Books published by publisher Everyman's Library

Uncle Tom, Topsy, Sambo, Simon Legree, little Eva: their names are American bywords, and all of them are characters in Harriet Beecher Stowe's remarkable novel of the pre-Civil War South. Uncle Tom's Cabin was revolutionary in 1852 for its passionate indictment of slavery and for its presentation of Tom, "a man of humanity," as the first black hero in American fiction. Labeled racist and condescending by some contemporary critics, it remains a shocking, controversial, and powerful work -- exposing the attitudes of white nineteenth-century society toward "the peculiar institution" and documenting, in heartrending detail, the tragic breakup of black Kentucky families "sold down the river." An immediate international sensation, Uncle Tom's Cabin sold 300,000 copies in the first year, was translated into thirty-seven languages, and has never gone out of print: its political impact was immense, its emotional influence immeasurable.

Jules Verne’s most beloved novels are gathered here in one hardcover volume: three thrilling tales of fabulous journeys under, through, and around the earth.Verne was one of the great pioneers of science fiction. Born in France in 1828, he wrote brilliantly about space, air, and underwater travel long before airplanes and space ships had been invented, and he is still one of the most widely read internationally of all science-fiction writers. But beyond charting new territory for adventurous fiction, his creations have entered our culture and taken on the magnitude and vitality of myth. It is hard to imagine anyone who has not heard of Captain Nemo and his giant submarine exploring the ruins of Atlantis in Twenty Thousand Leagues Under the Sea, Phileas Fogg’s frantic race around the world by every means of transportation in Round the World in Eighty Days, and the harrowing descent through a volcanic crater to underground caverns where prehistoric creatures roam in Journey to the Center of the Earth. These stories have seized the imaginations of readers for generations and are as vivid and exciting now as when their author first imagined traveling beyond the bounds of the possible. Translated by Henry Frith

First published in 1516, during a period of astonishing political and technological change, Sir Thomas More's Utopia depicts an imaginary society free of private property, sexual discrimination, violence, and religious intolerance. Raphael Hythloday, a philospher and world traveler, describes to the author and his friend an island nation he has visited called Utopia (combining the Greek ou-topos and eu-topos, for "no place" and "good place," respectively). Hythloday believes the rational social order of the Utopians is far superior to anything in Europe, while his listeners find many of their customs appealing but absurd. Given the enigmatic ambivalence of the character that More named after himself and the playful Greek puns he sprinkled throughout (including Hythloday's name, which means "knowing nonsense"), it is difficult to know what precisely More meant his readers to make of all the innovations of his Utopia. But its radical humanism has had an incalculable effect on modern history, and the callenge of its vision is as insistent today as it was in the Renaissance. With an introduction by Jenny Mezciems.(Book Jacket Status: Not Jacketed)

When John Dowell and his wife befriend Edward and Leonora Ashburnham, they appear to be the perfect couple. He is a distinguished soldier and she is beautiful and intelligent. However, what lies beneath the surface of their marriage is far more sinister and their influence leads John into a tragic drama that threatens to destroy everything he cares about.Ford Madox Ford wrote The Good Soldier, the book on which his reputation most surely rests, in deliberate emulation of the nineteenth-century French novels he so admired. In this way he was able to explore the theme of sexual betrayal and its poisonous after-effects with a psychological intimacy as yet unknown in the English novel.(Book Jacket Status: Not Jacketed)

rom one of the most brilliant and widely read of all American poets, a generous selection of lyrics, dramatic monologues, and narrative poems--all of them steeped in the wayward and isolated beauty of Frost's native New England. Includes his classics "Mending Wall, " "Birches, " and "The Road Not Taken, " as well as poems less famous but equally great.

A perfect Christmas gift—a beautifully jacketed Everyman's Library Pocket Classics hardcover anthology of two centuries of short fiction about our most majestic companion animal. With full-cloth binding and a silk ribbon marker.Annie Proulx and Bret Harte transport us to the ranches of the Old West and Rudyard Kipling to the polo fields of India. Arthur Conan Doyle makes a famous Thoroughbred disappear, and Raymond Carver gives us a vision of runaway horses in the mist. Jane Smiley, Margaret Atwood, Isaac Babel, and Ted Hughes explore the human passions horses can unleash. From the rollicking racetrack humor of Damon Runyon to the poignant lyricism of John Steinbeck's "The Red Pony" to the wild recklessness of adolescence in William Saroyan's "The Summer of the Beautiful White Horse" and Lydia Peelle's "Sweethearts of the Rodeo," these stories testify to our varied and timeless fascination with the noble animal.

One of the supreme masterpieces of world literature, the Homeric saga of the shipwrecks, wanderings, and homecoming of the master tactician Odysseus encompasses a virtual inventory of the themes and attitudes that have shaped Western culture. The tale of Odysseus’s encounters with such obstacles as Calypso, Circe, Scylla and Charybdis, the Sirens, and the lotus-eaters, and his dramatic return to Ithaca and his patient wife, Penelope, forms a prototype for all subsequent Western epics.Robert Fitzgerald’s much-acclaimed translation, fully possessing as it does the body and spirit of the original, has helped to assure the continuing vitality of Europe’s most influential work of poetry. This edition includes twenty-five new line drawings by Barnaby Fitzgerald.

A new hardcover selection of the best writings of the visionary German naturalist whose ideas changed the way we see the natural world. Selected and introduced by Andrea Wulf.Alexander von Humboldt (1769–1859) was an intrepid explorer and the most famous scientist of his age. His life was packed with adventure and discovery, whether he was climbing volcanoes in the Andes, racing through anthrax-infected Siberia, or publishing groundbreaking bestsellers. Ahead of his time, he recognized nature as an interdependent whole and he saw before anyone else that humankind was on a path to destroy it. His visits to the Americas led him to argue that the indigenous peoples possessed ancient cultures with sophisticated languages, architecture, and art, and his expedition to Cuba prompted him to denounce slavery as “the greatest evil ever to have afflicted humanity.” To Humboldt, the melody of his prose was as important as its empirical content, and this selection from his most famous works—including Cosmos, Views of Nature, and Views of the Cordilleras and Monuments of the Indigenous Peoples of the Americas, among others—allows us the pleasure of reading his own accounts of his daring explorations. Humboldt’s writings profoundly influenced naturalists and poets including Darwin, Thoreau, Muir, Goethe, Wordsworth, and Whitman. The Selected Writings is not only a tribute to Humboldt’s important role in environmental history and science, but also to his ability to fashion powerfully poetic narratives out of scientific observations.

When Silas Marner is wrongly accused of crime and expelled from his community, he vows to turn his back upon the world. He moves to the village of Raveloe, where he remains an outsider and an object of suspicion until an extraordinary sequence of events, including the theft of his gold and the appearance of a tiny, golden-haired child in his cottage, transforms his life. Part beautifully realized rural portraiture and part fairy tale, the story of Marner’s redemption and restoration to humanity has long been George Eliot’s most beloved and widely read work.The isolated, misanthropic, miserly weaver Silas Marner is one of George Eliot’s greatest creations, and his presence casts a strange, otherworldly glow over the moral dramas, both large and small, that take place in the pastoral landscape that surrounds him.Introduction by Rosemary Ashton

The most famous day in literature is June 16, 1904, when a certain Mr. Leopold Bloom of Dublin eats a kidney for breakfast, attends a funeral, admires a girl on the beach, contemplates his wife’s imminent adultery, and, late at night, befriends a drunken young poet in the city’s red-light district. An earthy story, a virtuoso technical display, and a literary revolution all rolled into one, James Joyce’s Ulysses is a touchstone of our modernity and one of the towering achievements of the human mind.

Readers of Jane Austen’s six great novels are left hungering for more, and more there is: the marvelous unpublished manuscripts she left behind, collected here.Sanditon might have been Austen’s greatest novel had she lived to finish it. Its subject matter astonishes: here is Austen observing the birth pangs of the culture of commerce, as her country-bred heroine, a foolish baronet, a family of hypochondriacs, and a mysterious West Indian heiress collide against the background hum of real-estate development at a seaside resort.The Watsons, begun in 1804 but never completed, tells the story of a young woman who was raised by a rich aunt and who finds herself shipped back to the comparative poverty and social clumsiness of her own family.The novella Lady Susan is a miniature masterpiece, featuring Austen’s only villainous protagonist. Lady Susan’s subtle, single-minded, and ruthless pursuit of power makes the reader regret that Austen never again wrote a novel with a scheming widow for its heroine.The special joy of this collection lies in Austen’s juvenilia–tiny novels, the enchantingly funny Love and Freindship, comic fragments, and a (very) partial history of England–romping miniatures that she wrote in her teens. Their high spirits, hilarity, and control offer delicious proof that Austen was an artist “born, not made.”