Other editions of book The Man Who Was Thursday: A Nightmare: The Original 1908 Edition

"The Man Who Was Thursday, is a metaphysical thriller, and a detective story filled with poetry and politics. Gabriel Syme is a poet and a police detective. Lucian Gregory is a poet and a bomb-throwing anarchist. Syme infiltrates a secret meeting of anarchists and becomes 'Thursday', one of the seven members of the Central Anarchist Council. He soon learns, however, that he is not the only one in disguise, and the nightmare begins…"

At first, The Man Who Was Thursday seems no more than a detective story that also has both poetry and politics, as well. But it soon becomes a mystery that grows more mysterious, until it is nothing less than the mystery of creation itself. This is Chesterton's most famous novel. Never out of print since it was first published in 1908, critics immediately hailed it as "amazingly clever," "a remarkable acrobatic performance," and "a scurrying, door-slamming farce that ends like a chapter in the Apocalypse." One reviewer described how he had read it in one sitting and put it down, "completely dazed.""This book is Chesterton at his best. Every scene is perfect. Every line is a gem." (The American Chesterton Society)"It is very difficult to classify The Man Who Was Thursday. It is possible to say that it is a gripping adventure story of murderous criminals and brilliant policemen; but it was to be expected that the author of the Father Brown stories should tell a detective story like no-one else. On this level, therefore, The Man Who Was Thursday succeeds superbly; if nothing else, it is a magnificent tour-de-force of suspense-writing." (World Wide School Library)

At first, The Man Who Was Thursday seems no more than a detective story that also has both poetry and politics, as well. But it soon becomes a mystery that grows more mysterious, until it is nothing less than the mystery of creation itself. This is Chesterton's most famous novel. Never out of print since it was first published in 1908, critics immediately hailed it as "amazingly clever," "a remarkable acrobatic performance," and "a scurrying, door-slamming farce that ends like a chapter in the Apocalypse." One reviewer described how he had read it in one sitting and put it down, "completely dazed.""This book is Chesterton at his best. Every scene is perfect. Every line is a gem." (The American Chesterton Society)"It is very difficult to classify The Man Who Was Thursday. It is possible to say that it is a gripping adventure story of murderous criminals and brilliant policemen; but it was to be expected that the author of the Father Brown stories should tell a detective story like no-one else. On this level, therefore, The Man Who Was Thursday succeeds superbly; if nothing else, it is a magnificent tour-de-force of suspense-writing." (World Wide School Library)

The Man Who Was Thursday: A Nightmare is a novel by G. K. Chesterton, first published in 1908. The book is sometimes referred to as a metaphysical thriller.In Edwardian era London, Gabriel Syme is recruited at Scotland Yard to a secret anti-anarchist police corps. Lucian Gregory, an anarchistic poet, lives in the suburb of Saffron Park. Syme meets him at a party and they debate the meaning of poetry. Gregory argues that revolt is the basis of poetry. Syme demurs, insisting the essence of poetry is not revolution but law. He antagonises Gregory by asserting that the most poetical of human creations is the timetable for the London Underground. He suggests Gregory isn't really serious about anarchism, which so irritates Gregory that he takes Syme to an underground anarchist meeting place, revealing his public endorsement of anarchy is a ruse to make him seem harmless, when in fact he is an influential member of the local chapter of the European anarchist council.

This is a gripping adventure story of murderous criminals and brilliant policemen, The Man Who Was Thursday succeeds superbly; it is a magnificent tour-de-force of suspense-writing. However, the reader will soon discover that it is much more than that. Carried along on the boisterous rush of the narrative by Chesterton's wonderful high-spirited style, he will soon see that he is being carried into much deeper waters than he had planned on.

“Always be comic in a tragedy. What the deuce else can you do?” ― G.K. Chesterton, The Man Who Was Thursday, Large-Print Edition The Man Who Was Thursday: A Nightmare is a novel by G. K. Chesterton, first published in 1908. The book is sometimes referred to as a metaphysical thriller. ● Author Biography● 10 Beautifully Illustrated Quotes● Active Table of Contents ● Well Kindle Formatting

This book contains now several HTML tables of contents that will make reading a real pleasure!The Man Who Was Thursday: A Nightmare is a novel by G. K. Chesterton, first published in 1908. The book has been referred to as a metaphysical thriller.Although it deals with anarchists, the novel is not an exploration or rebuttal of anarchist thought; Chesterton's ad hoc construction of "Philosophical Anarchism" is distinguished from ordinary anarchism and is referred to several times not so much as a rebellion against government but as a rebellion against God.The novel has been described as "one of the hidden hinges of twentieth-century writing, the place where, before our eyes, the nonsense-fantastical tradition of Lewis Carroll and Edward Lear pivots and becomes the nightmare-fantastical tradition of Kafka and Borges."

About The Man Who Was Thursday by G. K. ChestertonHow is this book unique?E-reader & tablet formatted, Font Adjustments100% Original contentUnabridged EditionAuthor Biography InsideIllustrations includedThe Man Who Was Thursday: A Nightmare is a novel by G. K. Chesterton, first published in 1908. The book is sometimes referred to as a metaphysical thriller.In Edwardian era London, Gabriel Syme is recruited at Scotland Yard to a secret anti-anarchist police corps. Lucian Gregory, an anarchistic poet, lives in the suburb of Saffron Park. Syme meets him at a party and they debate the meaning of poetry. Gregory argues that revolt is the basis of poetry. Syme demurs, insisting the essence of poetry is not revolution but law. He antagonizes Gregory by asserting that the most poetical of human creations is the timetable for the London Underground. He suggests Gregory isn't really serious about anarchism, which so irritates Gregory, that he takes Syme to an underground anarchist meeting place, revealing his public endorsement of anarchy is a ruse to make him seem harmless, when in fact he is an influential member of the local chapter of the European anarchist council.