Other editions of book Behind the Scenes: Or, Thirty Years a Slave, and Four Years in the White House. An Eyewitness Account of History.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

Born a slave in Virginia, Elizabeth Keckley (c. 1824–1907) went on to become a talented dressmaker and designer, with some twenty employees of her own. Catering to the wives, daughters, and sisters of Washington's political elite, she included among her clientele Mary Todd Lincoln, who became her close friend and confidante.Keckley's behind-the-scenes view of wartime Washington not only provides fascinating glimpses of nineteenth-century America, but also offers candid observations on interracial relationships and the free black middle class. Here also are absorbing details of life in the Lincoln White House, as well as an insider's perspective on the men who made Civil War politics and the women who influenced them. A touching and revelatory work, filled with incisive social commentary, this inspiring narrative by an admirable woman will be an important addition to the libraries of anyone interested in African-American and Civil War history.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book "BEHIND THE SCENES" scenes is the equivalent of a modern day expose on the part of an individual that has access to one of the most powerful families at that time in history including the associated networks. It is said that Keckley, who was the first African-American dressmaker and confidente was only trying to help her friend raises finances with this publication, after she realised that the her best friend was left without any financial support, after her husband President Abraham Lincoln had been assassinated. Though Keckley anticipated some disapproval for publishing personal details about the Lincoln's private affairs, she did not foresee the overwhelming public disapproval of her publication, from the Lincoln family, including her the rich and wealthy, clients, which in effect ended her dressmaking career. In order to add insight and perspective to this often reprinted book, the editor Delroy Constantine-Simms (C.Psychol) of Think Doctor Publications, has included more than 20 interviews with former slaves, with photographs of the interviewees. By doing so the editor enables the reader to appreciate that Elizabeth Keckleys life, though similar to many freed slaves was in stark contrast to the many former slaves, who were unable to buy their freedom, let alone enjoy the luxurious lifestyle once enjoyed by Keckley, a life style that she would never enjoy again, because of the publication of this book "BEHIND THE SCENES"

Behind the Scenes CHAPTER I WHERE I WAS BORN My life has been an eventful one. I was born a slave--was the child of slave parents--therefore I came upon the earth free in God-like thought, but fettered in action. My birthplace was Dinwiddie Court-House, in Virginia. My recollections of childhood are distinct, perhaps for the reason that many stirring incidents are associated with that period. I am now on the shady side of forty, and as I sit alone in my room the brain is busy, and a rapidly moving panorama brings scene after scene before me, some pleasant and others sad; and when I thus greet old familiar faces, I often find myself wondering if I am not living the past over again. The visions are so terribly distinct that I almost imagine them to be real. Hour after hour I sit while the scenes are being shifted; and as I gaze upon the panorama of the past, I realize how crowded with incidents my life has been. Every day seems like a romance within itself, and the years grow into ponderous volumes. As I cannot condense, I must omit many strange passages in my history. From such a wilderness of events it is difficult to make a selection, but as I am not writing altogether the history of myself, I will confine my story to the most important incidents which I believe influenced the moulding of my character. As I glance over the crowded sea of the past, these incidents stand forth prominently, the guide-posts of memory. I presume that I must have been four years old when I first began to remember; at least, I cannot now recall anything occurring previous to this period. My master, Col. A. Burwell, was somewhat unsettled in his business affairs, and while I was yet an infant he made several removals. While living at Hampton Sidney College, Prince Edward County, Va., Mrs. Bur

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.