Other editions of book THE TROLL GARDEN & OBSCURE DESTINIES Franklin Library

In the stories that comprise The Troll Garden, her first book, Willa Cather evokes the devastated, romantic dreams that haunt her characters. Artists, inveterate sentimentalists, hungering beauties, and demon-ridden ascetics find themselves torn between the need to confess and keep secret their private aspirations. Involved with the hope that destroys the spirit, their lives reflect both the impoverished materialism and the deadly idealism of the Plains country, of the fashionable East, and of London at the turn of the century.Near Rattlesnake Creek, on the side of a little draw stood Canute's shanty. North, east, south, stretched the level Nebraska plain of long rust–red grass that undulated constantly in the wind. To the west the ground was broken and rough, and a narrow strip of timber wound along the turbid, muddy little stream that had scarcely ambition enough to crawl over its black bottom. If it had not been for the few stunted cottonwoods and elms that grew along its banks, Canute would have shot himself years ago. The Norwegians are a timber–loving people, and if there is even a turtle pond with a few plum bushes around it they seem irresistibly drawn toward it.

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Near Rattlesnake Creek, on the side of a little draw stood Canute's shanty. North, east, south, stretched the level Nebraska plain of long rust–red grass that undulated constantly in the wind. To the west the ground was broken and rough, and a narrow strip of timber wound along the turbid, muddy little stream that had scarcely ambition enough to crawl over its black bottom. If it had not been for the few stunted cottonwoods and elms that grew along its banks, Canute would have shot himself years ago. The Norwegians are a timber–loving people, and if there is even a turtle pond with a few plum bushes around it they seem irresistibly drawn toward it.As to the shanty itself, Canute had built it without aid of any kind, for when he first squatted along the banks of Rattlesnake Creek there was not a human being within twenty miles. It was built of logs split in halves, the chinks stopped with mud and plaster.

In the stories that comprise The Troll Garden, her first book, Willa Cather evokes the devastated, romantic dreams that haunt her characters. Artists, inveterate sentimentalists, hungering beauties, and demon-ridden ascetics find themselves torn between the need to confess and keep secret their private aspirations. Involved with the hope that destroys the spirit, their lives reflect both the impoverished materialism and the deadly idealism of the Plains country, of the fashionable East, and of London at the turn of the century.Near Rattlesnake Creek, on the side of a little draw stood Canute's shanty. North, east, south, stretched the level Nebraska plain of long rust–red grass that undulated constantly in the wind. To the west the ground was broken and rough, and a narrow strip of timber wound along the turbid, muddy little stream that had scarcely ambition enough to crawl over its black bottom. If it had not been for the few stunted cottonwoods and elms that grew along its banks, Canute would have shot himself years ago. The Norwegians are a timber–loving people, and if there is even a turtle pond with a few plum bushes around it they seem irresistibly drawn toward it.

In the stories that comprise The Troll Garden, her first book, Willa Cather evokes the devastated, romantic dreams that haunt her characters. Artists, inveterate sentimentalists, hungering beauties, and demon-ridden ascetics find themselves torn between the need to confess and keep secret their private aspirations. Involved with the hope that destroys the spirit, their lives reflect both the impoverished materialism and the deadly idealism of the Plains country, of the fashionable East, and of London at the turn of the century.

In the stories that comprise The Troll Garden, her first book, Willa Cather evokes the devastated, romantic dreams that haunt her characters. Artists, inveterate sentimentalists, hungering beauties, and demon-ridden ascetics find themselves torn between the need to confess and keep secret their private aspirations. Involved with the hope that destroys the spirit, their lives reflect both the impoverished materialism and the deadly idealism of the Plains country, of the fashionable East, and of London at the turn of the century.

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In the stories that comprise The Troll Garden, her first book, Willa Cather evokes the devastated, romantic dreams that haunt her characters. Artists, inveterate sentimentalists, hungering beauties, and demon-ridden ascetics find themselves torn between the need to confess and keep secret their private aspirations. Involved with the hope that destroys the spirit, their lives reflect both the impoverished materialism and the deadly idealism of the Plains country, of the fashionable East, and of London at the turn of the century.This collection of Willa Cather stories—her first book of fiction and the capstone of her early career—is as relevant today as at the time of its initial publication. As different and individually distinguished as the seven stories may be, they share as their subject the role and status of the artist in American society.