Books published by publisher Arte Publico Press

"On the first day at my new school, my teacher, Miss Soria, gave me a sticker that said René Colato. The sticker was missing my second last name. Maybe Miss Soria's pen ran out of ink. I took my pencil and added it. Now it looked right: René Colato Laínez." Young René is from El Salvador, and he doesn't understand why his name has to be different in the United States. When he writes Colato, he sees his paternal grandparents, René and Amelia. When he writes Laínez, he sees his maternal grandparents, Angela and Julio. Without his second last name, René feels incomplete, "like a hamburger without the meat or a pizza without cheese or a hot dog without a wiener." His new classmates giggle when René tells them his name. "That's a long dinosaur name," one says. "Your name is longer than an anaconda," another laughs. But René doesn't want to lose the part of him that comes from his mother's family. So when the students are given a project to create a family tree, René is determined to explain the importance of using both of his last names. On the day of his presentation, René explains that he is as hard working as Abuelo René, who is a farmer, and as creative as his Abuela Amelia, who is a potter. He can tell stories like his Abuelo Julio and enjoys music like his Abuela Angela. This charming bilingual picture book for children ages 4 - 8 combines the winning team of author René Colato Laínez and illustrator Fabiola Graullera Ramírez, and follows their award-winning collaboration, I Am René, the Boy / Soy René, el niño. With whimsical illustrations and entertaining text, this sequel is sure to please fans and gain many new ones while explaining an important Hispanic cultural tradition.

This is the first bilingual edition of the nineteenth century Cuban literary master's classic book of poetry.Praise for Versos Sencillos:“Tellechea’s excellent translation and introduction bring Martí to life . . . Recommended.”—Library Journal“The fruit of [Tellechea’s] 20-year effort is a nicely-textured set of verses, a work that is more an interpretation of Martí’s essence than a strictly literal translation.”—The Miami Herald

Seventh-grader Trino Olivares likes video games a lot more than he likes books. In fact, he doesn’t have much use for most “school types.” But when Rosca, an older teen with a vicious streak, invites Trino to start hanging out with his crowd—and maybe make some quick money, too—the younger boy doesn’t know what to think. Trino’s angry that he and his younger stepbrothers are barely getting by, even though their mother works two jobs. And he’d do anything to make an impression on Lisana, a smart neighborhood girl who happens to be one of those “school types.” With little help from any adults, it’s up to Trino to decide which choices will impress his friends—and which choices are the best for Trino.

Sixteen-year-old Martha and her mother move constantly, never staying anywhere for long. So she knows better than to ask if they’ve been evicted again when her mom says they’re going on a “vacation” to meet the grandmother Martha didn’t know existed.Laredo, Texas, is like no other city she has seen. Driving past businesses with Spanish names and colorfully painted houses with burnt lawns, Martha can’t imagine her mother living somewhere so … Mexican. At her grandmother’s pink house, she’s shocked and hurt when her mom abandons her, even though a part of her had been expecting it. Suddenly Martha must deal with a way of life that is completely foreign. Her grandmother doesn’t speak English, so communication is difficult, and she’s not the typical, sweet grandma who dotes on her grandchildren. Even weirder, it turns out that her grandmother is revered as a healer, or curandera. And there are tons of cousins, aunts and uncles all ready to embrace her!At her new school, Martha can’t be anonymous like before because everyone knows she’s Doña González’s granddaughter. Meanwhile, a girl who has it out for her makes things unpleasant. As Martha struggles to adjust to her new life, she can’t help but wonder why her mother left Laredo. No one is willing to discuss it, so she’ll have to unravel the secret herself.

Fourteen-year-old Victor has just been released from the hospital; his chest is wrapped in bandages and his arm is in a sling. He has barely survived being shot, and his mother accuses him of being a cholo, something he denies.She’s not the only adult that thinks he’s a gangbanger. His sociology teacher once sent him to a teach-in on gang violence. Victor’s philosophy is that everyone is racist. “They see a brown kid, they see a banger.” Even other kids think he’s in a gang, maybe because of the clothes he wears. The truth is, he loves death (metal, that is), reading books and drawing. But he can’t convince his mom that he’s not in a gang. And in spite of a genius girlfriend and an art teacher who mentors and encourages him to apply to art schools, Victor can’t seem to overcome society’s expectations for him.In this compelling novel, renowned Chicano writer Daniel Chacón once again explores art, death, ethnicity and racism. Are Chicanos meant for meth houses instead of art schools? Are talented Chicanos never destined to study in Paris?

Long, long, long ago, Bella and her grandmother Mamá Alma admired their vegetable garden. They liked gardening together. They grew sunflowers and lilies too, and chatted with lizards and hummingbirds. They walked around the flowers and vegetables holding hands, something they had done frequently since Bella was a baby. As her grandmother aged, Bella helped her to walk. “Every year, I need your help more and more,” said Mamá Alma.Sitting on their favorite rock, they remembered how Mamá Alma carried Bella to show her the sun and everything that grew in its powerful rays: trees, cacti, corn and flowers. The oldest and wisest woman in the village, she taught her granddaughter to sing, tell stories and weave. Mamá Alma is pleased that Bella has become the best healer in the village, the one everyone comes to for help with a sick bird or a stomach ache. Mamá Alma tells her granddaughter to remember their happy times together and to plan an annual “remembering day,” a special time to think about her when she is gone.In this special bilingual picture book for children, acclaimed author Pat Mora creates an origin myth in which she imagines how the Mexican custom of remembering deceased loved ones—El día de los muertos or the Day of the Dead—came to be. With tender illustrations by Robert Casilla that depict Bella and Mamá Alma’s loving relationship, this book will encourage children to honor loved ones, whether by writing stories and poems or creating their own remembering place.

Young Sofi enters a New York City community garden and finds a half-painted mural. It’s full of big, leafy plants in blue and yellow, and a vibrant emerald green color appears where the two colors meet. As Sofi runs her fingers over the image, she is suddenly transported to a beautiful place with plants just like the ones on the wall! Sofi finds herself in the Dominican Republic, where she meets a young boy named Juan Luis. He is writing a song, but he’s stuck on the lyrics and needs her help. After they finish the song, the pair flies over the river that separates San Pedro de Macoris from Haiti. There, Juan Luis introduces her to his friend, Güerlande, a young metal artist. She also needs Sofi’s help. Can she make just the right shade of purple to paint Güerlande’s huge mermaid sculpture? This bilingual picture book about an imaginative girl and an enchanted mural is an engaging exploration of the cultural traditions of the Caribbean. The sequel to Sofi and the Magic, Musical Mural / Sofi y el mágico mural musical, this story introduces young readers to the art and music of the gorgeous island of Hispaniola. Kids will be encouraged to explore their own artistic talents after reading about internationally acclaimed Dominican musician, Juan Luis Guerra, and Haitian artist, Güerlande Balan.

Cecilia and Miguel are best friends, and have been since the third grade when he gave her bunny ears in the class picture. Their life-long friendship is recorded in warm recollections of bike races and soccer games, beach time and fishing from the pier. Their closeness endures separation, even when he drove north to college and she drove west. The relationship evolves and grows, but remains strong even when ... he dropped the ring and she found it inside her flan ... he set up one crib and she told him they need two ... the twins climb into their bed and beg for another story. In this celebration of friendship, best friends forgive mistakes, share adventures and sometimes even become family! Popular children's book author Diane Gonzales Bertrand teams up with illustrator Thelma Muraida to create an album of memories that reflect their shared Mexican-American childhood in San Antonio, Texas: swinging at birthday party piñatas, breaking cascarones over friends' heads and dancing at quinceañeras. Young children are sure to giggle at the adventures of Cecilia and Miguel, and they'll be prompted to ask about their parents' relationship as well as explore their own.