Other editions of book Victory

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Why buy our paperbacks? Printed in USA on High Quality Paper Standard Font size of 10 for all books Fulfilled by Amazon Expedited shipping 30 Days Money Back Guarantee Unabridged (100% Original content) BEWARE OF LOW-QUALITY SELLERS Don't buy cheap paperbacks just to save a few dollars. Most of them use low-quality papers & binding. Their pages fall off easily. Some of them even use very small font size of 6 or less to increase their profit margin. It makes their books completely unreadable. About Victory by Joseph Conrad Victory (also published as Victory: An Island Tale) is a psychological novel by Joseph Conrad first published in 1915, through which Conrad achieved "popular success." The New York Times, however, called it "an uneven book" and "more open to criticism than most of Mr. Conrad's best work." The novel's "most striking formal characteristic is its shifting narrative and temporal perspective" with the first section from the viewpoint of a sailor, the second from omniscient perspective of Axel Heyst, the third from an interior perspective from Heyst, and the final section. It has been adapted into film a number of times. Through a business misadventure, the European Axel Heyst ends up living on an island in what is now Indonesia, with a Chinese assistant Wang. Heyst visits a nearby island when a female band is playing at a hotel owned by Mr. Schomberg. Schomberg attempts to force himself sexually on one of the band members, Alma, later called Lena. She flees with Heyst back to his island and they become lovers. Schomberg seeks revenge by attempting to frame Heyst for the "murder" of a man who had died of natural causes and later by sending three desperadoes (Pedro, Martin Ricardo and Mr. Jones) to Heyst's island with a lie about treasure hidden on the island. The three die (Wang kills one) but Lena dies as well and Axel is overcome with grief and commits suicide.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

On approaching the task of writing this Note for Victory, the first thing I am conscious of is the actual nearness of the book, its nearness to me personally, to the vanished mood in which it was written, and to the mixed feelings aroused by the critical notices the book obtained when first published almost exactly a year after the beginning of the war. The writing of it was finished in 1914 long before the murder of an Austrian Archduke sounded the first note of warning for a world already full of doubts and fears. The contemporaneous very short Author's Note which is preserved in this edition bears sufficient witness to the feelings with which I consented to the publication of the book. The fact of the book having been published in the United States early in the year made it difficult to delay its appearance in England any longer. It came out in the thirteenth month of the war, and my conscience was troubled by the awful incongruity of throwing this bit of imagined drama into the welter of reality, tragic enough in all conscience, but even more cruel than tragic and more inspiring than cruel. It seemed awfully presumptuous to think there would be eyes to spare for those pages in a community which in the crash of the big guns and in the din of brave words expressing the truth of an indomitable faith could not but feel the edge of a sharp knife at its throat. The unchanging Man of history is wonderfully adaptable both by his power of endurance and in his capacity for detachment. The fact seems to be that the play of his destiny is too great for his fears and too mysterious for his understanding. Were the trump of the Last Judgement to sound suddenly on a working day the musician at his piano would go on with his performance of Beethoven's sonata and the cobbler at his stall stick to his last in undisturbed confidence in the virtues of the leather. And with perfect propriety. For what are we to let ourselves be disturbed by an angel's vengeful music too mighty for our ears and too awful for our terrors? Thus it happens to us to be struck suddenly by the lightning of wrath. The reader will go on reading if the book pleases him and the critic will go on criticizing with that faculty of detachment born perhaps from a sense of infinite littleness and which is yet the only faculty that seems to assimilate man to the immortal gods.

On approaching the task of writing this Note for Victory, the first thing I am conscious of is the actual nearness of the book, its nearness to me personally, to the vanished mood in which it was written, and to the mixed feelings aroused by the critical notices the book obtained when first published almost exactly a year after the beginning of the war. The writing of it was finished in 1914 long before the murder of an Austrian Archduke sounded the first note of warning for a world already full of doubts and fears.

Victory (also published as Victory: An Island Tale) is a psychological novel by Joseph Conrad first published in 1915, through which Conrad achieved "popular success." The New York Times, however, called it "an uneven book" and "more open to criticism than most of Mr. Conrad's best work."The novel's "most striking formal characteristic is its shifting narrative and temporal perspective" with the first section from the viewpoint of a sailor, the second from omniscient perspective of Axel Heyst, the third from an interior perspective from Heyst, and the final section.

Why buy our paperbacks? Standard Font size of 10 for all books High Quality Paper Fulfilled by Amazon Expedited shipping 30 Days Money Back Guarantee BEWARE of Low-quality sellers Don't buy cheap paperbacks just to save a few dollars. Most of them use low-quality papers & binding. Their pages fall off easily. Some of them even use very small font size of 6 or less to increase their profit margin. It makes their books completely unreadable. How is this book unique? Unabridged (100% Original content) Font adjustments & biography included Illustrated About Victory by Joseph Conrad Victory (also published as Victory: An Island Tale) is a psychological novel by Joseph Conrad first published in 1915, through which Conrad achieved "popular success." The New York Times, however, called it "an uneven book" and "more open to criticism than most of Mr. Conrad's best work." The novel's "most striking formal characteristic is its shifting narrative and temporal perspective" with the first section from the viewpoint of a sailor, the second from omniscient perspective of Axel Heyst, the third from an interior perspective from Heyst, and the final section. It has been adapted into film a number of times. Through a business misadventure, the European Axel Heyst ends up living on an island in what is now Indonesia, with a Chinese assistant Wang. Heyst visits a nearby island when a female band is playing at a hotel owned by Mr. Schomberg. Schomberg attempts to force himself sexually on one of the band members, Alma, later called Lena. She flees with Heyst back to his island and they become lovers. Schomberg seeks revenge by attempting to frame Heyst for the "murder" of a man who had died of natural causes and later by sending three desperadoes (Pedro, Martin Ricardo and Mr. Jones) to Heyst's island with a lie about treasure hidden on the island. The three die (Wang kills one) but Lena dies as well and Axel is overcome with grief and commits suicide.

Why buy our paperbacks? Printed in USA on High Quality Paper Standard Font size of 10 for all books Fulfilled by Amazon Expedited shipping 30 Days Money Back Guarantee BEWARE OF LOW-QUALITY SELLERS Don't buy cheap paperbacks just to save a few dollars. Most of them use low-quality papers & binding. Their pages fall off easily. Some of them even use very small font size of 6 or less to increase their profit margin. It makes their books completely unreadable. Be rest assured about the quality of our books. We guarantee you will have a great experience with us. About Victory Victory (also published as Victory: An Island Tale) is a psychological novel by Joseph Conrad first published in 1915, through which Conrad achieved "popular success." The New York Times, however, called it "an uneven book" and "more open to criticism than most of Mr. Conrad's best work." The novel's "most striking formal characteristic is its shifting narrative and temporal perspective" with the first section from the viewpoint of a sailor, the second from omniscient perspective of Axel Heyst, the third from an interior perspective from Heyst, and the final section. It has been adapted into film a number of times. Through a business misadventure, the European Axel Heyst ends up living on an island in what is now Indonesia, with a Chinese assistant Wang. Heyst visits a nearby island when a female band is playing at a hotel owned by Mr. Schomberg. Schomberg attempts to force himself sexually on one of the band members, Alma, later called Lena. She flees with Heyst back to his island and they become lovers. Schomberg seeks revenge by attempting to frame Heyst for the "murder" of a man who had died of natural causes and later by sending three desperadoes (Pedro, Martin Ricardo and Mr. Jones) to Heyst's island with a lie about treasure hidden on the island. The three die (Wang kills one) but Lena dies as well and Axel is overcome with grief and commits suicide.