Books with title Half a Hero. A Novel

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Sir Anthony Hope Hawkins, better known as Anthony Hope (9 February 1863 - 8 July 1933), was an English novelist and playwright. He was a prolific writer, especially of adventure novels but he is remembered predominantly for only two books: The Prisoner of Zenda (1894) and its sequel Rupert of Hentzau (1898). These works, "minor classics" of English literature, are set in the contemporaneous fictional country of Ruritania and spawned the genre known as Ruritanian romance, works set in fictional European locales similar to the novels. Zenda has inspired many adaptations, most notably the 1937 Hollywood movie of the same name. Hope wrote 32 volumes of fiction over the course of his lifetime and he had a large popular following.

In the garden the question was settled without serious difference of opinion. If Sir Robert Perry really could not go on—and Lady Eynesford was by no means prepared to concede even that—then Mr. Puttock, bourgeois as he was, or Mr. Coxon, conceited and priggish though he might be, must come in. At any rate, the one indisputable fact was the impossibility of Mr. Medland: this was, to Lady Eynesford's mind, axiomatic, and, in the safe privacy of her family circle (for Miss Scaife counted as one of the family, and Captain Heseltine and Mr. Flemyng did not count at all), she went so far as to declare that, let the Governor do as he would (in the inconceivable case of his being so foolish as to do anything of the kind), she at least would not receive Mr. Medland. Having launched this hypothetical thunderbolt, she asked Alicia Derosne to give her another cup of tea. Alicia poured out the tea, handed it to her sister-in-law, and asked, "But, Mary, what is there so dreadful about Mr. Medland?"

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In the garden the question was settled without serious difference of opinion. If Sir Robert Perry really could not go on—and Lady Eynesford was by no means prepared to concede even that—then Mr. Puttock, bourgeois as he was, or Mr. Coxon, conceited and priggish though he might be, must come in. At any rate, the one indisputable fact was the impossibility of Mr. Medland: this was, to Lady Eynesford's mind, axiomatic, and, in the safe privacy of her family circle (for Miss Scaife counted as one of the family, and Captain Heseltine and Mr. Flemyng did not count at all), she went so far as to declare that, let the Governor do as he would (in the inconceivable case of his being so foolish as to do anything of the kind), she at least would not receive Mr. Medland. Having launched this hypothetical thunderbolt, she asked Alicia Derosne to give her another cup of tea. Alicia poured out the tea, handed it to her sister-in-law, and asked, "But, Mary, what is there so dreadful about Mr. Medland?"

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

About the Book In historical fiction the plot is set in the past, and pays attention to the manners, social conditions and other details of the period portrayed. Some authors choose to include famous historical figures in their fictional plots, so that audiences can imagine how those individuals might have responded to the plots and environments established by the author. The Western literary component of this genre is founded in the early 19th century works of such authors as Sir Walter Scott, Honoré de Balzac, James Fenimore Cooper, and Leo Tolstoy. Also in this Book The romance novel, which is sometimes termed the romantic novel, places its primary focus on the development of a romantic relationship and love between two people. The sub-genres of the romance novel include: fantasy, historical romance, paranormal fiction, and science fiction. Romance novels existed in ancient Greece, and were also to be found in the literary fiction of the 18th and 19th centuries in the works of such authors as Samuel Richardson and Jane Austen. Also in this Book Titles covering drama and theater in the United States describe that part of the European theatrical tradition, dating back to ancient Greek theater, that is heavily influenced by British theatre. US drama has been heavily focussed on New York City at Broadway, Off-Broadway, and Off-Off-Broadway. Outside of New York, larger cities have professional regional or resident theater companies that produce their own seasons. some works aspiring to eventually play in New York. US theater also has an active community theater culture, relying on local volunteers. About us Leopold Classic Library has the goal of making available to readers the classic books that have been out of print for decades. While these books may have occasional imperfections, we consider that only hand checking of every page ensures readable content without poor picture quality, blurred or missing text etc. That's why we: republish only hand checked books; that are high quality; enabling readers to see classic books in original formats; that are unlikely to have missing or blurred pages. You can search "Leopold Classic Library" in categories of your interest to find other books in our extensive collection. Happy reading!