Other editions of book The Haunted Hotel A Mystery of Modern Venice

Wilkie Collins's ghost story was set in 1860 and published in book form with 'My Lady's Money'. It was dedicated to his friends Mr and Mrs Sebastian Schlesinger. Apart from supernatural elements, the story contains detective procedures and an insurance fraud relying on substituted identity that anticipates the later Blind Love (1890). The story is unusually horrific for Collins. A kind, good-hearted genteel young woman jilted, a suspicious death or two that only a few think could be murder, strange apparitions appearing in an hotel all combine to create a horrifying conundrum. Who was the culprit and will finding out finally put an end to the mystery?

Is there no explanation of the mystery of The Haunted Hotel? Is The Haunted Hotel the tale of a haunting -- or the tale of a crime? The ghost of Lord Montberry haunts the Palace Hotel in Venice --- or does it? Montberry's beautiful-yet-terrifying wife, the Countess Narona, and her erstwhile brother are the center of the terror that fills the Palace Hotel. Are their malefactions at the root of the haunting -- or is there something darker, something much more unknowable at work?

William Wilkie Collins (8 January 1824 – 23 September 1889) was an English novelist, playwright, and short story writer. His best-known works are The Woman in White (1859), No Name (1862), Armadale (1866) and The Moonstone (1868). The last is considered the first modern English detective novel.Born into the family of painter William Collins in London, he lived with his family in Italy and France as a child and learned French and Italian. He worked as a clerk for a tea merchant. After his first novel, Antonina, was published in 1850, he met Charles Dickens, who became a close friend, mentor and collaborator. Some of Collins's works were first published in Dickens' journals All the Year Round and Household Words and the two collaborated on drama and fiction.Collins published his best known works in the 1860s and achieved financial stability and an international reputation. During that time he began suffering from gout. After taking opium for the pain, he developed an addiction. During the 1870s and 1880s the quality of his writing declined along with his health.

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This is a unique collection of strange stories from the cunning pen of Wilkie Collins, author of The Woman in White and The Moonstone. The star attraction is the novella The Haunted Hotel, a clever combination of detective and ghost story set in Venice, a city of grim waterways, dark shadows and death. The action takes place in an ancient palazzo coverted into a modern hotel that houses a grisly secret. The supernatural horror, relentless pace, tight narrative, and a doomed countess characterise and distinguish this powerful tale.

✓ Lord Montbarry breaks off his engagement to Agnes Lockwood to marry the Countess Narona. The couple end a continental tour in Venice where they live reclusively in a large, decaying palace. They are accompanied by Baron Rivar, brother of the Countess, and by Ferrari, their courier.★ The Countess has also come to Venice, compelled by Destiny. She writes a ghost story in the form of a play which is in effect a confession of Montbarry's murder by herself and the Baron. Ferrari, dying of bronchitis.

William Wilkie Collins (8 January 1824 – 23 September 1889) was an English novelist, playwright and short story writer best known for The Woman in White (1859) and The Moonstone (1868). The last has been called the first modern English detective novel. Born to the family of a painter, William Collins, in London, he grew up in Italy and France, learning French and Italian. He began work as a clerk for a tea merchant. After his first novel, Antonina, appeared in 1850, he met Charles Dickens, who became a close friend and mentor. Some of Collins's works appeared first in Dickens's journals All the Year Round and Household Words and they collaborated on drama and fiction. Collins achieved financial stability and an international following with his best known works in the 1860s, but began suffering from gout. Taking opium for the pain grew into an addiction. In the 1870s and 1880s his writing quality declined with his health. Collins was critical of the institution of marriage: he split his time between Caroline Graves and his common-law wife Martha Rudd, with whom he had three children.