveal as no writer had done before the complacency and conformity of middle-class life in America. The remarkable novels presented here in this Library of America volume combine brilliant satire with a lingering affection for the men and women, who, as Lewis wrote of Babbitt, “want “to seize something more than motor cars and a house before it’s too late.”Main Street (1920), Lewis's first triumph, was a phenomenal event in American publishing and cultural history. Lewis's idealistic, imaginative heroine, Carol Kennicott, "longs to get [her] hands on one of those prairie towns and make it beautiful,” but when her doctor husband brings her to Gopher Prairie, she finds that the romance of the American frontier has dwindled to the drab reality of the American Middle West. The great romantic satire of its decade, Main Street is a wry, sad, funny account of a woman who attempts to challenge the hypocrisy and narrow-mindedness of her community.In the character of George F. Babbitt, the boisterous, vulgar, worried, gadget-loving real estate man from Zenith, Lewis fashioned a new and enduring figure in American literature—the total conformist. Babbitt is a “joiner,” who thinks and feels with the crowd. Lewis surrounds him with a gallery of familiar American types—small businessman, Rotarians, Elks, boosters, supporters of evangelical Christianity. In biting satirical scenes of club lunches, after-dinner speeches, trade association conventions, fishing trips and Sunday School committees, Lewis reproduces the noisy restlessness of American commercial culture.In 1930 Sinclair Lewis was the first American to be awarded the Nobel Prize in Literature, largely for his achievement in Babbitt. These early novels not only define a crucial period in American history—from America’’s “coming of age” just before World War I to the dizzying boom of the twenties—they also continue to astonish us with essential truths about the country we live in today.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

This Library of America volume contains the novel that is the culmination of Theodore Dreiser’s elementally powerful fictional art. A tremendous bestseller when it was first published in 1925, An American Tragedy takes as point of departure a notorious murder case of 1906—one among many that Dreiser studied in preparation. He immersed himself in the social background of the crime to produce a book that is a remarkable work of reportage, a monumental study of character, and a stunning jeremiad against the delusions and inequities of American society.Few novels have undertaken to track so relentlessly the process by which an ordinary young man becomes capable of committing a ruthless murder and the further process by which social and political forces come into play after his arrest. In Clyde Griffiths, the impoverished, restless offspring of a family of street preachers, Dreiser created an unforgettable portrait of a man whose social insecurities and naive dreams of self-betterment conspire to pull him toward act of unforgivable violence. The murder that he commits on a quiet lake in the Adirondacks is an extended scene of overwhelming impact, and it is followed by equally gripping episodes of his arrest and trial. Throughout, Dreiser elevates the most mundane aspects of what he observes into emotionally charged, often harrowing symbols.Around Clyde, Dreiser builds an extraordinarily detailed portrait of early twentieth-century America, its religious and sexual hypocrisies, its economic pressures, its political corruption and journalistic exploitation. The sheer prophetic amplitude of his bitter truth-telling, in idiosyncratic prose of uncanny expressiveness, continues to mark Dreiser as a crucially important American writer. An American Tragedy, the great achievement of his later years, is a work of mythic force, at once brutal and heartbreaking.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

This first volume of The Collected Plays of Neil Simon contains the triumphs that put his unique brand of comic genius on the American stage, and made him the most successful playwright of his generation.This volume includes:• Come Blow Your Horn• Barefoot in the Park• The Odd Couple• Plaza Suite• The Star-Spangled Girl• Promises, Promises• Last of the Red Hot Lover• And an Introduction by the author: “Portrait of the Writer as a Schizophrenic”Neil Simon’s mixture of verbal wit and beautifully crafted farce, ethnic humor and insight into universal foible, and above all compassion and understanding, make even his sharpest barbs touch the heart as well as the funny bone. These seven plays, beginning with his unforgettable debut, Come Blow Your Horn, make us laugh uproariously even as we indelibly identify with the objects of our laughter.

Thomas Mallon and Library of America invite readers to rediscover the Pulitzer Prize-winning novels of a classic American writer on the 150th anniversary of his birthMuch in need of rediscovery today, Booth Tarkington was among the most beloved and widely read writers of his era. In such classic novels as The Magnificent Ambersons and Alice Adams, both winners of the Pulitzer Prize, Tarkington displayed a mastery of realism and an astute, strikingly modern feel for psychology, capturing crucial transformations in our national life as they were manifested in changing social customs and in the very landscape itself, altered irrevocably by industrialization and environmental degradation. Out of Tarkington's prolific writings novelist and critic Thomas Mallon has selected three works that show Tarkington at his best. The Magnificent Ambersons, inspiration for Orson Welles's classic film, is a tour-de-force study in egoism, depicting the fall from grace of George Minafer, wayward scion of the once-unassailable Amberson family. The titular protagonist of Alice Adams, portrayed unforgettably by Katharine Hepburn in what many consider her finest performance, is one of the great heroines of American literature: like Henry James's Isabel Archer and the young women of Edith Wharton's novels, she is a spirited, complicated young woman confronting the limits of her time and place with her own headlong desires. These novels are joined here by the story collection In the Arena: Stories from Political Life, published in 1905. The tales were read avidly by Theodore Roosevelt, inspiring perhaps his most famous speech--draw from Tarkington's political career as a state legislator in Indiana, which lasted briefly but had a profound impact on him. Published to commemorate the 150th anniversary of Tarkington's birth, Novels and Stories contains the most enduring works of a Hoosier luminary and an estimable chronicler of the American Midwest.

In nineteenth-century America, poetry was an integral part of everyday life. The two volumes of The Library of America’s American Poetry: The Nineteenth Century reveal the vigor and diversity of a tradition embracing solitary visionaries and congenial storytellers, humorists and dissidents, songwriters and philosophers. These extraordinary anthologies reassess America’s poetic legacy with a comprehensive sweep that no previous anthology has attempted.Extending chronologically from the classic couplets of Philip Freneau to the pioneering free verse of Walt Whitman, this first volume charts the formation of a distinctly American poetry. Here, in generous selections, are the major figures: Poe, Emerson, Bryant, Longfellow, Whittier—as well as such unexpected contributors as the landscape painter Thomas Cole, the actress Fanny Kemble, and the presidents John Quincy Adams and Abraham Lincoln.This collection offers the unique opportunity to appreciate anew such classics as Whittier’s “Snow-Bound,” Bryant’s “Forest Hymn,” and Emerson’s “Hamatreya,” while discovering a world of less familiar pleasures: the mystical sonnets of Jones Very, the Romantic fantasias of Maria Gowen Brooks, the stirring political poems of Joel Barlow and John Pierpont, and the somber and undervalued late lyrics of Longfellow.Woven among the poetry of the early nineteenth century is a wealth of popular ballads, recitations, and songs both secular and religious: “Home, Sweet Home,” “A Visit from St. Nicholas,” “It Came Upon the Midnight Clear,” “Battle Hymn of the Republic.” From Lydia Maria Child’s Thanksgiving poem (“Over the river and through the wood”) to George Pope Morris’s “The Oak” (“Woodman, spare that tree!”), these pages ring with the phrases that have become part of the national memory.Unprecedented in its textual authority, the anthology includes newly researched biographical sketches of each poet, a year-by-year chronology of poets and poetry from 1800 to 1900, and extensive notes.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Pioneering feminist novels and rare stories from the author of Little Women: After the success of her beloved masterpiece Little Women, Louisa May Alcott brought her genius for characterization and eye for detail to a series of revolutionary novels and stories that are remarkable in their forthright assertion of women’s rights. This second volume of The Library of America’s Alcott edition gathers these works for the first time, revealing a fascinating and inspiring dimension of a classic American writer. The first of a trio of novels written over a fruitful three-year period, Work: A Story of Experience (1873) has been called the adult Little Women. It follows the semi-autobiographical story of an orphan named Christie Devon, who, having turned twenty-one, announces “a new Declaration of Independence” and leaves her uncle’s house in order to pursue economic self-sufficiency and to find fulfillment in her profession. Against the backdrop of the Civil War years, Christie works as a servant, actress, governess, companion, seamstress, and army nurse—all jobs that Alcott knew from personal experience—exposing the often insidious ways in which the employments conventionally available to women constrain their selfdetermination. Alcott’s most overtly feminist novel, Work breaks new ground in the literary representation of women, as its heroine pushes at the boundaries of nineteenth-century expectations and assumptions. Eight Cousins (1875) concerns the education of Rose Campbell, another orphan who, in her delicate nature and frail health, seems to embody many of the stereotypes of girlhood that shaped Alcott’s world. But with the benefit of an unorthodox, progressive education (one informed by the theories of Alcott’s transcendentalist father Bronson Alcott) and the good and bad examples of her many crisply drawn relations— especially her seven boy cousins—Rose regains her health and envisions a career both as a wife and mother and as a philanthropist. Further advancing Alcott’s passionate advocacy of women’s rights, Rose insists that she will manage her own fortune rather than find a husband to do it for her. This Library of America edition includes several noteworthy features. All three novels are presented with beautifully restored line art from the original editions and are supplemented by seven hard-to-find stories and public letters (two restored to print for the first time in more than a century), an authoritative chronology of Alcott’s life, and notes identifying her allusions, quotations, and the autobiographical episodes in her fiction.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Drawn from letters, diaries, newspaper articles, public declarations, contemporary narratives, and private memoranda, The American Revolution brings together over 120 pieces by more than 70 participants to create a unique literary panorama of the War of Independence. From Paul Revere's own narrative of his ride in April 1775 to an account of George Washington's resignation from command of the Army in December 1783, the volume presents firsthand all the major events of the conflict-the early battles of Lexington, Concord, and Bunker Hill; the failed American invasion of Canada; the battle of Saratoga; the fighting in the South and along the western frontier; and the decisive triumph at Yorktown. The American Revolution includes a chronology of events, biographical and explanatory notes, and an index.

Includes Native Son, now an HBO original movie by Rashid Johnson, with a screenplay by Suzan-Lori Parks and starring Ashton Sanders.Native Son exploded on the American literary scene in 1940. The story of Bigger Thomas, a young black man living in the raw, noisy, crowded slums of Chicago’s South Side, captured the hopes and yearnings, the pain and rage of black Americans with an unprecedented intensity and vividness. The text printed in this volume restores the changes and cuts—including the replacement of an entire scene—that Wright was forced to make by book club editors who feared offending their readers. The unexpurgated version of Wright’s electrifying novel shows his determination to write honestly about his controversial protagonist. As he wrote in the essay “How ‘Bigger’ Was Born,” which accompanies the novel: “I became convinced that if I did not write Bigger as I saw and felt him, I’d be acting out of fear.”This volume also contains Wright’s first novel, Lawd Today!, published posthumously in 1963, and his collection of stories, Uncle Tom’s Children, which appeared in 1938. Lawd Today! interweaves news bulletins, songs, exuberant wordplay, and scenes of confrontation and celebration into a kaleidoscopic chronicle of the events of one day—February 12—in the life of a black Chicago postal worker. The text for this edition reinstates Wright’s stylistic experiments, and the novel emerges as a far livelier work of the imagination.Uncle Tom’s Children first brought Wright to national attention when it received the Story Prize for the best work submitted to the Federal Writers’ Project. The characters in these tales struggle to survive the cruelty of racism in the South, as Wright asks “what quality of will must a Negro possess to live and die with dignity in a country that denied his humanity.” All five stories Wright included in the 1940 second edition are published in this volume, along with his sardonic autobiographical essay “The Ethics of Living Jim Crow.”Richard Wright was “forged in injustice as a sword is forged,” wrote Ernest Hemingway. With passionate honesty and courage, he confronted the terrible effects of prejudice and intolerance and created works that explore the deepest conflicts of the human heart.This Library of America edition presents for the first time Wright’s works in the form in which he intended them to be read. The authoritative new texts, based on Wright’s original typescripts and proofs, reveal the full range and power of his achievement as an experimental stylist and as a fiery prophet of the tragic consequences of racism in American society. The volume includes notes on significant changes in Wright’s text and a detailed chronology of his life.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

The concluding volume that reprints for the first time the classic Star Wars newspaper strip in its complete format. No other edition includes each Sunday page title header and "bonus" panels in their meticulously restored original color.Featuring nine key stories from Star Wars Legends written by Archie Goodwin and illustrated by Al Williamson. Included are "A New Beginning," "Revenge of the Jedi," "Doom Mission," and "The Final Trap," among others in the complete newspaper strips from July 26, 1982 to March 11, 1984.