Books with title Arabian Nights

One Thousand and One Nights (Arabic: كتاب ألف ليلة وليلة‎ Kitāb alf laylah wa-laylah) is a collection of Middle Eastern and South Asian stories and folk tales compiled in Arabic during the Islamic Golden Age. It is often known in English as the Arabian Nights, from the first English language edition (1706), which rendered the title as The Arabian Nights' EntertainmentThe work was collected over many centuries by various authors, translators and scholars across the Middle East, Central Asia and North Africa. The tales themselves trace their roots back to ancient and medieval Arabic, Persian, Indian, Turkish, Egyptian and Mesopotamian folklore and literature. In particular, many tales were originally folk stories from the Caliphate era, while others, especially the frame story, are most probably drawn from the Pahlavi Persian work Hazār Afsān (Persian: هزار افسان‎, lit. A Thousand Tales) which in turn relied partly on Indian elements...What is common throughout all the editions of the Nights is the initial frame story of the ruler Shahryār (from Persian: شهريار‎, meaning "king" or "sovereign") and his wife Scheherazade (from Persian: شهرزاد‎, possibly meaning "of noble lineage"[3]) and the framing device incorporated throughout the tales themselves. The stories proceed from this original tale; some are framed within other tales, while others begin and end of their own accord. Some editions contain only a few hundred nights, while others include 1,001 or more.Some of the stories of The Nights, particularly "Aladdin's Wonderful Lamp", "Ali Baba and the Forty Thieves" and "The Seven Voyages of Sinbad the Sailor", while almost certainly genuine Middle-Eastern folk tales, were not part of The Nights in Arabic versions, but were interpolated into the collection by Antoine Galland and other European translators.It is also notable that the innovative and rich poetry and poetic speeches, chants, songs, lamentations, hymns, beseeching, praising, pleading, riddles and annotations provided by Scheherazade or her story characters are unique to the Arabic version of the book. Some are as short as one line, while others go for tens of lines.....

Stevenson's title for these tales of imagination clearly shows what he intended their character to be. Plainly they were not meant to be realistic. Their stilted, artificial style is out of keeping with such an object. They were evidently to be stories which are entertaining in the same way that the "Arabian Nights" is entertaining, with just as little pretence of realism. As a child in his grandfather's manse at Colinton he had devoured the eastern tales; the New Arabian Nights, written when he was twenty-eight, are a special form of literary invention which came easily from Stevenson's habit of investing the most ordinary places and people with the wildest romance. The stories are peculiar in that their artificial style leaves one ungripped by the horror of adventure, such as those of The Suicide Club. But the artificiality was clearly deliberate; when he wanted, no one better than Stevenson could write tales of horror to make the flesh creep. He did in fact project a series of this kind, of which only one or two were completed. But in the New Arabian Nights it is easy to see his precise aim at a lighter effect. No doubt the pleasure in the technical problem — at once Stevenson's curse, and the source of his unequalled prose — prompted this experiment.

The Arabian Nights (or One Thousand and One Nights) is a collection of stories compiled by various authors, translators and scholars from countries across the Middle East and South Asia. The tales trace their roots back to ancient Arabia and Yemen, ancient Indian literature and Persian literature, ancient Egyptian literature and Mesopotamian mythology, ancient Syria and Asia Minor, and medieval Arabic folk stories from the Caliphate era. Though the oldest Arabic manuscript dates from the fourteenth century, scholarship generally dates the collection's genesis to somewhere between AD 800-900.

A collection of children's short stories including: The Arabian Nights The Story of the Merchant and the Genius The Story of the First Old Man and of the Hind The Story of the Second Old Man, and of the Two Black Dogs The Story of the Fisherman The Story of the Greek King and the Physician Douban The Story of the Husband and the Parrot The Story of the Vizir Who Was Punished The Story of the Young King of the Black Isles The Story of the Three Calenders, Sons of Kings, and of Five Ladies of Bagdad The Story of the First Calender, Son of a King The Story of the Envious Man and of Him Who Was Envied The Story of the Second Calendar, Son of a King The Story of the Third Calendar, Son of a King The Seven Voyages of Sindbad the Sailor First Voyage Second Voyage Third Voyage Fourth Voyage Fifth Voyage Sixth Voyage Seventh and Last Voyage The Little Hunchback The Story of the Barber's Fifth Brother The Story of the Barber's Sixth Brother The Adventures of Prince Camaralzaman and the Princess Badoura Noureddin and the Fair Persian Aladdin and the Wonderful Lamp The Adventures of Haroun-al-Raschid, Caliph of Bagdad The Story of the Blind Baba-Abdalla The Story of Sidi-Nouman The Story of Ali Colia, Merchant of Bagdad The Enchanted Horse The Story of Two Sisters Who Were Jealous of Their Younger Sister(non illustrated)

One Thousand and One Nights is a collection of stories collected over many centuries by various authors, translators and scholars in various countries across the Middle East and South Asia. These collections of tales trace their roots back to ancient Arabia and Yemen, ancient Indian literature and Persian literature, ancient Egyptian literature and Mesopotamian mythology, ancient Syria and Asia Minor, and medieval Arabic folk stories from the Caliphate era. Though the oldest Arabic manuscript dates from the fourteenth century, scholarship generally dates the collection's genesis to somewhere between AD 800–900.

One Thousand and One Nights is a collection of stories collected over many centuries by various authors, translators and scholars in various countries across the Middle East and South Asia. These collections of tales trace their roots back to ancient Arabia and Yemen, ancient Indian literature and Persian literature, ancient Egyptian literature and Mesopotamian mythology, ancient Syria and Asia Minor, and medieval Arabic folk stories from the Caliphate era. Though the oldest Arabic manuscript dates from the fourteenth century, scholarship generally dates the collection's genesis to somewhere between AD 800–900.

One Thousand and One Nights is a collection of stories collected over many centuries by various authors, translators and scholars in various countries across the Middle East and South Asia. These collections of tales trace their roots back to ancient Arabia and Yemen, ancient Indian literature and Persian literature, ancient Egyptian literature and Mesopotamian mythology, ancient Syria and Asia Minor, and medieval Arabic folk stories from the Caliphate era. Though the oldest Arabic manuscript dates from the fourteenth century, scholarship generally dates the collection's genesis to somewhere between AD 800–900.

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

The Talking Bird, the Singing Tree, and the Golden WaterThe Story of the Fisherman and the GenieThe History of the Young King of the Black IslesThe Story of Gulnare of the SeaThe Story of Aladdin; or, the Wonderful LampThe Story of Prince AgibThe Story of the City of BrassThe Story of Ali Baba and the Forty ThievesThe History of Codadad and His BrothersThe Story of Sinbad the Voyager

For these ten masterly retellings, entrancing and gloriously funny by turns, Robert Leeson has selected a feast of tales that give a rich flavour of the Thousand and One Nights. The collection ranges from well-loved tales of treasure, magical power and quick wits (Aladdin, The Fisherman and the Jinni, Ali Baba and the Forty Thieves) to hilarious romps (The Woman with Five Suitors, The Story of the Hunchback, The Sleeper and the Waker); it includes a magical romance (The Ebony Horse), and also a scattering of spiced sweetmeats (The Dream, The Donkey). Christina Balit's splendidly decorative illustrations together with a glossary and sources, create a classic that will enthral readers young and old.