Other editions of book Chance

Excerpt from Chance, Vol. 2 of 2: A Tale in Two PartsI have said that the story of Flora de Barral was imparted to me in stages. At this stage I did not see Marlow for some time. At last, one evening rather early, very soon after dinner, he turned up in my rooms.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Chance is a novel by Joseph Conrad, published in 1913 following serial publication the previous year. Although the novel was not one upon which Conrad's later critical reputation was to depend, it was his greatest commercial success upon initial publication.Chance is narrated by Conrad's regular narrator, Charles Marlow, but is characterised by a complex, nested narrative in which different narrators take up the story at different points. The novel is also unusual among its author's works for its focus on a female character: the heroine, Flora de Barral.The narrators describe and attempt to interpret various episodes in the life of Miss de Barral, the daughter of a convicted swindler named Smith de Barral (though this character is famous in the world of the novel as a criminal, he may, at least at first, have been merely an incompetent banker). Miss de Barral leads a sheltered life while her father is prosperous, then must rely on the generosity of others, who resent her or have agendas for her, before she escapes by marrying one Captain Anthony. Much of the book involves the musing of the various narrators over what she and the Captain expected from this union, and what they actually got from it. When her father is released from prison, he joins them on ship, and the book heads towards its denouement.

Chance is narrated by Conrad’s regular narrator, Charles Marlow, but is characterised by a complex, nested narrative in which different narrators take up the story at different points and attempt to interpret various episodes in the life of Miss de Barral, the daughter of a convicted swindler named Smith de Barral (though this character is famous in the world of the novel as a criminal, he may, at least at first, have been merely an incompetent banker). Miss de Barral leads a sheltered life while her father is prosperous, then must rely on the generosity of others, who resent her or have agendas for her, before she escapes by marrying one Captain Anthony. Much of the book involves the musing of the various narrators over what she and the Captain expected from this union, and what they actually got from it. When her father is released from prison, he joins them on ship, and the book heads towards its denouement.

Chance is a novel by Joseph Conrad, published in 1913 following serial publication the previous year. Although the novel was not one upon which Conrad's later critical reputation was to depend, it was his greatest commercial success upon initial publication. Chance is narrated by Conrad's regular narrator, Charles Marlow, but is characterised by a complex, nested narrative in which different narrators take up the story at different points. The novel is also unusual among its author's works for its focus on a female character: the heroine, Flora de Barral. The narrators describe and attempt to interpret various episodes in the life of Miss de Barral, the daughter of a convicted swindler named Smith de Barral (though this character is famous in the world of the novel as a criminal, he may, at least at first, have been merely an incompetent banker). Miss de Barral leads a sheltered life while her father is prosperous, then must rely on the generosity of others, who resent her or have agendas for her, before she escapes by marrying one Captain Anthony. Much of the book involves the musing of the various narrators over what she and the Captain expected from this union, and what they actually got from it. When her father is released from prison, he joins them on ship, and the book heads towards its denouement.Chance opened a path to commercial success for Conrad after years of slow progress and obscurity. This success could be measured by the record sale of the book in 1914, which outsold all his previous publications and shot him to fame. Breaking away from the tradition, Chance dealt with social issues surrounding feminism and financial speculation enacted by Mrs. Fyne and Flora de Barral, as presented by the narrators. The storyline of the novel oscillates between human-will and activity juxtaposed with an apathetic force that can nullify the importance of human action. The complex style of Conrad's narrative in this novel invited widespread criticisms from peers and readers alike

Chance is a novel by Joseph Conrad, published in 1913 following serial publication the previous year. Although the novel was not one upon which Conrad's later critical reputation was to depend, it was his greatest commercial success upon initial publication. Chance is narrated by Conrad's regular narrator, Charles Marlow, but is characterised by a complex, nested narrative in which different narrators take up the story at different points. The novel is also unusual among its author's works for its focus on a female character: the heroine, Flora de Barral. The narrators describe and attempt to interpret various episodes in the life of Miss de Barral, the daughter of a convicted swindler named Smith de Barral (though this character is famous in the world of the novel as a criminal, he may, at least at first, have been merely an incompetent banker). Miss de Barral leads a sheltered life while her father is prosperous, then must rely on the generosity of others, who resent her or have agendas for her, before she escapes by marrying one Captain Anthony. Much of the book involves the musing of the various narrators over what she and the Captain expected from this union, and what they actually got from it. When her father is released from prison, he joins them on ship, and the book heads towards its denouement.

“From this point the conversation took a special turn relatingexclusively to sea-life. On that subject he got quickly in touchwith Marlow who in his time had followed the sea. They keptup a lively exchange of reminiscences while I listened. Theyagreed that the happiest time in their lives was as youngstersin good ships, with no care in the world but not to lose a watchbelow when at sea and not a moment’s time in going ashoreafter work hours when in harbour. They agreed also as to theproudest moment they had known in that calling which isnever embraced on rational and practical grounds, because ofthe glamour of its romantic associations. It was the momentwhen they had passed successfully their first examination andleft the seamanship Examiner with the little precious slip ofblue paper in their hands.”

I believe he had seen us out of the window coming off to dine in the dinghy of a fourteen-ton yawl belonging to Marlow my host and skipper. We helped the boy we had with us to haul the boat up on the landing-stage before we went up to the riverside inn, where we found our new acquaintance eating his dinner in dignified loneliness at the head of a long table, white and inhospitable like a snow bank.The red tint of his clear-cut face with trim short black whiskers under a cap of curly iron-grey hair was the only warm spot in the dinginess of that room cooled by the cheerless tablecloth. We knew him already by sight as the owner of a little five-ton cutter, which he sailed alone apparently, a fellow yachtsman in the unpretending band of fanatics who cruise at the mouth of the Thames. But the first time he addressed the waiter sharply as ‘steward’ we knew him at once for a sailor as well as a yachtsman.

I believe he had seen us out of the window coming off to dine in the dinghy of a fourteen-ton yawl belonging to Marlow my host and skipper. We helped the boy we had with us to haul the boat up on the landing-stage before we went up to the riverside inn, where we found our new acquaintance eating his dinner in dignified loneliness at the head of a long table, white and inhospitable like a snow bank.The red tint of his clear-cut face with trim short black whiskers under a cap of curly iron-grey hair was the only warm spot in the dinginess of that room cooled by the cheerless tablecloth. We knew him already by sight as the owner of a little five-ton cutter, which he sailed alone apparently, a fellow yachtsman in the unpretending band of fanatics who cruise at the mouth of the Thames. But the first time he addressed the waiter sharply as ‘steward’ we knew him at once for a sailor as well as a yachtsman.

Complete and unabridged edition.Chance is a novel by Joseph Conrad, published in 1913 following serial publication the previous year. Although the novel was not one upon which Conrad's later critical reputation was to depend, it was his greatest commercial success upon initial publication. Chance is narrated by Conrad's regular narrator, Charles Marlow, but is characterised by a complex, nested narrative in which different narrators take up the story at different points. The novel is also unusual among its author's works for its focus on a female character: the heroine, Flora de Barral. Description from Wikipedia, the free encyclopedia.