Other editions of book Fathers and Sons

In this masterly unromantic novel, Turgenev drew a character, Bazarov, who served to express what he taught us to call Nihilism, and made a movement into a man. In Russia itself the effect of the story was astonishing. The portrait of Bazarov was immediately and angrily resented as a cold travesty. The portraits of the "backwoodsmen," or retired aristocrats, fared no better. Turgenev had indeed roused the ire of both sides, only too surely. The Petrovitchs, typical figures as he designed them of the Russian nobility, were intended he confessed to breathe "feebleness, nonchalance, narrowness of mind." His sense of fitness made him paint with extreme care these choice representatives of their class. They were the pick, and if they were humanly ineffective, what of their weaker kind? "Si la crême est mauvaise, que sera le lait?" as he put it. The bitterest criticism came, however, from the side of the revolutionaries and incompatibles. They felt in Turgenev the sharper artistry and the intimate irony as if he had only used these qualities in dealing with the specific case of Bazarov; whereas they were temperamental effects of his narrative art. He was ready to assert himself one of the party of youth. He was at one with Bazarov, he declared, in nearly all his ideas, a chief exception being Bazarov's ideas on art, which in truth are apt to be more crudely delivered than the rest of that iconoclast's destructive opinions. Bazarov, he said once and again, was his favourite child. It is nearly forty years now (in 1921) since the novel appeared in The Russian Messenger, a weekly which was the recognised exponent of the new movement. That proverbial period has lent a softer cast to the lineaments of the people in the group, as time touches the canvas of the pictures in an old country-house gallery. But the interesting thing is to find that history in the large has terribly and irresistibly confirmed the history in little that Turgenev drew, with a sure instinct, for the potential anticipations of his saga. But we should be wrong if we mistook its clear pervading realities for those of a tract-novel, or a document of any one particular generation. It is as its title declares in a sense another fable of the inevitable coil and recoil of the two generations. The sympathetic power of Turgenev is shown in his instinctive understanding of them both. An aristocrat by training, he was saved as Tolstoi was from sterilising his imaginative and dramatic powers by any sense of caste and privilege. He loved the play of human nature, knew how to reckon with its foibles, its pride, habitual prejudices, and all tragic and comic susceptibilities. So he drew Bazarov, as a protagonist of the revolt against the old order and the protective habit of age. When Bazarov enters the house of Arkady's father, he is like Don Quixote entering the inn of his direst probation. If the parallel seems a trifle fantastic, it was yet one that Turgenev would let pass, since he affirmed that Don Quixote himself was, in his inimitable extravagance, a type of the eternal spirit of revolution. And one would like, if there were room for it, to print as preamble to Fathers and Sons, the essay in which its writer has compared the deeper essentials of Hamlet and Quixote.

Fathers and Sons Ivan Turgenev Translated from Russian to English by Richard Hare Fathers and Sons, also translated more literally as Fathers and Children, is an 1862 novel by Ivan Turgenev, and vies with A Nest of Gentlefolk for the repute of being his best novel. Arkady Kirsanov has just graduated from the University of Petersburg and returns with a friend, Bazarov, to his father's modest estate in an outlying province of Russia. His father, Nikolai, gladly receives the two young men at his estate, called Maryino, but Nikolai's brother, Pavel, soon becomes upset by the strange new philosophy called "nihilism" which the young men advocate. Nikolai, initially delighted to have his son return home, slowly begins to feel unease, and a certain awkwardness in his regard, as it emerges that Arkady's views, much influenced by Bazarov, are radical and make his own beliefs feel dated. To complicate this, the father has taken a servant, Fenichka, into his house to live with him and has already had a son by her. Arkady however is not troubled by the relationship: to the contrary, he openly celebrates the acquisition of a younger brother.

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When Arkady Petrovich comes home from college, his father finds his eager, naive son changed almost beyond recognition, for the impressionable Arkady has fallen under the powerful influence of the friend accompanying him. A self-proclaimed nihilist, the ardent young Bazarov shocks Arkady's father by criticizing the landowning way of life and by his outspoken determination to sweep away the traditional values of contemporary Russian society. Turgenev's depiction of the conflict between generations and their ideals stunned readers when "Fathers and Sons" was first published in 1862. But many could sympathize with Arkady's fascination with the nihilistic hero whose story vividly captures the hopes and regrets of a changing Russia.

One of the most controversial Russian novels ever written, Fathers and Sons dramatizes the volcanic social conflicts that divided Russia just before the revolution, pitting peasants against masters, traditionalists against intellectuals, and fathers against sons. It is also a timeless depiction of the ongoing clash between generations. When a young graduate returns home, he is accompanied--much to his father and uncle's discomfort--by a strange friend who does not acknowledge any authority and does not accept any principle on faith. Bazarov is a nihilist, representing the new class of youthful radical intelligentsia that would come to overthrow the Russian aristocracy and its values. Uncouth and forthright in his opinions, Turgenev's hero is nonetheless susceptible to love and, by that fact, doomed to unhappiness.

You’re in for a delightful surprise if you’re one of the many people who believe all Russian literature is daunting and difficult. Ivan Turgenev’s stories have enchanted generations with delicate prose, marvelously subtle irony, and richly crafted characters. Set against the serene backdrop of the Russian countryside, Fathers and Sons is the story of Arcady Kirsanov, a young man who returns from college to his father’s country manor with his radical friend Bazarov in tow. Behind Bazarov’s chilling intellect hides a heart of compassion and kindness—a heart that will unwittingly change the Kirsanovs’ lives forever.