Other editions of book The Hand of Ethelberta: A Comedy in Chapters

The Hand of Ethelberta: A Comedy in Chapters is a novel by Thomas Hardy, published in 1876. It was written, in serial form, for the Cornhill Magazine, which was edited by Leslie Stephen, a friend and mentor of Hardy's. Unlike the majority of Hardy's fiction, the novel is a comedy, with both humour and a happy ending for the major characters and no suicides or tragic deaths. The late nineteenth century novelist George Gissing, who knew Hardy, considered it 'surely old Hardy's poorest book'

The Hand of Ethelberta: A Comedy in Chapters is a novel by Thomas Hardy, published in 1876. It was written, in serial form, for the Cornhill Magazine, which was edited by Leslie Stephen, a friend and mentor of Hardy's. Unlike the majority of Hardy's fiction, the novel is a comedy, with both humour and a happy ending for the major characters and no suicides or tragic deaths. The late nineteenth century novelist George Gissing, who knew Hardy, considered it 'surely old Hardy's poorest book'

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The only novel from Hardy that that provides a lighter tale, The Hand of Ethelberta, gives account of the life of a woman who lifts herself to the higher classes of the society.This somewhat frivolous narrative was produced as an interlude between stories of a more sober design, and it was given the sub–title of a comedy to indicate—though not quite accurately—the aim of the performance. A high degree of probability was not attempted in the arrangement of the incidents, and there was expected of the reader a certain lightness of mood, which should inform him with a good–natured willingness to accept the production in the spirit in which it was offered. The characters themselves, however, were meant to be consistent and human. On its first appearance the novel suffered, perhaps deservedly, for what was involved in these intentions—for its quality of unexpectedness in particular—that unforgivable sin in the critic's sight—the immediate precursor of 'Ethelberta' having been a purely rural tale. Moreover, in its choice of medium, and line of perspective, it undertook a delicate task: to excite interest in a drama—if such a dignified word may be used in the connection— wherein servants were as important as, or more important than, their masters; wherein the drawing–room was sketched in many cases from the point of view of the servants' hall.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

Adventuress and opportunist, Ethelberta reinvents herself to disguise her humble origins, launching a brilliant career as a society poet in London with her family acting incognito as her servants. Turning the male-dominated literary world to her advantage, she happily exploits the attentions of four very different suitors. Will she bestow her hand upon the richest of them, or on the man she loves? Ethelberta Petherwin, alias Berta Chickerel, moves with easy grace between her multiple identities, cleverly managing a tissue of lies to aid her meteoric rise. In "The Hand of Ethelberta" (1876), Hardy drew on conventions of popular romances, illustrated weeklies, plays, fashion plates, and even his wife's diary in this comic story of a woman in control of her destiny.

Excerpt from The Hand of Ethelberta: A Comedy in ChaptersThis somewhat frivolous narrative was produced as an interlude between stories of a more sober design, and it was given the sub-title of a comedy to indicate though not quite accurately - the aim of the perform ance. A high degree of probability was not attempted.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Hand of Ethelberta: A Comedy in Chapters is a novel by Thomas Hardy, published in 1876. It was written, in serial form, for the Cornhill Magazine, which was edited by Leslie Stephen, a friend and mentor of Hardy's. Unlike the majority of Hardy's fiction, the novel is a comedy, with both humour and a happy ending for the major characters and no suicides or tragic deaths. The late nineteenth century novelist George Gissing, who knew Hardy, considered it 'surely old Hardy's poorest book'.

After the great success of "Far From the Madding Crowd", its editor, Leslie Stephen, asked Thomas Hardy for another novel. "The Hand of Ethelberta", Hardy’s fifth published novel, first appeared in the Cornhill Magazine between July 1875 and May 1876. In "The Hand of Ethelberta", Hardy drew on conventions of popular romances, illustrated weeklies, plays, fashion plates, and even his wife's diary in this comic story of a woman in control of her destiny. Ethelberta was raised in humble circumstances but became a governess and consequently, at the age of 18, married well. However, her husband died two weeks after the wedding. Her father-in-law, Lord Petherwin, died shortly afterwards. Ethelberta (now 21) lives with her mother-in-law, Lady Petherwin. In the three years that have elapsed since her marriage, Ethelberta has been treated to foreign travel and further privileges by Lady Petherwin but restricted from seeing her own family. The story follows Ethelberta's career as a famous poetess and storyteller. Meanwhile, she struggles to support her family and conceal the fact that her father is a butler. Ethelberta easily attracts four very persistent suitors but is reluctant to give her much-coveted hand.