Books with title Shadows of the Lost Sun

A powerful and entracing romance, set in the Celtic twilight of 10th century Ireland: a new MISTS OF AVALON for readers of historical fantasy. The forests of Sevenwaters have cast their spell over Sorcha's daughter Liadan, who, like her mother, has inherited the talent to heal and to see into the spirit world. The forest spirits warn Liadan that she must remain for ever at Sevenwaters if the sacred isles are to be won back from the Britons who took them by force. For the Lord and Lady of the forest spirits have seen in Liadan's future a doomed romance, death; a child; and a terrible choice to be made. Liadan is taken captive by the Painted Man, who is revealed to be a man quite unlike his legend. Liadan is drawn to him, despite the ancient prophesy of doom, but can she reclaim her life and defy the spirits, or will a curse fall upon Sevenwaters because of her forbidden love? Will the fight for the sacred isles end in tragedy? History and fantasy, myth and magic, legend and love come together in this magical story.

Only with the greatest of simplifications, for the sake of convenience, can we say africa in reality, except as a geographical term, africa doesnt exist ryszard kapuscinski has been writing about the people of africa throughout his career in astudy that avoids the official routes, palaces and big politics, he sets out to create an account of post-colonial africa seen at once as a whole and as a location that wholly defies generalised explanations it is both a sustained meditation on themosaic of peoples and practises we call africa, and an impassioned attempt to come to terms with humanity itself as it struggles to escape from foreign domination, from the intoxications of freedom, from war and from politics as theft

Deep in the woods, a child with green-tinged skin and long matted hair awakens. She is Isabella Leland, daughter of a healer who was executed as a heretic some 300 years earlier. On her mother's death, Isabella was taken in by the crow people---faierie folk---who can manipulate space and time. The first time she returned to the real world, Catholics ruled England. Now, those who follow the pope are regarded with suspicion and shunned. When Isabella emerges from her hiding place, she's discovered by another outcast, Elizabeth Dyer, whose family follows the old ways. Elizabeth wants to befriend Isabella, but she has her own troubles. Her brother has brought home a priest in need of shelter. Hiding him is an act of treason, and his pursuers are closing in. Sarah Singleton has a gift for blending the seen and the unseen, the matter-of-fact and the magical, into a convincing whole. Here she offers a fast-paced plot---a cat-and-mouse game between hunter and hunted---while exploring questions about religious faith and fanaticism that will resonate with YA readers.

Evelyn Gonzalez keeps losing people, which is always hard, but has she lost something much more? Has she lost her soul? Evelyn has a nervous breakdown and is institutionalized, after months of sorrow and pain she is thrust back into the world. The world of teenage angst and Calculus. Can she trust people again? Especially after hurtful assumptions and judgments made her miss her junior year of high school. Evelyn is just trying to heal what she lost and graduate from high school.

For Durzo Blint, assassination is an art-and he is the city's most accomplished artist, his talents required from alleyway to courtly boudoir.For Azoth, survival is precarious, something you never take for granted. As a guild rat, he's grown up in the slums and learned to judge people quickly-and to take risks. Risks like apprenticing himself to Durzo Blint.But to be accepted, Azoth must turn his back on his old life and embrace a new identity and name. As Kylar Stern, he must learn to navigate the assassins' world of dangerous politics and strange magics-and cultivate a flair for death.

Newbery Medalist Avi weaves one of his most suspenseful and scary tales—about a ghost who has to be seen to be believed and must be kept from carrying out a horrifying revenge. The time is 1872. The place is New York City. Horace Carpetine has been raised to believe in science and rationality. So as apprentice to Enoch Middleditch, a society photographer, he thinks of his trade as a scientific art. But when wealthy society matron Mrs. Frederick Von Macht orders a photographic portrait, strange things begin to happen. Horace's first real photographs reveal a frightful likeness: it's the image of the Von Machts' dead daughter, Eleanora. Pegg, the Von Machts' black servant girl, then leads him to the truth about who Eleanora really was and how she actually died. Joined in friendship, Pegg and Horace soon realize that his photographs are evoking both Eleanora's image and her ghost. Eleanora returns, a vengeful wraith intent on punishing those who abused her. Rich in detail, full of the magic of early photography, here is a story about the shadows, visible and invisible, that are always lurking near.

Newbery Medalist Avi weaves one of his most suspenseful and scary tales—about a ghost who has to be seen to be believed and must be kept from carrying out a horrifying revenge. The time is 1872. The place is New York City. Horace Carpetine has been raised to believe in science and rationality. So as apprentice to Enoch Middleditch, a society photographer, he thinks of his trade as a scientific art. But when wealthy society matron Mrs. Frederick Von Macht orders a photographic portrait, strange things begin to happen. Horace's first real photographs reveal a frightful likeness: it's the image of the Von Machts' dead daughter, Eleanora. Pegg, the Von Machts' black servant girl, then leads him to the truth about who Eleanora really was and how she actually died. Joined in friendship, Pegg and Horace soon realize that his photographs are evoking both Eleanora's image and her ghost. Eleanora returns, a vengeful wraith intent on punishing those who abused her. Rich in detail, full of the magic of early photography, here is a story about the shadows, visible and invisible, that are always lurking near.

Horace Carpetine does not believe in ghosts.Raised to believe in science and reason, Horace Carpetine passes off spirits as superstition. Then he becomes an apprentice photographer and discovers an eerie—and even dangerous—supernatural power in his very own photographs.When a wealthy lady orders a portrait to place by her daughter's gravesite, Horace's employer, Enoch Middleditch, schemes to sell her more pictures—by convincing her that her daughter's ghost has appeared in the ones he's already taken. It's Horace's job to create images of the girl. Yet Horace somehow captures the girl's spirit along with her likeness. And when the spirit escapes the photographs, Horace discovers he's released a ghost bent on a deadly revenge. . . .