Books with title Hedda Gabler

Hedda Gabler (Norwegian pronunciation: [²hɛdːɑ ˈɡɑːblər]) is a play written by Norwegian playwright Henrik Ibsen. Ibsen was present at the world premiere, which took place on 31 January 1891 at the Residenztheater in Munich.[1] It is recognized as a classic of realism, nineteenth century theatre, and world drama.[2][3][4] The title character, Hedda, is considered one of the great dramatic roles in theatre.[5]Hedda's married name is Hedda Tesman; Gabler is her maiden name. On the subject of the title, Ibsen wrote: "My intention in giving it this name was to indicate that Hedda as a personality is to be regarded rather as her father's daughter than her husband's wife

Hedda Gabler, arguably Ibsen’s greatest work, is a tumultuous and sweeping play about a woman contending with her own dissatisfaction at the turn of the nineteenth century. Considered by many critics a heroine as complex and tragic so as to rival Hamlet, Hedda finds her life in disarray after the sudden appearance of her husband’s rival—her former lover, Eilert—and, consumed by jealousy toward Eilert’s new paramour, triggers the chain of events that will lead to the play’s ultimate, shocking conclusion.

Henrik Ibsen’s 1890 drama “Hedda Gabler” is one of the Norwegian playwright’s best-known works and boasts one of the greatest female lead roles in the history of theatre. A new bride, Hedda is bored and disillusioned with her marriage. The reappearance of Eilert, her former lover and recovering alcoholic writer creates havoc in her own marriage to George, a sober academic. When Hedda and George come into possession of the only copy of Eilert’s explosive unpublished novel, jealousy and intrigue build up to a ferocious climax.

Hedda Gabler by Henrik Ibsen. Hedda Gabler is a play written by Norwegian playwright Henrik Ibsen. Ibsen was present at the world premiere, which took place on 31 January 1891 at the Residenztheater in Munich. It is recognized as a classic of realism, nineteenth century theatre, and world drama. The title character, Hedda, is considered one of the great dramatic roles in theatre. From Munich, on June 29, 1890, Ibsen wrote to the Swedish poet, Count Carl Soilsky: "Our intention has all along been to spend the summer in the Tyrol again. But circumstances are against our doing so. I am at present engaged upon a new dramatic work, which for several reasons has made very slow progress, and I do not leave Munich until I can take with me the completed first draft. There is little or no prospect of my being able to complete it in July." Ibsen did not leave Munich at all that season. On October 30 he wrote: "At present I am utterly engrossed in a new play. Not one leisure hour have I had for several months." Three weeks later (November 20) he wrote to his French translator, Count Prozor: "My new play is finished; the manuscript went off to Copenhagen the day before yesterday.... It produces a curious feeling of emptiness to be thus suddenly separated from a work which has occupied one's time and thoughts for several months, to the exclusion of all else. But it is a good thing, too, to have done with it.

Hedda Gabler is a play written by Norwegian playwright Henrik Ibsen. Ibsen was present at the world premiere, which took place on 31 January 1891 at the Residenztheater in Munich. It is recognized as a classic of realism, nineteenth century theatre, and world drama. The title character, Hedda, is considered one of the great dramatic roles in theatre. Hedda's married name is Hedda Tesman; Gabler is her maiden name. On the subject of the title, Ibsen wrote: "My intention in giving it this name was to indicate that Hedda as a personality is to be regarded rather as her father's daughter than her husband's wife."

Universally condemned in 1890 when it was written, Hedda Gabler has since become one of Ibsen's most frequently performed plays. Its title role is elusive and complex: Hedda is an intelligent and ambitious woman, who has no means of finding personal fulfilment in the stifling world of late nineteenth-century bourgeois society. Too frightened of scandal to become involved with a brilliant, wayward writer, she opts for a conventional but loveless marriage in the hope of finding surrogate fulfilment through her husband's career. Blending comedy and tragedy disconcertingly together, Ibsen probes the thwarted aspirations and hidden anxieties of his characters against a background of contemporary social conditions and attitudes.