Other editions of book Black Arrow a Tale of Two Roses Junior Deluxe Edition

The Black Arrow: A Tale of the Two Roses by Robert Louis Stevenson. The story is a wonderful historical adventure novel and a romance. It is a classic that has been loved by many for generations. Any profits generated from the sale of this book will go towards the Freeriver Community project, a project designed to promote harmonious community living and well-being in the world. To learn more about the Freeriver project please visit the website - www.freerivercommunity.com

Tor Classics are affordably-priced editions designed to attract the young reader. Original dynamic cover art enthusiastically represents the excitement of each story. Appropriate "reader friendly" type sizes have been chosen for each title--offering clear, accurate, and readable text. All editions are complete and unabridged, and feature Introductions and Afterwords.This edition of The Black Arrow includes a Foreword, Biographical Note, and Afterword from the Publisher.A fierce war rages between two powerful and bitter rivals:on one side the House of Lancaster; on the other the House of York. The prize? The crown of England! Young Richard Shelton finds himself torn in his loyalties. Should he serve the interests of his villainous master. or throw in his lot with the dashing outlaw Ellis Duckworth and his band known as the Black Arrow? Richard must decide wisely, for his fate--and the fate of England--hangs in the balance....An exciting portrait of England during the War of the Roses, The Black Arrow is a breathless adventure of battle, intrigue, deception, kidnapping, spies, rogues, heroes,and villains.

The novel is set in the reign of "old King Henry VI" (1422–1461, 1470–1471) and during the Wars of the Roses (1455–1487). The story begins with the Tunstall Moat House alarm bell, rung to summon recruits for its absent lord Sir Daniel Brackley, to join the Battle of Risingham; at which the outlaw "fellowship" known as "the Black Arrow" begins to strike with its "four black arrows" for the "four black hearts" of Brackley and three of his retainers: Nicholas Appleyard, Bennet Hatch, and Sir Oliver Oates, the parson. The rhyme posted in explanation of this attack, makes the protagonist Richard ('Dick') Shelton, ward of Sir Daniel, curious about the death of his father Sir Harry Shelton. Having been dispatched to Kettley, where Sir Daniel was quartered, and sent to Tunstall Moat House by return dispatch, he falls in with a fugitive, Joanna Sedley, disguised as a boy with the alias of John Matcham: an heiress kidnapped by Sir Daniel to obtain guardianship over her and to retain his control over Richard by marrying her to him.

How is this book unique?Font adjustments & biography includedUnabridged (100% Original content)Formatted for e-readerIllustratedAbout The Black Arrow by Robert Louis StevensonRobert Louis Balfour Stevenson (1850-1894), a Scottish novelist, poet and essayist, was influential to the likes of Ernest Hemingway, Rudyard Kipling, and J. M. Barrie. His most famous works include "Treasure Island" and "The Strange Case of Dr. Jekyll and Mr. Hyde". Originally intending to study engineering at the University of Edinburgh, Stevenson expended more energy dodging lectures than attending them. He shifted his studies to law, passing the bar but never actually practicing the profession. Instead he began to seek success through writing, beginning with travel novels, exploring Europe and weaving stories from his own experiences. "The Black Arrow" is a tale comparable to his most famous works, the plot swiftly carried by thrilling suspense and narrow escapes. Set during the Middle Ages, Stevenson depicts the harsh conditions of life at that time, as well as the horrors of civil war, dealing in particular with the fifteenth-century War of the Roses.

How is this book unique? Original & Unabridged EditionTablet and e-reader formattedShort Biography is also included15 Illustrations are included One of the best books to readBest fiction books of all timeBestselling NovelClassic historical fiction booksRobert Louis Balfour Stevenson (1850-1894), a Scottish novelist, poet and essayist, was influential to the likes of Ernest Hemingway, Rudyard Kipling, and J. M. Barrie. His most famous works include "Treasure Island" and "The Strange Case of Dr. Jekyll and Mr. Hyde". Originally intending to study engineering at the University of Edinburgh, Stevenson expended more energy dodging lectures than attending them. He shifted his studies to law, passing the bar but never actually practicing the profession. Instead he began to seek success through writing, beginning with travel novels, exploring Europe and weaving stories from his own experiences. "The Black Arrow" is a tale comparable to his most famous works, the plot swiftly carried by thrilling suspense and narrow escapes. Set during the Middle Ages, Stevenson depicts the harsh conditions of life at that time, as well as the horrors of civil war, dealing in particular with the fifteenth-century War of the Roses.

This is a book from the Junior Deluxe Editions series published between 1947 and 1968 by mainly Nelson Doubleday Inc. and J.P. Lippincott Co. All of the illustrations are done by different illustrators. This book, THE BLACK ARROW, is a novel by Robert Louis Stevenson (1850-1984), first published in 1888. It is both an historical adventure novel and a romance novel. The Black Arrow tells the story of Richard (Dick) Shelton during the Wars of the Roses: how he becomes a knight, rescues his lady Joanna Sedley, and obtains justice for the murder of his father, Sir Harry Shelton. Outlaws in Tunstall Forest organized by Ellis Duckworth, whose weapon and calling card is a black arrow, cause Dick to suspect that his guardian Sir Daniel Brackley and his retainers are responsible for his father's murder. Dick's suspicions are enough to turn Sir Daniel against him, so he has no recourse but to escape from Sir Daniel and join the outlaws of the Black Arrow against him. This struggle sweeps him up into the greater conflict surrounding them all. This Junior Deluxe Edition book was illustrated by Lawrence Beall Smith (1909-1989), a premier American painter, sculptor, lithographer and illustrator of the twentieth century. Smith began exhibiting his art in 1935 and gained a strong national reputation by 1941 when a one-man exhibition of his art was launched at the Whitney Museum in New York. During World War II he created posters for the war effort and was an artist for the D-Day landings in Normandy.

Sir Daniel and his men lay in and about Kettley that night, warmly quartered and well patrolled. But the Knight of Tunstall was one who never rested from money-getting; and even now, when he was on the brink of an adventure which should make or mar him, he was up an hour after midnight to squeeze poor neighbours. He was one who trafficked greatly in disputed inheritances; it was his way to buy out the most unlikely claimant, and then, by the favour he curried with great lords about the king, procure unjust decisions in his favour; or, if that was too roundabout, to seize the disputed manor by force of arms, and rely on his influence and Sir Oliver’s cunning in the law to hold what he had snatched. Kettley was one such place; it had come very lately into his clutches; he still met with opposition from the tenants; and it was to overawe discontent that he had led his troops that way. By two in the morning, Sir Daniel sat in the inn room, close by the fireside, for it was cold at that hour among the fens of Kettley. By his elbow stood a pottle of spiced ale. He had taken off his visored headpiece, and sat with his bald head and thin, dark visage resting on one hand, wrapped warmly in a sanguine-coloured cloak. At the lower end of the room about a dozen of his men stood sentry over the door or lay asleep on benches; and somewhat nearer hand, a young lad, apparently of twelve or thirteen, was stretched in a mantle on the floor. The host of the Sun stood before the great man. “Now, mark me, mine host,” Sir Daniel said, “follow but mine orders, and I shall be your good lord ever. I must have good men for head boroughs, and I will have Adam-a-More high constable; see to it narrowly. If other men be chosen, it shall avail you nothing; rather it shall be found to your sore cost. For those that have paid rent to Walsingham I shall take good measure—you among the rest, mine host.” “Good knight,” said the host, “I will swear upon the cross of Holywood I did but pay to Walsingham upon compulsion. Nay, bully knight, I love not the rogue Walsinghams; they were as poor as thieves, bully knight. Give me a great lord like you. Nay; ask me among the neighbours, I am stout for Brackley.” “It may be,” said Sir Daniel, dryly. “Ye shall then pay twice.” The innkeeper made a horrid grimace; but this was a piece of bad luck that might readily befall a tenant in these unruly times, and he was perhaps glad to make his peace so easily. “Bring up yon fellow, Selden!” cried the knight. And one of his retainers led up a poor, cringing old man, as pale as a candle, and all shaking with the fen fever. “Sirrah,” said Sir Daniel, “your name?” “An’t please your worship,” replied the man, “my name is Condall—Condall of Shoreby, at your good worship’s pleasure.” “I have heard you ill reported on,” returned the knight. “Ye deal in treason, rogue; ye trudge the country leasing; y’ are heavily suspicioned of the death of severals. How, fellow, are ye so bold? But I will bring you down.” “Right honourable and my reverend lord,” the man cried, “here is some hodge-podge, saving your good presence. I am but a poor private man, and have hurt none.” “The under-sheriff did report of you most vilely,” said the knight. “‘Seize me,’ saith he, ‘that Tyndal of Shoreby.’” “Condall, my good lord; Condall is my poor name,” said the unfortunate. “Condall or Tyndal, it is all one,” replied Sir Daniel, coolly. “For, by my sooth, y’ are here and I do mightily suspect your honesty. If ye would save your neck, write me swiftly an obligation for twenty pound.” “For twenty pound, my good lord!” cried Condall. “Here is midsummer madness! My whole estate amounteth not to seventy shillings.” “Condall or Tyndal,” returned Sir Daniel, grinning, “I will run my peril of that loss. Write me down twenty, and when I have recovered all I may, I will be good lord to you, and pardon you the rest.” “Alas! my good lord, it may not be; I have no skill to write,” said Condall.

The Black Arrow: A Tale of the Two Roses is an 1888 novel by Robert Louis Stevenson. It is both an historical adventure novel and a romance novel.The novel is set in the reign of "old King Henry VI" (1422-1461, 1470-1471) and during the Wars of the Roses (1455-1487). The story begins with the Tunstall Moat House alarm bell, rung to summon recruits for its absent lord Sir Daniel Brackley, to join the Battle of Risingham; at which the outlaw "fellowship" known as "the Black Arrow" begins to strike with its "four black arrows" for the "four black hearts" of Brackley and three of his retainers: Nicholas Appleyard, Bennet Hatch, and Sir Oliver Oates, the parson. The rhyme posted in explanation of this attack, makes the protagonist Richard ('Dick') Shelton, ward of Sir Daniel, curious about the death of his father Sir Harry Shelton. Having been dispatched to Kettley, where Sir Daniel was quartered, and sent to Tunstall Moat House by return dispatch, he falls in with a fugitive, Joanna Sedley, disguised as a boy with the alias of John Matcham: an heiress kidnapped by Sir Daniel to obtain guardianship over her and to retain his control over Richard by marrying her to him.As they travel through Tunstall Forest, Joanna tries to persuade Dick to turn against Sir Daniel in sympathy with the Black Arrow outlaws, whose camp they discover near the ruins of Grimstone manor. The next day they are met in the forest by Sir Daniel himself, disguised as a leper and returning to the Moat House after his side was defeated at Risingham. Dick and Joanna then follow Sir Daniel to the Moat House. Here Dick confirms that Sir Daniel is the murderer of his father, and escapes injured from the Moat House. He is rescued by the outlaws of the Black Arrow.Memories and Portraits is a collection of essays by Robert Louis Stevenson, first published in 1887.Contents I. The Foreigner at Home II. Some College Memories III. Old Morality IV. A College Magazine V. An Old Scotch Gardener VI. Pastoral VII. The Manse VIII. Memories of an Islet IX. Thomas Stevenson X. Talk And Talkers: First Paper XI. Talk And Talkers: Second Paper XII. The Character of Dogs XIII. "A Penny Plain and Twopence Coloured" XIV. A Gossip on a Novel of Dumas's XV. A Gossip on Romance XVI. A Humble Remonstrance

Originally serialized in a periodical of boys' adventure fiction, The Black Arrow is a swashbuckling portrait of a young man's journey to discover the heroism within himself. Young Dick Shelton, caught in the midst of England's War of the Roses, finds his loyalties torn between the guardian who will ultimately betray him and the leader of a secret fellowship, The Black Arrow. As Shelton is drawn deeper into this conspiracy, he must distinguish friend from foe and confront war, shipwreck, revenge, murder, and forbidden love, as England's crown threatens to topple around him.

When the publishers asked for a successor to Treasure Island, Stevenson turned to the period of the Wars of the Roses as a setting for a tale of adventure frankly written for youthful readers. The only preparation a boy needs for enjoying "The Black Arrow " is some slight acquaintance with Shakespeare or Walter Scott; nay, if he have but skimmed the briefest history of the brave old medieval times, and knows what a part in them the long-bow and the cross-bow played, and what a salet is, and what a lance, he will need no further introduction to this tale of the early days of Richard Crookback—a tale "retold" (like that of the search for buried treasure) "exactly in the ancient way." Or if the telling differ from that to which he is accustomed, it will be because Mr. Stevenson writes with a pen so much more graphic, poetic, and incisive than the ancient chroniclers. Not content with weaving a plot that shall hold the reader spell-bound, he perfects his style with such care that not a superfluous or an ill-fitting word is to be found from start to finish.