Books with title THE WHITE PEACOCK

"The White Peacock" by D. H. Lawrence. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

The White Peacock is a novel by D. H. Lawrence published in 1911. Lawrence started the novel in 1906 and then rewrote it three times. The early versions had the working title of Laetitia.Lawrence's first novel is set in the Eastwood area of his youth and is narrated in the first person by a character named Cyril Beardsall. It involves themes such as the damage associated with mismatched marriages, and the border country between town and country. A misanthropic gamekeeper makes an appearance, in some ways the prototype of Mellors in Lawrence's last novel, Lady Chatterley's Lover. The book includes some notable description of nature and the impact of industrialisation on the countryside and the town. Its provincialism may be compared with the novels of George Eliot and Thomas Hardy. (wikipedia.org)

Lawrence's first novel is set in the Eastwood area of his youth and is narrated in the first person by a character named Cyril Beardsall. It involves themes such as the damage associated with mismatched marriages, and the border country between town and country. A misanthropic gamekeeper makes an appearance, in some ways the prototype of Mellors in Lawrence's last novel, Lady Chatterley's Lover. The book includes some notable description of nature and the impact of industrialisation on the countryside and the town.

The White Peacock is the first novel by D. H. Lawrence, published in 1911, though with 1910 on the title page. Lawrence started the novel in 1906 and then rewrote it three times. The early versions had the working title of Laetitia.Maurice Greiffenhagen's 1891 painting 'An Idyll' inspired the novel. The painting had "a profound effect" on Lawrence, who wrote: "As for Greiffenhagen's 'Idyll', it moves me almost as if I were in love myself. Under its intoxication, I have flirted madly this Christmas."The novel is set in the Eastwood area of his youth and is narrated in the first person by a character named Cyril Beardsall. It involves themes such as the damage associated with mismatched marriages, and the border country between town and country. A misanthropic gamekeeper makes an appearance, in some ways the prototype of Mellors in Lawrence's last novel, Lady Chatterley's Lover. The book includes some notable description of nature and the impact of industrialisation on the countryside and the town.

The White Peacock is a novel by D. H. Lawrence published in 1911. Lawrence started the novel in 1906 and then rewrote it three times. The early versions had the working title of Laetitia. Maurice Greiffenhagen (1862-1931)'s 1891 painting, 'An Idyll', inspired D H Lawrence's novel The White Peacock. The painting had "a profound effect" on the author, who wrote: "As for Greiffenhagen's 'Idyll', it moves me almost as if I were in love myself. Under its intoxication, I have flirted madly this Christmas." Lawrence's first novel is set in the Eastwood area of his youth and is narrated in the first person by a character named Cyril Beardsall. It involves themes such as the damage associated with mismatched marriages, and the border country between town and country. A misanthropic gamekeeper makes an appearance, in some ways the prototype of Mellors in Lawrence's last novel, Lady Chatterley's Lover. The book includes some notable description of nature and the impact of industrialisation on the countryside and the town. Its provincialism may be compared with the novels of George Eliot and Thomas Hardy. The novel is set in Nethermere (fictional name for real-life Eastwood) and is narrated by Cyril Beardsall, whose sister Laetitia (Lettie) is involved in a love triangle with two young men, George and Leslie Temple. She eventually marries Leslie, even though she feels sexually drawn to George. Spurned by Lettie, George marries the conventional Meg. Both his and Lettie's marriages end in unhappiness, as George slides into alcoholism at the novel's close. David Herbert Lawrence (11 September 1885 – 2 March 1930) was an English novelist, poet, playwright, essayist, literary critic and painter who published as D. H. Lawrence. His collected works, among other things, represent an extended reflection upon the dehumanising effects of modernity and industrialisation. In them, some of the issues Lawrence explores are emotional health, vitality, spontaneity and instinct. Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile which he called his "savage pilgrimage". At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as, "The greatest imaginative novelist of our generation." Later, the influential Cambridge critic F. R. Leavis championed both his artistic integrity and his moral seriousness, placing much of Lawrence's fiction within the canonical "great tradition" of the English novel.

I stood watching the shadowy fish slide through the gloom of the mill-pond. They were grey, descendants of the silvery things that had darted away from the monks, in the young days when the valley was lusty. The whole place was gathered in the musing of old age. The thick-piled trees on the far shore were too dark and sober to dally with the sun; the weeds stood crowded and motionless. Not even a little wind flickered the willows of the islets. The water lay softly, intensely still. Only the thin stream falling through the mill-race murmured to itself of the tumult of life which had once quickened the valley.