Books with title New Arabian Nights

The Arabian Nights was introduced to Europe in a French translation by Antoine Galland in 1704, and rapidly attained a unique popularity. There are even accounts of the translator being roused from sleep by bands of young men under his windows in Paris, importuning him to tell them another story.The learned world at first refused to believe that M. Galland had not invented the tales. But he had really discovered an Arabic manuscript from sixteenth-century Egypt, and had consulted Oriental story-tellers. In spite of inaccuracies and loss of color, his twelve volumes long remained classic in France, and formed the basis of our popular translations.A more accurate version, corrected from the Arabic, with a style admirably direct, easy, and simple, was published by Dr. Jonathan Scott in 1811. This is the text of the present edition.The Moslems delight in stories, but are generally ashamed to show a literary interest in fiction. Hence the world's most delightful story book has come to us with but scant indications of its origin. Critical scholarship, however, has been able to reach fairly definite conclusions.

One Thousand and One Nights is a collection of stories collected over many centuries by various authors, translators and scholars in various countries across the Middle East and South Asia. These collections of tales trace their roots back to ancient Arabia and Yemen, ancient Indian literature and Persian literature, ancient Egyptian literature and Mesopotamian mythology, ancient Syria and Asia Minor, and medieval Arabic folk stories from the Caliphate era. Though the oldest Arabic manuscript dates from the fourteenth century, scholarship generally dates the collection's genesis to somewhere between AD 800–900.

The Arabian Nights: Their Best-known Tales are:— The Talking Bird, the Singing Tree, and the Golden Water— The Story of the Fisherman and the Genie— The History of the Young King of the Black Isles — The Story of Gulnare of the Sea— The Story of Aladdin; or, the Wonderful Lamp— The Story of Prince Agib — The Story of the City of Brass— The Story of Ali Baba and the Forty Thieves — The History of Codadad and His Brothers — The Story of Sinbad the VoyagerThis eBook is perfectly formatted for your reader, to make sure click «Look inside».

Full of mischief and valor, ribaldry and romance, The Arabian Nights is a work that has enthralled readers for centuries. The text presented here is that of the 1932 Modern Library edition for which Bennett A. Cerf chose the "most famous and representative" of the stories from the multivolume translation of Richard F. Burton. The origins of The Arabian Nights are obscure. About a thousand years ago a vast number of stories in Arabic from various countries began to be brought together; only much later was the collection called The Arabian Nights or the Thousand and One Nights. All the stories are told by Shahrazad (Scheherazade), who entertains her husband, King Shahryar, whose custom it was to execute his wives after a single night. Shahrazad begins a story each night but withholds the ending until the following night, thus postponing her execution. This selection includes many of the stories that are universally known though seldom read in this authentic form: "Alaeddin; or, the Wonderful Lamp," "Sindbad the Seaman and Sindbad the Landsman," and "Ali Baba and the Forty Thieves." These, and the tales that accompany them, make delightful reading, demonstrating, as the Modern Library noted in 1932, that Shahrazad's spell remains unbroken.

One Thousand and One Nights (Arabic: كتاب ألف ليلة وليلة‎ Kitāb alf laylah wa-laylah) is a collection of Middle Eastern and South Asian stories and folk tales compiled in Arabic during the Islamic Golden Age. It is often known in English as the Arabian Nights, from the first English language edition (1706), which rendered the title as The Arabian Nights' EntertainmentThe work was collected over many centuries by various authors, translators and scholars across the Middle East, Central Asia and North Africa. The tales themselves trace their roots back to ancient and medieval Arabic, Persian, Indian, Turkish, Egyptian and Mesopotamian folklore and literature. In particular, many tales were originally folk stories from the Caliphate era, while others, especially the frame story, are most probably drawn from the Pahlavi Persian work Hazār Afsān (Persian: هزار افسان‎, lit. A Thousand Tales) which in turn relied partly on Indian elements...What is common throughout all the editions of the Nights is the initial frame story of the ruler Shahryār (from Persian: شهريار‎, meaning "king" or "sovereign") and his wife Scheherazade (from Persian: شهرزاد‎, possibly meaning "of noble lineage"[3]) and the framing device incorporated throughout the tales themselves. The stories proceed from this original tale; some are framed within other tales, while others begin and end of their own accord. Some editions contain only a few hundred nights, while others include 1,001 or more.Some of the stories of The Nights, particularly "Aladdin's Wonderful Lamp", "Ali Baba and the Forty Thieves" and "The Seven Voyages of Sinbad the Sailor", while almost certainly genuine Middle-Eastern folk tales, were not part of The Nights in Arabic versions, but were interpolated into the collection by Antoine Galland and other European translators.It is also notable that the innovative and rich poetry and poetic speeches, chants, songs, lamentations, hymns, beseeching, praising, pleading, riddles and annotations provided by Scheherazade or her story characters are unique to the Arabic version of the book. Some are as short as one line, while others go for tens of lines.....

Arabian Nights focuses on seven of the 1,001 tales that Sharazad told her royal husband Shahrayar each morning to stave off her threatened execution. "It’s been a long time since I’ve heard a theatre audience stamp and whistle at a curtain call, but that’s precisely how the punters greeted Dominic Cooke’s vibrant staging of these classic Eastern folk tales."--Evening Standard

New Arabian Nights by Robert Louis Stevenson, first published in 1882, is a collection of short stories previously published in magazines between 1877 and 1880. The collection contains Stevenson's first published fiction, and a few of the stories are considered by some critics to be his best work, as well as pioneering works in the English short story tradition.

The Arabian Nights (or One Thousand and One Nights) is a collection of stories compiled by various authors, translators and scholars from countries across the Middle East and South Asia. The tales trace their roots back to ancient Arabia and Yemen, ancient Indian literature and Persian literature, ancient Egyptian literature and Mesopotamian mythology, ancient Syria and Asia Minor, and medieval Arabic folk stories from the Caliphate era. Though the oldest Arabic manuscript dates from the fourteenth century, scholarship generally dates the collection's genesis to somewhere between AD 800-900.

There were no formidable obstacles to pass. The outer door stood open; the door of the cabinet was ajar; and there, in a small but very high apartment, the young man left them once more. “He will be here immediately,” he said, with a nod, as he disappeared. Voices were audible in the cabinet through the folding doors which formed one end; and now and then the noise of a champagne cork, followed by a burst of laughter, intervened among the sounds of conversation. A single tall window looked out upon the river and the embankment; and by the disposition of the lights they judged themselves not far from Charing Cross station. The furniture was scanty, and the coverings worn to the thread; and there was nothing movable except a hand-bell in the centre of a round table, and the hats and coats of a considerable party hung round the wall on pegs.

They are ancient stories, but they still enchant our imaginations today. Ali Baba and the Forty Thieves. Sinbad the Sailor. Aladdin. These and the other Middle Eastern stories collected in Arabian Nights are delightful, fascinating, and fun for fans and first-time readers alike. This beautiful, leather-bound edition collects the classic tales of Arabian Nights in a new, redesigned format.

A collection of children's short stories including: The Arabian Nights The Story of the Merchant and the Genius The Story of the First Old Man and of the Hind The Story of the Second Old Man, and of the Two Black Dogs The Story of the Fisherman The Story of the Greek King and the Physician Douban The Story of the Husband and the Parrot The Story of the Vizir Who Was Punished The Story of the Young King of the Black Isles The Story of the Three Calenders, Sons of Kings, and of Five Ladies of Bagdad The Story of the First Calender, Son of a King The Story of the Envious Man and of Him Who Was Envied The Story of the Second Calendar, Son of a King The Story of the Third Calendar, Son of a King The Seven Voyages of Sindbad the Sailor First Voyage Second Voyage Third Voyage Fourth Voyage Fifth Voyage Sixth Voyage Seventh and Last Voyage The Little Hunchback The Story of the Barber's Fifth Brother The Story of the Barber's Sixth Brother The Adventures of Prince Camaralzaman and the Princess Badoura Noureddin and the Fair Persian Aladdin and the Wonderful Lamp The Adventures of Haroun-al-Raschid, Caliph of Bagdad The Story of the Blind Baba-Abdalla The Story of Sidi-Nouman The Story of Ali Colia, Merchant of Bagdad The Enchanted Horse The Story of Two Sisters Who Were Jealous of Their Younger Sister(non illustrated)