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Lord Jim by Joseph Conrad. The story focuses on an early and primary event where there is an abandonment of a ship in distress by its crew including the young British seaman Jim. Any profits made from the sale of this book will go towards supporting the Freeriver Community project, a project that aims to support community and encourage well-being. To learn more about the Freeriver Community project please visit the website- www.freerivercommunity.com

When this novel first appeared in book form a notion got about that I had been bolted away with. Some reviewers maintained that the work starting as a short story had got beyond the writer's control. One or two discovered internal evidence of the fact, which seemed to amuse them. They pointed out the limitations of the narrative form. They argued that no man could have been expected to talk all that time, and other men to listen so long. It was not, they said, very credible.

One of the greatest English writers of the 19th century was a Polish-born man who couldn’t even speak English fluently until he had entered adulthood. Nevertheless, Joseph Conrad (1857-1924) went on to have a well-regarded literary career that bridged Romanticism and Modernism while also covering the zenith and twilight of the British empire. Conrad used his experience within the British empire to write novels and stories that often used the sea and navy as a setting, juxtaposing the individual human spirit with the collective duty and honor of the British navy. And though it was a second-language, Conrad mastered English prose.

This is a novel about a man's lifelong efforts to atone for an act of instinctive cowardice. Young Jim, chief mate of the Patna, dreams of being a hero. When the Patna threatens to sink and the cowardly officers decide to save their own skins and escape in the few lifeboats, Jim despises them. But at the last moment, dazed by horror and confusion, he joins them, deserting the 800 Muslim passengers to apparent death. Tormented by this act of cowardice and desertion, Jim flees to the West. Living among the natives in Patusan, a remote trading post in the jungle, he is able to cease sacrificing himself on the altar of conscience. When he defends Patusan against the evil ''Gentleman Brown,'' his efforts create order and well-being, thereby winning the respect and affection of the people for whom he becomes Tuan, or Lord Jim.

JOSEPH CONRAD (1857-1924) was one of the most remarkable figures in English literature. Born in Poland, and originally named Josef Teodor Konrad Walecz Korzeniowski, he went to sea at the age of seventeen and eventually joined the crew of an English vessel, becoming a British citizen in the process. He retired from the sea in 1894 and took up the pen, writing all his works in English, a language he had only learned as an adult. Despite this, he was a master stylist, both lush and precise. His outsider's eye gave him special insights into the moral dangers of the great age of European empires. In his prefactory note to this novel, Conrad said, "When this novel first appeared in book form a notion got about that I had been bolted away with. Some reviewers maintained that the work starting as a short story had got beyond the writer's control. One or two discovered internal evidence of the fact, which seemed to amuse them. They pointed out the limitations of the narrative form. They argued that no man could have been expected to talk all that time, and other men to listen so long. It was not, they said, very credible. After thinking it over for something like sixteen years, I am not so sure about that. Men have been known, both in the tropics and in the temperate zone, to sit up half the night 'swapping yarns.' This, however, is but one yarn, yet with interruptions affording some measure of relief. . . ."

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.