Other editions of book The Door in the Wall and Other Stories

One confidential evening, not three months ago, Lionel Wallace told me this story of the Door in the Wall. And at the time I thought that so far as he was concerned it was a true story. He told it me with such a direct simplicity of conviction that I could not do otherwise than believe in him. But in the morning, in my own flat, I woke to a different atmosphere, and as I lay in bed and recalled the things he had told me, stripped of the glamour of his earnest slow voice, denuded of the focussed shaded table light, the shadowy atmosphere that wrapped about him and the pleasant bright things, the dessert and glasses and napery of the dinner we had shared, making them for the time a bright little world quite cut off from every-day realities, I saw it all as frankly incredible. "He was mystifying!" I said, and then: "How well he did it!. . . . . It isn't quite the thing I should have expected him, of all people, to do well." Afterwards, as I sat up in bed and sipped my morning tea, I found myself trying to account for the flavour of reality that perplexed me in his impossible reminiscences, by supposing they did in some way suggest, present, convey—I hardly know which word to use—experiences it was otherwise impossible to tell.

We are delighted to publish this classic book as part of our extensive classic literature collection. This book is a reproduction of an important historical work. Unlike some other reproductions of classic texts, We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. Also in books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy. We use state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.H. G. Wells’s short story “The Door in the Wall” was first published in 1911 as part of a collection titled The Door in the Wall, and Other Stories. The conflict between science and imagination is the major theme of the story, which was enormously popular when it first appeared. Today Wells’s reputation rests almost entirely upon his science fiction novels, which include The Time Machine (1895), The Island of Dr. Moreau (1896), The Invisible Man (1897), and The War of the Worlds (1898), all of which are acknowledged classics of the science fiction genre and continue to be widely read and adapted into other media. “The Door in the Wall” is considered by both readers and critics to be Wells’s finest short story.

The conflict between science and imagination is the major theme of the story, which was enormously popular when it first appeared. Today Wells’s reputation rests almost entirely upon his science fiction novels, which include The Time Machine (1895), The Island of Dr. Moreau (1896), The Invisible Man (1897), and The War of the Worlds (1898), all of which are acknowledged classics of the science fiction genre and continue to be widely read and adapted into other media. “The Door in the Wall” is considered by both readers and critics to be Wells’s finest short story. Includes; The Door in the Wall The Star A Dream of Armageddon The Cone A Moonlight Fable The Diamond Maker The Lord of the Dynamos The Country of the blind

Lionel Wallace is a successful politician. He tells his friend Redmond about an even that changed his life forever. As a lonely child of five, he wandered out of his home into the streets of West Kensington in London, where he noticed a green door set in a white wall. Entering the door, he finds himself in an enchanted garden. The garden is filled with happiness and exotic creatures, and here he meets a strange girl.

The Door in the Wall, considered by both readers and critics, to be Wells’s finest tale, examines an issue to which Wells returned repeatedly in his writing: the contrast between aesthetics and science and the difficulty of choosing between them. This collection also includes The Star, A Dream of Armageddon, The Cone, A Moonlight Fable, The DiamondMaker, The Lord of the Dynamos, and The Country of the Blind.

He told it me with such a direct simplicity of conviction that I could not do otherwise than be-lieve in him. But in the morning, in my own flat, I woke to a different atmosphere, and as I lay in bed and recalled the things he had told me, stripped of the glamour of his earnest slow voice, denuded of the focussed shaded table light, the shadowy atmosphere that wrapped about him and the pleasant bright things, the dessert and glasses and napery of the dinner we had shared, making them for the time a bright little world quite cut off from every-day realities, I saw it all as frankly incredible. “He was mystifying!” I said, and then: “How well he did it!. . . . . It isn‟t quite the thing I should have expected him, of all peo-ple, to do well.”

He told it me with such a direct simplicity of conviction that I could not do otherwise than believe in him. But in the morning, in my own flat, I woke to a different atmosphere, and as I lay in bed and recalled the things he had told me, stripped of the glamour of his earnest slow voice, denuded of the focussed shaded table light, the shadowy atmosphere that wrapped about him and the pleasant bright things, the dessert and glasses and napery of the dinner we had shared, making them for the time a bright little world quite cut off from every–day realities, I saw it all as frankly incredible. "He was mystifying!" I said, and then: "How well he did it!…. . It isn't quite the thing I should have expected him, of all people, to do well."

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Lionel Wallace is a successful politician. He tells his friend Redmond about an even that changed his life forever. As a lonely child of five, he wandered out of his home into the streets of West Kensington in London, where he noticed a green door set in a white wall. Entering the door, he finds himself in an enchanted garden. The garden is filled with happiness and exotic creatures, and here he meets a strange girl.