Other editions of book A window in Thrums. Auld licht idylls

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This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

A Window in Thrums - the story of the "untrue son" - is one of several novels about the fictional village of Thrums, said to be modeled on Barrie's home town of Kirriemuir.Barrie was a Scottish playwright and novelist. He is best remembered for his play Peter Pan, a supernatural fantasy about a boy who refused to grow up. The son of a weaver, Barrie studied at the University of Edinburgh. He took up journalism, worked for a Nottingham newspaper, and contributed to various London journals before moving to London in 1885. His early works, Auld Licht Idylls (1889) and A Window in Thrums (1889), contain fictional sketches of Scottish life. The publication of The Little Minister (1891) established his reputation as a novelist. During the next 10 years Barrie continued writing novels, but gradually his interest turned toward the theatre. From 1930 until his death he was chancellor of the University of Edinburgh. iBoo World's Best ClassicsiBoo Press House uses state-of-the-art technology to digitally reconstruct the work. We preserve the original format whilst repairing imperfections present in the aged copy. All titles are unabridged (100% Original content), designed with a nice cover, quality paper and a large font that’s easy to read. Visit iboo.com to see more story and novel collection.

Sir James Matthew Barrie, 1st Baronet, OM (9 May 1860 – 19 June 1937) was a Scottish author and dramatist, the child of a family of small-town weavers, and best remembered today as the creator of Peter Pan. He was educated in Scotland but moved to London, where he developed a career as a novelist and playwright. There he met the Llewelyn Davies boys who inspired him to write about a baby boy who has magical adventures in Kensington Gardens (included in The Little White Bird), then to write Peter Pan, or The Boy Who Wouldn't Grow Up, a "fairy play" about an ageless boy and an ordinary girl named Wendy who have adventures in the fantasy setting of Neverland. Peter Pan quickly overshadowed his previous work, although he continued to write successfully, and it became his best-known work, credited with popularising the name Wendy, which was very uncommon previously.[1] Barrie unofficially adopted the Davies boys following the deaths of their parents. Barrie was made a baronet by George V in 1913, and a member of the Order of Merit in 1922. Before his death, he gave the rights to the Peter Pan works to Great Ormond Street Hospital for Children in London, which continues to benefit from them.

On the bump of green round which the brae twists, at the top of the brae, and within cry of T'nowhead Farm, still stands a one-storey house, whose whitewashed walls, streaked with the discoloration that rain leaves, look yellow when the snow comes. In the old days the stiff ascent left Thrums behind, and where is now the making of a suburb was only a poor row of dwellings and a manse, with Hendry's cot to watch the brae. The house stood bare, without a shrub, in a garden whose paling did not go all the way round, the potato pit being only kept out of the road, that here sets off southward, by a broken dyke of stones and earth. On each side of the slate-coloured door was a window of knotted glass. Ropes were flung over the thatch to keep the roof on in wind. Into this humble abode I would take any one who cares to accompany me. But you must not come in a contemptuous mood, thinking that the poor are but a stage removed from beasts of burden, as some cruel writers of these days say; nor will I have you turn over with your foot the shabby horse-hair chairs that Leeby kept so speckless, and Hendry weaved for years to buy, and Jess so loved to look upon.