Books with title The Valley of Silent Men Illustrated

The Valley of Silent Men is a 1922 American silent drama film directed by Frank Borzage and written by John Lynch based upon the novel of the same name by James Oliver Curwood. The film stars Alma Rubens, Lew Cody, Joe King, Mario Majeroni, George Nash, and J. W. Johnston. The film was released on September 10, 1922, by Paramount Pictures. It is not known whether the film currently survives in its entirety

The Valley of Silent Men is a 1922 American silent drama film directed by Frank Borzage and written by John Lynch based upon the novel of the same name by James Oliver Curwood. The film stars Alma Rubens, Lew Cody, Joe King, Mario Majeroni, George Nash, and J. W. Johnston. The film was released on September 10, 1922, by Paramount Pictures.[1][2] It is not known whether the film currently survives in its entirety.

The Valley of Silent Men is a 1922 American silent drama film directed by Frank Borzage and written by John Lynch based upon the novel of the same name by James Oliver Curwood. The film stars Alma Rubens, Lew Cody, Joe King, Mario Majeroni, George Nash, and J. W. Johnston. The film was released on September 10, 1922, by Paramount Pictures.[1][2] It is not known whether the film currently survives in its entirety.

The Valley of Silent Men is a 1922 American silent drama film directed by Frank Borzage and written by John Lynch based upon the novel of the same name by James Oliver Curwood. The film stars Alma Rubens, Lew Cody, Joe King, Mario Majeroni, George Nash, and J. W. Johnston. The film was released on September 10, 1922, by Paramount Pictures.[1][2] It is not known whether the film currently survives in its entirety.

In the mind of James Grenfell Kent, sergeant in the Royal Northwest Mounted Police, there remained no shadow of a doubt. He knew that he was dying. He had implicit faith in Cardigan, his surgeon friend, and Cardigan had told him that what was left of his life would be measured out in hours—perhaps in minutes or seconds. It was an unusual case. There was one chance in fifty that he might live two or three days, but there was no chance at all that he would live more than three. The end might come with any breath he drew into his lungs. That was the pathological history of the thing, as far as medical and surgical science knew of cases similar to his own.Personally, Kent did not feel like a dying man. His vision and his brain were clear. He felt no pain, and only at infrequent intervals was his temperature above normal. His voice was particularly calm and natural.At first he had smiled incredulously when Cardigan broke the news. That the bullet which a drunken half-breed had sent into his chest two weeks before had nicked the arch of the aorta, thus forming an aneurism, was a statement by Cardigan which did not sound especially wicked or convincing to him. "Aorta" and "aneurism" held about as much significance for him as his perichondrium or the process of his stylomastoid. But Kent possessed an unswerving passion to grip at facts in detail, a characteristic that had largely helped him to earn the reputation of being the best man-hunter in all the northland service. So he had insisted, and his surgeon friend had explained.The aorta, he found, was the main blood-vessel arching over and leading from the heart, and in nicking it the bullet had so weakened its outer wall that it bulged out in the form of a sack, just as the inner tube of an automobile tire bulges through the outer casing when there is a blowout."And when that sack gives way inside you," Cardigan had explained, "you'll go like that!" He snapped a forefinger and thumb to drive the fact home.After that it was merely a matter of common sense to believe, and now, sure that he was about to die. Kent had acted. He was acting in the full health of his mind and in extreme cognizance of the paralyzing shock he was contributing as a final legacy to the world at large, or at least to that part of it which knew him or was interested. The tragedy of the thing did not oppress him. A thousand times in his life he had discovered that humor and tragedy were very closely related, and that there were times when only the breadth of a hair separated the two. Many times he had seen a laugh change suddenly to tears, and tears to laughter.The tableau, as it presented itself about his bedside now, amused him. Its humor was grim, but even in these last hours of his life he appreciated it. He had always more or less regarded life as a joke—a very serious joke, but a joke for all that—a whimsical and trickful sort of thing played by the Great Arbiter on humanity at large; and this last count in his own life, as it was solemnly and tragically ticking itself off, was the greatest joke of all. The amazed faces that stared at him, their passing moments of disbelief, their repressed but at times visible betrayals of horror, the steadiness of their eyes, the tenseness of their lips—all added to what he might have called, at another time, the dramatic artistry of his last great adventure.

The Valley of Silent Men is a 1922 American silent drama film directed by Frank Borzage and written by John Lynch based upon the novel of the same name by James Oliver Curwood. The film stars Alma Rubens, Lew Cody, Joe King, Mario Majeroni, George Nash, and J. W. Johnston. The film was released on September 10, 1922, by Paramount Pictures.[1][2] It is not known whether the film currently survives in its entirety.

The Valley of Silent Men is a 1922 American silent drama film directed by Frank Borzage and written by John Lynch based upon the novel of the same name by James Oliver Curwood. The film stars Alma Rubens, Lew Cody, Joe King, Mario Majeroni, George Nash, and J. W. Johnston. The film was released on September 10, 1922, by Paramount Pictures.[1][2] It is not known whether the film currently survives in its entirety.

Published in 1902, „The Valley of Decision” is Edith Wharton’s first full length novel set in late 18th century Italy. In it, Odo Valsecca, a young Italian raised by peasants, is plucked from poverty and dropped into the lap of luxury as the newly named heir to his cousin, a duke. It is the time leading up to the French revolution, and Europe swirls with conflicting factions and ideologies, some trying to prop up the feudal and religious traditions that empowered them, and others seeking a new way. Meanwhile, in France, a revolution is brewing... Forced to choose between conflicting loyalties – those to the forces of social reform with which he allied himself before he came to power, or those of the feudal tradition to which he belongs by blood – Odo must define himself.Illustrated with abstract creations.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

About Author:James Oliver Curwood, (June 12, 1878 – August 13, 1927), was an American novelist and conservationist.A great number of his works were turned into movies, several of which starred Nell Shipman as a brave and adventurous woman in the wilds of the north. Many films from Curwood's writings were made during his lifetime, as well as after his passing through to the 1950s. In 1988 French director Jean-Jacques Annaud used his 1916 novel, The Grizzly King to make the film The Bear. Annaud's success generated a renewed interest in Curwood's stories that resulted in five more films being produced in 1994 and 1995.