Other editions of book The Merry Wives of Windsor

he Merry Wives of Windsor is a comedy by William Shakespeare first published in 1602, though believed to have been written in or before 1597. The Windsor of the play's title is a reference to the town of Windsor, also the location of Windsor Castle, in Berkshire, England. Though nominally set in the reign of Henry IV, the play makes no pretense to exist outside contemporary Elizabethan era English middle class life. It features the character Sir John Falstaff, the fat knight who had previously been featured in Henry IV, Part 1 and Part 2. It has been adapted for the opera on several occasions. The play is one of Shakespeare's lesser-regarded works among literary critics.

Merry Mischief-- Arriving in Windsor with very little money, John Falstaff decides to raise funds by wooing two wealthy, married women. His servants refuse to help him, and after being sacked they go to the husbands of Falstaff's intended targets. Falstaff send both women, Mistress Ford and Mistress Page, almost identical letters. The two discover Falstaff's intentions and together decide to make sport of him and pretend to be amenable to his advances. Thine own true knight, By day or night, Or any kind of light, With all his might, For thee to fight Coycoy brings great works of literature from the past centuries, holding the highest standards and reproduce the text as its earliest readers would have encountered it. Look for more titles in the Coycoy's collection to build your own and best library. @coycoy.editorial

The Wonder of Shakespeare One who reads a few of Shakespeare's great plays and then the meager story of his life is generally filled with a vague wonder. Here is an unknown country boy, poor and poorly educated according to the standards of his age, who arrives at the great city of London and goes to work at odd jobs in a theater. In a year or two he is associated with scholars and dramatists, the masters of their age, writing plays of kings and clowns, of gentlemen and heroes and noble women, all of whose lives he seems to know by intimate association. In a few years more he leads all that brilliant group of poets and dramatists who have given undying glory to the Age of Elizabeth. Play after play runs from his pen, mighty dramas of human life and character following one another so rapidly that good work seems impossible; yet they stand the test of time, and their poetry is still unrivaled in any language. For all this great work the author apparently cares little, since he makes no attempt to collect or preserve his writings. A thousand scholars have ever since been busy collecting, identifying, classifying the works which this magnificent workman tossed aside so carelessly when he abandoned the drama and retired to his native village. He has a marvelously imaginative and creative mind; but he invents few, if any, new plots or stories. He simply takes an old play or an old poem, makes it over quickly, and lo! this old familiar material glows with the deepest thoughts and the tenderest feelings that ennoble our humanity; and each new generation of men finds it more wonderful than the last. How did he do it? That is still an unanswered question and the source of our wonder.

I. 1 Scene I. Windsor. Before Page's house. Enter Justice Shallow, Slender, and Sir Hugh Evans. Shal. Sir Hugh, persuade me not; I will make a Star-chamber matter of it: if he were twenty Sir John Falstaffs, he shall not abuse Robert Shallow, esquire. Slen. In the county of Gloucester, justice of peace 5 and 'Coram.' Shal. Ay, cousin Slender, and 'Custalorum.' Slen. Ay, and 'Rato-lorum' too; and a gentleman born, master parson; who writes himself 'Armigero,' in any bill, warrant, quittance, or obligation, 'Armigero.' 10 Shal. Ay, that I do; and have done any time these three hundred years. Slen. All his successors gone before him hath done't; and all his ancestors that come after him may: they may 15 give the dozen white luces in their coat. Shal. It is an old coat. Evans. The dozen white louses do become an old coat well; it agrees well, passant; it is a familiar beast to man, and signifies love. Shal. The luce is the fresh fish; the salt fish is an 20 old coat. Slen. I may quarter, coz. Shal. You may, by marrying. Evans. It is marring indeed, if he quarter it. Shal. Not a whit.

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Annotated with an introduction image.The Merry Wives of Windsor is a comedy by William Shakespeare, first published in 1602, though believed to have been written prior to 1597. It features the fat knight Sir John Falstaff, and is Shakespeare's only play to deal exclusively with contemporary Elizabethan era English middle class life. It has been adapted for the opera on occasions.

SHALLOW. Sir Hugh, persuade me not; I will make a Star Chamber matter of it; if he were twenty Sir John Falstaffs, he shall not abuse Robert Shallow, esquire. SLENDER. In the county of Gloucester, Justice of Peace, and Coram. SHALLOW. Ay, cousin Slender, and Custalorum. SLENDER. Ay, and Ratolorum too; and a gentleman born, Master Parson, who writes himself 'Armigero' in any bill, warrant, quittance, or obligation-'Armigero.' SHALLOW. Ay, that I do; and have done any time these three hundred years.

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The Merry Wives of Windsor is a comedy by William Shakespeare first published in 1602, though believed to have been written in or before 1597. The Windsor of the play's title is a reference to the town of Windsor, also the location of Windsor Castle, in Berkshire, England. Though nominally set in the reign of Henry IV, the play makes no pretense to exist outside contemporary Elizabethan era English middle class life. It features the character Sir John Falstaff, the fat knight who had previously been featured in Henry IV, Part 1 and Part 2. It has been adapted for the opera on several occasions. The play is one of Shakespeare's lesser-regarded works among literary critics.

Shakespeare’s “merry wives” are Mistress Ford and Mistress Page of the town of Windsor. The two play practical jokes on Mistress Ford’s jealous husband and a visiting knight, Sir John Falstaff. Merry wives, jealous husbands, and predatory knights were common in a kind of play called “citizen comedy” or “city comedy.” In such plays, courtiers, gentlemen, or knights use social superiority to seduce citizens’ wives. The Windsor wives, though, do not follow that pattern. Instead, Falstaff’s offer of himself as lover inspires their torment of him. Falstaff responds with the same linguistic facility that Shakespeare gives him in the history plays in which he appears, making him the “hero” of the play for many audiences.

Excerpt from The Merry Wives of WindsorAll his successors gone before him hath done't; and all his ancestors that come after him may: they may give the dozen white luces in their coat.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.