Books with title Gunman’s Reckoning

For the first moment Donnegan was not sure; it was not until there was a slight faltering in the deal--an infinitely small hesitation which only a practiced eye like that of Donnegan's could have noticed--that he was sure. The winner was crooked. Yet the hand was interesting for all that. He had done the master trick, not only giving himself the winning hand but also giving each of the others a fine set of cards.

Frederick Schiller Faust (1892 – 1944) was an American author known primarily for his thoughtful and literary Westerns under the pen name Max Brand. His other pseudonyms include George Owen Baxter, Evan Evans, George Evans, David Manning, John Frederick, Peter Morland, George Challis, and Frederick Frost. In the 1920s, Faust wrote extensively for pulp magazines, especially Street & Smith’s Western Story Magazine, a weekly for which he would write over a million words a year under various pen names, often seeing two serials and a short novel published in a single issue.

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For the first moment Donnegan was not sure; it was not until there was a slight faltering in the deal--an infinitely small hesitation which only a practiced eye like that of Donnegan's could have noticed--that he was sure. The winner was crooked. Yet the hand was interesting for all that. He had done the master trick, not only giving himself the winning hand but also giving each of the others a fine set of cards.

Donnegan is not proud of his past. But when words ran dry and matters could only be settled with a gun, he never hesitated to make things right. Now fate has led him to The Corner, a wide-open gold-mining town in the valley where two rivers join. An invalid by the name of Colonel Macon wants Donnegan to settle a long-standing land claim that’s been taken over by outlaws. Charmed by the colonel’s beautiful daughter, the gunman agrees. But nothing is as it seems in The Corner, where the line separating good from evil is so badly blurred it might not be there at all. Frederick Schiller Faust (see also Frederick Faust), aka Frank Austin, George Owen Baxter, Walter C Butler, George Challis, Evan Evans, Frederick Faust, John Frederick, Frederick Frost, David Manning, Peter Henry Morland

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

The fifty empty freights danced and rolled and rattled on the rough road bed and filled Jericho Pass with thunder; the big engine was laboring and grunting at the grade, but five cars back the noise of the locomotive was lost. Yet there is a way to talk above the noise of a freight train just as there is a way to whistle into the teeth of a stiff wind. This freight-car talk is pitched just above the ordinary tone—it is an overtone of conversation, one might say—and it is distinctly nasal. The brakie could talk above the racket, and so, of course, could Lefty Joe. They sat about in the center of the train, on the forward end of one of the cars. No matter how the train lurched and staggered over that fearful road bed, these two swayed in their places as easily and as safely as birds on swinging perches. The brakie had touched Lefty Joe for two dollars; he had secured fifty cents; and since the vigor of Lefty's oaths had convinced him that this was all the money the tramp had, the two now sat elbow to elbow and killed the distance with their talk. "It's like old times to have you here," said the brakie. "You used to play this line when you jumped from coast to coast."

Gunman's Reckoning, written by Max Brand, tells the story of a drifter who is given the job of trying to right a wrong. But he quickly learns that he has not been told the entire truth. Max Brand was a prolific American author best known for his Western novels. Brand also created the character of Dr. James Kildare which was made into a critically-acclaimed television show. Some of Brand's best known works include Gunman's Reckoning, The Untamed, Way of the Lawless, and The Night Horseman.

The fifty empty freights danced and rolled and rattled on the rough road bed and filled Jericho Pass with thunder; the big engine was laboring and grunting at the grade, but five cars back the noise of the locomotive was lost. Yet there is a way to talk above the noise of a freight train just as there is a way to whistle into the teeth of a stiff wind. This freight-car talk is pitched just above the ordinary tone—it is an overtone of conversation, one might say—and it is distinctly nasal. The brakie could talk above the racket, and so, of course, could Lefty Joe. They sat about in the center of the train, on the forward end of one of the cars. No matter how the train lurched and staggered over that fearful road bed, these two swayed in their places as easily and as safely as birds on swinging perches.

1 The fifty empty freights danced and rolled and rattled on the rough road bed and filled Jericho Pass with thunder; the big engine was laboring and grunting at the grade, but five cars back the noise of the locomotive was lost. Yet there is a way to talk above the noise of a freight train just as there is a way to whistle into the teeth of a stiff wind. This freight-car talk is pitched just above the ordinary tone—it is an overtone of conversation, one might say—and it is distinctly nasal. The brakie could talk above the racket, and so, of course, could Lefty Joe. They sat about in the center of the train, on the forward end of one of the cars. No matter how the train lurched and staggered over that fearful road bed, these two swayed in their places as easily and as safely as birds on swinging perches. The brakie had touched Lefty Joe for two dollars; he had secured fifty cents; and since the vigor of Lefty's oaths had convinced him that this was all the money the tramp had, the two now sat elbow to elbow and killed the distance with their talk. "It's like old times to have you here," said the brakie. "You used to play this line when you jumped from coast to coast." "Sure," said Lefty Joe, and he scowled at the mountains on either side of the pass. The train was gathering speed, and the peaks lurched eastward in a confused, ragged procession. "And a durned hard ride it's been many a time." "Kind of queer to see you," continued the brakie. "Heard you was rising in the world." He caught the face of the other with a rapid side glance, but Lefty Joe was sufficiently concealed by the dark. "Heard you were the main guy with a whole crowd behind you," went on the brakie. "Yeh?" "Sure. Heard you was riding the cushions, and all that." "Yeh?" "But I guess it was all bunk; here you are back again, anyway."

"It was time then for action, and Lefty Joe prepared for the descent into the home of the enemy. Let it not be thought that he approached this moment with a fallen heart, and with a cringing, snaky feeling as a man might be expected to feel when he approached to murder a sleeping foeman. For that was not Lefty's emotion at all. Rather he was overcome by a tremendous happiness. He could have sung with joy at the thought that he was about to rid himself of this pest."