Other editions of book The Canterbury Tales: From The Text And With The Notes And Glossary Of Thomas Tyrwhitt

“This book has been more helpful to the students—both the better ones and the lesser ones—than any other book I have ever used in any of my classes in my more than a quarter century of university teaching.”—RICHARD L. KIRKWOOD, University of Wisconsin–Eau ClaireThis Norton Critical Edition includes:• The medieval masterpiece’s most popular tales, including—new to the Third Edition—The Man of Law’s Prologue and Tale and The Second Nun’s Prologue and Tale.• Extensive marginal glosses, explanatory footnotes, a preface, and a guide to Chaucer’s language by V. A. Kolve and Glending Olson.• Sources and analogues arranged by tale.• Twelve critical essays, seven of them new to the Third Edition.• A Chronology, a Short Glossary, and a Selected Bibliography.About the SeriesRead by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts, and criticism—helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

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The Canterbury Tales (Middle English: Tales of Caunterbury[2]) is a collection of 24 stories that runs to over 17,000 lines written in Middle English by Geoffrey Chaucer between 1387 and 1400.[3] In 1386, Chaucer became Controller of Customs and Justice of Peace and, in 1389, Clerk of the King's work.[4] It was during these years that Chaucer began working on his most famous text, The Canterbury Tales. The tales (mostly written in verse, although some are in prose) are presented as part of a story-telling contest by a group of pilgrims as they travel together from London to Canterbury to visit the shrine of Saint Thomas Becket at Canterbury Cathedral. The prize for this contest is a free meal at the Tabard Inn at Southwark on their return.After a long list of works written earlier in his career, including Troilus and Criseyde, House of Fame, and Parliament of Fowls, The Canterbury Tales is near-unanimously seen as Chaucer's magnum opus. He uses the tales and descriptions of its characters to paint an ironic and critical portrait of English society at the time, and particularly of the Church. Chaucer's use of such a wide range of classes and types of people was without precedent in English. Although the characters are fictional, they still offer a variety of insights into customs and practices of the time. Often, such insight leads to a variety of discussions and disagreements among people in the 14th century. For example, although various social classes are represented in these stories and all of the pilgrims are on a spiritual quest, it is apparent that they are more concerned with worldly things than spiritual. Structurally, the collection resembles Giovanni Boccaccio's The Decameron, which Chaucer may have read during his first diplomatic mission to Italy in 1372.It has been suggested that the greatest contribution of The Canterbury Tales to English literature was the popularisation of the English vernacular in mainstream literature, as opposed to French, Italian or Latin. English had, however, been used as a literary language centuries before Chaucer's time, and several of Chaucer's contemporaries—John Gower, William Langland, the Pearl Poet, and Julian of Norwich—also wrote major literary works in English. It is unclear to what extent Chaucer was seminal in this evolution of literary preference.While Chaucer clearly states the addressees of many of his poems, the intended audience of The Canterbury Tales is more difficult to determine. Chaucer was a courtier, leading some to believe that he was mainly a court poet who wrote exclusively for nobility.The Canterbury Tales is generally thought to have been incomplete at the end of Chaucer's life. In the General Prologue,[5] some 30 pilgrims are introduced. According to the Prologue, Chaucer's intention was to write four stories from the perspective of each pilgrim, two each on the way to and from their ultimate destination, St. Thomas Becket's shrine (making for a total of about 120 stories). Although perhaps incomplete, The Canterbury Tales is revered as one of the most important works in English literature. It is also open to a wide range of interpretations.[6]

Lively, absorbing, often outrageously funny, Chaucer’s The Canterbury Tales is a work of genius, an undisputed classic that has held a special appeal for each generation of readers. The Tales gathers twenty-nine of literature’s most enduring (and endearing) characters in a vivid group portrait that captures the full spectrum of medieval society, from the exalted Knight to the humble Plowman. This new edition includes a comprehensive introduction that summarizes some of the most important historical events and movements that defined the world of Chaucer and his pilgrims; two additional tales (Reeve’s and Shipman’s); introductions for each tale designed to prepare the reader for a better understanding and enjoyment of the tale; newly written and conveniently placed explanatory notes; and a new, more easily understood system for learning to pronounce Chaucerian Middle English.From the Paperback edition.

You get the full original text of The Canterbury Tales: The Miller’s Tale by Geoffrey Chaucer interwoven with a smart, plain-spoken guide to the characters, quotes, themes, symbols, and more from Shmoop. Designed exclusively for Kindle readers, Shmoop Classics for Kindle offer the original text of some of the greatest works of literature with a built-in interactive guide to help you dig deep into the characters, symbols, themes, and big questions of the play. For the student and the life-long learner alike, take your classroom on the road and build your brain muscles daily. No need to weigh your backpack down, no need to waste paper, no need to get sleepy in class. Shmoop is here to make you a better lover of literature and to help you discover connections to other works of literature, history, current events, and pop culture. You’ll find thought-provoking character analyses, quotes, summaries, themes, symbols, trivia, and lots of insightful commentary. Key quotes from the original text are linked to deep analysis from Shmoop. Academics from top universities, including Stanford, Berkeley, Harvard, and Columbia, have written content designed to engage you and to get your brain bubbling. With Shmoop’s fun, conversational, and accessible tone, you’ll feel as though you are chatting with friends over coffee. These interactive study guides will help you discover and rediscover some of the greatest works of all time. For more information, check out http://www.shmoop.com/kindle/ "Best of the Internet" - PC Magazine "Shmoop impresses me because it is intentionally about learning, and the joy of learning, not just about passing courses and jumping through educational hoops." - Paul Hamilton, teacher and education blogger "Shmoop features deep analysis of topics in history and literature, sprinkled with a heavy dose of wry humor." – eSchoolNews

The Canterbury Tales (Middle English: Tales of Caunterbury[2]) is a collection of 24 stories that runs to over 17,000 lines written in Middle English by Geoffrey Chaucer between 1387 and 1400.[3] In 1386, Chaucer became Controller of Customs and Justice of Peace and, in 1389, Clerk of the King's work.[4] It was during these years that Chaucer began working on his most famous text, The Canterbury Tales. The tales (mostly written in verse, although some are in prose) are presented as part of a story-telling contest by a group of pilgrims as they travel together from London to Canterbury to visit the shrine of Saint Thomas Becket at Canterbury Cathedral. The prize for this contest is a free meal at the Tabard Inn at Southwark on their return.After a long list of works written earlier in his career, including Troilus and Criseyde, House of Fame, and Parliament of Fowls, The Canterbury Tales is near-unanimously seen as Chaucer's magnum opus. He uses the tales and descriptions of its characters to paint an ironic and critical portrait of English society at the time, and particularly of the Church. Chaucer's use of such a wide range of classes and types of people was without precedent in English. Although the characters are fictional, they still offer a variety of insights into customs and practices of the time. Often, such insight leads to a variety of discussions and disagreements among people in the 14th century. For example, although various social classes are represented in these stories and all of the pilgrims are on a spiritual quest, it is apparent that they are more concerned with worldly things than spiritual. Structurally, the collection resembles Giovanni Boccaccio's The Decameron, which Chaucer may have read during his first diplomatic mission to Italy in 1372.It has been suggested that the greatest contribution of The Canterbury Tales to English literature was the popularisation of the English vernacular in mainstream literature, as opposed to French, Italian or Latin. English had, however, been used as a literary language centuries before Chaucer's time, and several of Chaucer's contemporaries—John Gower, William Langland, the Pearl Poet, and Julian of Norwich—also wrote major literary works in English. It is unclear to what extent Chaucer was seminal in this evolution of literary preference.While Chaucer clearly states the addressees of many of his poems, the intended audience of The Canterbury Tales is more difficult to determine. Chaucer was a courtier, leading some to believe that he was mainly a court poet who wrote exclusively for nobility.The Canterbury Tales is generally thought to have been incomplete at the end of Chaucer's life. In the General Prologue,[5] some 30 pilgrims are introduced. According to the Prologue, Chaucer's intention was to write four stories from the perspective of each pilgrim, two each on the way to and from their ultimate destination, St. Thomas Becket's shrine (making for a total of about 120 stories). Although perhaps incomplete, The Canterbury Tales is revered as one of the most important works in English literature. It is also open to a wide range of interpretations.[6]

The Canterbury Tales by Geoffrey Chaucer, an English poet, "the father of an English poetry" is an unfinished collection of 22 poems and two prosaic novellas, united by a common frame: the stories are told by the pilgrims who travel to bow to the remains of Saint Thomas Backet at Canterbury.The book displays brightly wonderful features of Chaucer's humanity: optimistic life attitude, interest in a specific person, social equity feeling, nationality and democracy. In his collection Chaucer managed to show a wide picture of the English reality of that era.

The Canterbury Tales (Middle English: Tales of Caunterbury[2]) is a collection of 24 stories that runs to over 17,000 lines written in Middle English by Geoffrey Chaucer between 1387 and 1400.[3] In 1386, Chaucer became Controller of Customs and Justice of Peace and, in 1389, Clerk of the King's work.[4] It was during these years that Chaucer began working on his most famous text, The Canterbury Tales. The tales (mostly written in verse, although some are in prose) are presented as part of a story-telling contest by a group of pilgrims as they travel together from London to Canterbury to visit the shrine of Saint Thomas Becket at Canterbury Cathedral. The prize for this contest is a free meal at the Tabard Inn at Southwark on their return.After a long list of works written earlier in his career, including Troilus and Criseyde, House of Fame, and Parliament of Fowls, The Canterbury Tales is near-unanimously seen as Chaucer's magnum opus. He uses the tales and descriptions of its characters to paint an ironic and critical portrait of English society at the time, and particularly of the Church. Chaucer's use of such a wide range of classes and types of people was without precedent in English. Although the characters are fictional, they still offer a variety of insights into customs and practices of the time. Often, such insight leads to a variety of discussions and disagreements among people in the 14th century. For example, although various social classes are represented in these stories and all of the pilgrims are on a spiritual quest, it is apparent that they are more concerned with worldly things than spiritual. Structurally, the collection resembles Giovanni Boccaccio's The Decameron, which Chaucer may have read during his first diplomatic mission to Italy in 1372.It has been suggested that the greatest contribution of The Canterbury Tales to English literature was the popularisation of the English vernacular in mainstream literature, as opposed to French, Italian or Latin. English had, however, been used as a literary language centuries before Chaucer's time, and several of Chaucer's contemporaries—John Gower, William Langland, the Pearl Poet, and Julian of Norwich—also wrote major literary works in English. It is unclear to what extent Chaucer was seminal in this evolution of literary preference.While Chaucer clearly states the addressees of many of his poems, the intended audience of The Canterbury Tales is more difficult to determine. Chaucer was a courtier, leading some to believe that he was mainly a court poet who wrote exclusively for nobility.The Canterbury Tales is generally thought to have been incomplete at the end of Chaucer's life. In the General Prologue,[5] some 30 pilgrims are introduced. According to the Prologue, Chaucer's intention was to write four stories from the perspective of each pilgrim, two each on the way to and from their ultimate destination, St. Thomas Becket's shrine (making for a total of about 120 stories). Although perhaps incomplete, The Canterbury Tales is revered as one of the most important works in English literature. It is also open to a wide range of interpretations.[6]

About Sheila Fisher’s translation Preserving Chaucer’s rhyme and meter, Sheila Fisher’s vivid, lively, and readable translation makes the poetic artistry of The Canterbury Tales accessible to a contemporary ear and invites readers, even those who have read the work before in Middle English, to a new appreciation of its delightful stories and unforgettable, surprisingly modern characters.

The Canterbury Tales are presented as part of a story-telling contest by a group of pilgrims as they travel together from London to Canterbury to visit the shrine of Saint Thomas Becket at Canterbury Cathedral. The prize for this contest is a free meal at the Tabard Inn at Southwark on their return. Structurally, the collection resembles Giovanni Boccaccio's The Decameron, which Chaucer may have read during his first diplomatic mission to Italy in 1372. While the structure of the Tales is largely linear, with one story following another, it is also much more than that. In the General Prologue, Chaucer describes not the tales to be told, but the people who will tell them, making it clear that structure will depend on the characters rather than a general theme or moral.This Chaucer's work is a seminal masterpiecefor of english literature. It is usually considered the first attempt to popularise the literary use of the vernacular English. Preface and notes by David Laing Purves.