Other editions of book Le Morte Darthur by Malory,Sir Thomas.

Le Morte d'Arthur (originally spelled Le Morte Darthur, Middle French for "the death of Arthur") is a reworking of existing tales by Sir Thomas Malory about the legendary King Arthur, Guinevere, Lancelot, Merlin, and the Knights of the Round Table. Le Morte d'Arthur was first published in 1485 by William Caxton, and is today one of the best-known works of Arthurian literature in English.

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How Uther Pendragon sent for the duke of Cornwall and Igraine his wife, and of their departing suddenly again. IT befell in the days of Uther Pendragon, when he was king of all England, and so reigned, that there was a mighty duke in Cornwall that held war against him long time. And the duke was called the Duke of Tintagil. And so by means King Uther sent for this duke, charging him to bring his wife with him, for she was called a fair lady, and a passing wise, and her name was called Igraine. So when the duke and his wife were come unto the king, by the means of great lords they were accorded both. The king liked and loved this lady well, and he made them great cheer out of measure, and desired to have lain by her. But she was a passing good woman, and would not assent unto the king. And then she told the duke her husband, and said, I suppose that we were sent for that I should be dishonoured; wherefore, husband, I counsel you, that we depart from hence suddenly, that we may ride all night unto our own castle. And in like wise as she said so they departed, that neither the king nor none of his council were ware of their departing. All so soon as King Uther knew of their departing so suddenly, he was wonderly wroth. Then he called to him his privy council, and told them of the sudden departing of the duke and his wife. Then they advised the king to send for the duke and his wife by a great charge; and if he will not come at your summons, then may ye do your best, then have ye cause to make mighty war upon him. So that was done, and the messengers had their answers; and that was this shortly, that neither he nor his wife would not come at him.

The legends of King Arthur and his knights of the Round Table have inspired some of the greatest works of literature--from Cervantes's Don Quixote to Tennyson's Idylls of the King. Although many versions exist, Malory's stands as the classic rendition. Malory wrote the book while in Newgate Prison during the last three years of his life; it was published some fourteen years later, in 1485, by William Caxton. The tales, steeped in the magic of Merlin, the powerful cords of the chivalric code, and the age-old dramas of love and death, resound across the centuries.The stories of King Arthur, Lancelot, Queen Guenever, and Tristram and Isolde seem astonishingly moving and modern. Malory's Le Morte d'Arthur endures and inspires because it embodies mankind's deepest yearnings for brotherhood and community, a love worth dying for, and valor, honor, and chivalry.

Le Morte d'Arthur is a compilation by Sir Thomas Malory (1400–1470) of traditional tales about the legendary King Arthur, Guinevere, Lancelot, and the Knights of the Round Table. Malory interprets existing French and English stories about these figures. First published in 1485 by William Caxton, Le Morte d'Arthur is today perhaps the best-known work of Arthurian literature in English. Many modern Arthurian writers have used Malory as their principal source, including T. H. White in The Once and Future King and Tennyson in The Idylls of the King. In 1892, London publisher J. M. Dent & Co. decided to produce an illustrated edition of Le Morte D’Arthur in modern spelling. They chose a 20-year-old insurance-office clerk and art student, Aubrey Beardsley, to illustrate the work. It was issued in 12 parts between June 1893 and mid-1894, and met with only modest success at the time. However, it has since been described as Beardsley's first masterpiece, launching what has come to be known as the "Beardsley look". It was his first major commission, and included nearly 585 chapter openings, borders, initials, ornaments and full- or double-page illustrations. This book is a facsimile of the Beardsley edition, complete with Malory's unabridged text. Beardsley was a leading figure in the Aesthetic movement which also included Oscar Wilde and James A. McNeill Whistler. Beardsley's contribution to the development of the Art Nouveau and poster styles was significant, despite the brevity of his career before his early death from tuberculosis. His drawings in black ink, influenced by the style of Japanese woodcuts, emphasized the grotesque, the decadent, and the erotic. Together, Sir Thomas Malory’s words and Aubrey Beardsley’s drawings make an unforgettable classic.

Le Morte d'Arthur (originally spelled Le Morte Darthur, Middle French for "the death of Arthur") is a compilation by Sir Thomas Malory of Romance tales about the legendary King Arthur, Guinevere, Lancelot, and the Knights of the Round Table. The book interprets existing French and English stories about these figures, with some of Malory's own original material

Le Morte d'Arthur (originally spelt Le Morte Darthur, Middle French for "the death of Arthur"[1]) is a reworking of traditional tales by Sir Thomas Malory about the legendary King Arthur, Guinevere, Lancelot, Merlin and the Knights of the Round Table. Malory interprets existing French and English stories about these figures and adds original material (e.g., the Gareth story). Le Morte d'Arthur was first published in 1485 by William Caxton, and is today perhaps one of the best-known works of Arthurian literature in English. Many modern Arthurian writers have used Malory as their principal source, including T. H. White in his popular The Once and Future King and Tennyson in The Idylls of the King.