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CHRISTMAS EVERY DAYTURKEYS TURNING THE TABLESTHE PONY ENGINE AND THE PACIFIC EXPRESSTHE PUMPKIN-GLORYBUTTERFLYFLUTTERBY AND FLUTTERBYBUTTERFLYWilliam Dean Howells ( March 1, 1837 – May 11, 1920) was an American realist novelist, literary critic, and playwright, nicknamed "The Dean of American Letters". He was particularly known for his tenure as editor of The Atlantic Monthly, as well as for his own prolific writings, including the Christmas story "Christmas Every Day" and the novels The Rise of Silas Lapham and A Traveler from Altruria.Early life and familyWilliam Dean Howells was born on March 1, 1837, in Martinsville, Ohio (now known as Martins Ferry, Ohio), to William Cooper Howells and Mary Dean Howells,the second of eight children. His father was a newspaper editor and printer who moved frequently around Ohio.In 1840, the family settled in Hamilton, Ohio, where his father oversaw a Whig newspaper and followed Swedenborgianism.Their nine years there were the longest period that they stayed in one place. The family had to live frugally, although the young Howells was encouraged by his parents in his literary interests.He began at an early age to help his father with typesetting and printing work, a job known at the time as a printer's devil. In 1852, his father arranged to have one of his poems published in the Ohio State Journal without telling him.Literary criticismIn addition to his own creative works, Howells also wrote criticism, and essays about contemporary literary figures such as Henrik Ibsen, Émile Zola, Giovanni Verga, Benito Pérez Galdós, and, especially, Leo Tolstoy, which helped establish their reputations in the United States. He also wrote critically in support of American writers Hamlin Garland, Stephen Crane, Emily Dickinson, Mary E. Wilkins Freeman, Paul Laurence Dunbar, Sarah Orne Jewett, Charles W. Chesnutt, Abraham Cahan, Madison Cawein, and Frank Norris. It is perhaps in this role that he had his greatest influence. In his "Editor's Study" column at The Atlantic Monthly and, later, at Harper's, he formulated and disseminated his theories of "realism" in literature.Howells viewed realism as "nothing more and nothing less than the truthful treatment of material."In defense of the real, as opposed to the ideal, he wrote,"I hope the time is coming when not only the artist, but the common, average man, who always 'has the standard of the arts in his power,' will have also the courage to apply it, and will reject the ideal grasshopper wherever he finds it, in science, in literature, in art, because it is not 'simple, natural, and honest,' because it is not like a real grasshopper. But I will own that I think the time is yet far off, and that the people who have been brought up on the ideal grasshopper, the heroic grasshopper, the impassioned grasshopper, the self-devoted, adventureful, good old romantic card-board grasshopper, must die out before the simple, honest, and natural grasshopper can have a fair field."Howells believed the future of American writing was not in poetry but in novels, a form which he saw shifting from "romance" to a serious form.Howells was a Christian socialist whose ideals were greatly influenced by Russian writer Leo Tolstoy. He joined a Christian socialist group in Boston between 1889 and 1891 and attended several churches, including the First Spiritual Temple and the Church of the Carpenter, the latter being affiliated with the Episcopal Church and the Society of Christian Socialists. These influences led him to write on issues of social justice from a moral and egalitarian point of view, being critic of the social effects of industrial capitalism. He was, however, not a Marxist.

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About the Book Christian holidays are those that are a part of the liturgical year, with the chief ones being Easter and Christmas. Orthodox Christians and Western-Roman Catholics have a patronal feast day or "name day" that is celebrated in each place's patron saint's day, according to the Calendar of saints. The Christian Liturgical Calendar is divided into the following seasons: Advent, Christmastide, Ordinary Time 1, Lent, Paschal Triduum, Eastertide and Ordinary Time 2.About us Leopold Classic Library has the goal of making available to readers the classic books that have been out of print for decades. While these books may have occasional imperfections, we consider that only hand checking of every page ensures readable content without poor picture quality, blurred or missing text etc. That's why we: republish only hand checked books; that are high quality; enabling readers to see classic books in original formats; that are unlikely to have missing or blurred pages. You can search "Leopold Classic Library" in categories of your interest to find other books in our extensive collection. Happy reading!

Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine (extra customization on request like complete leather, Golden Screen printing in Front, Color Leather, Colored book etc.) Reprinted in 2019 with the help of original edition published long back. This book is printed in black & white, sewing binding for longer life, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - eng, Pages 172. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. COMPLETE LEATHER WILL COST YOU EXTRA US$ 25 APART FROM THE LEATHER BOUND BOOKS. {FOLIO EDITION IS ALSO AVAILABLE.}

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.