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Excerpt from The Crimson Fairy BookEach Fairy Book demands a preface from the Editor, and these introductions are inevitably both monotonous and unavailing. A sense of literary honesty compels the Editor to keep repeating that he is the Editor, and not the author of the Fairy Tales, just as a distinguished man Of science is only the editor, not the Author Of Nature. Like nature, popular tales are too vast to be the 'creation Of a single modern mind. The Editor's business is to hunt for collections Of these stories told by peasant Or savage grandmothers in many climes, from New Caledonia to Zululand; from the frozen snows of the Polar regions to Greece, or Spain, or Italy, or far Lochaber. When the tales are found they are adapted to the needs Of British children by various hands, the Editor doing little beyond guarding the interests of propriety, and toning down to mild reproofs the tortures inflicted on Wicked stepmothers, and other naughty characters.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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“The Crimson Fairy Book”, the eighth in Andrew Lang’s “Coloured” Fairy Book series, was originally published in 1903. This edition contains all 36 of the original stories and all 53 of the original black-and-white illustrations. *** The collections were specifically intended for children, and consequently edited for that end. *** When Andrew began publishing these books there were almost no English fairy tale books in circulation. The series proved of great influence in children’s literature, and inspired a host of imitators. The series also proved to be an inspiration to J.R. Tolken and his Middle-Earth collection of novels. *** This book contains these stories: Lovely Ilonka; Lucky Luck; The Hairy Man; To your Good Health!; The Story of the Seven Simons; The Language of Beasts; The Boy who could keep a Secret; The Prince and the Dragon; Little Wildrose; Tiidu the Piper; Paperarello; The Gifts of the Magician; The Strong Prince; The Treasure Seeker; The Cottager and his Cat; The Prince who would seek Immortality; The Stone-cutter; The Gold-bearded Man; Tritill, Litill, and the Birds; The Three Robes; The Six Hungry Beasts; How the Beggar Boy turned into Count Piro; The Rogue and the Herdsman; Eisenkopf; The Death of Abu Nowas and of his Wife; Motikatika; Niels and the Giants; Shepherd Paul; How the wicked Tanuki was punished; The Crab and the Monkey; The Horse Gullfaxi and the Sword Gunnfoder; The Story of the Sham Prince, or the Ambitious Tailor; The Colony of Cats; How to find out a True Friend; Clever Maria; and The Magic Kettle. * * * * Check out the other Andrew Lang books published by Flying Chipmunk Publishing at www.FlyingChipmunkPublishing.com, or Friend us on Facebook for our latest releases.

Each Fairy Book demands a preface from the Editor, and these introductions are inevitably both mono-tonous and unavailing. A sense of literary honesty compels the Editor to keep repeating that he is the Editor, and not the author of the Fairy Tales, just as a distinguished man of science is only the Editor, not the Author of Nature. Like nature, popular tales are too vast to be the creation of a single modern mind. The Editor's business is to hunt for collections of these stories told by peasant or savage grandmothers in many climes, from New Caledonia to Zululand; from the frozen snows of the Polar regions to Greece, or Spain, or Italy, or far Lochaber. When the tales are found they are adapted to the needs of British children by various hands, the Editor doing little beyond guarding the interests of propriety, and toning down to mild reproofs the tortures inflicted on wicked step-mothers, and other naughty characters.

The Crimson Fairy book is a sterling collection of 36 stories from Hungary, Russia, Finland, Iceland, Tunisia, and the Baltic. Includes "How to Find Out a True Friend," "The Language of Beasts," "The Ambitious Tailor," "Clever Maria," "The Colony of Cats," "How the Beggar Boy Turned into Count Piro," and many other tales that deserve to be better known. Newly designed and typeset for easy reading by Boomer Books.

The Fairy Books, or "Coloured" Fairy Books is a collection of fairy tales divided into twelve books, each associated with a different colour. Collected together by Andrew Land they are sourced from a number of different countries and were translated by Lang's wife and other translators who also retold many of the tales. The collection has been incalculably important and, although he did not source the stories himself direct from the oral tradition he can make claim to the first English translation of many. First published in 1903, The Crimson Fairy Bookis the 8th volume in this series.

The Fairy Books, or "Coloured" Fairy Books is a collection of fairy tales divided into twelve books, each associated with a different colour. Collected together by Andrew Land they are sourced from a number of different countries and were translated by Lang's wife and other translators who also retold many of the tales. The collection has been incalculably important and, although he did not source the stories himself direct from the oral tradition he can make claim to the first English translation of many. First published in 1903, The Crimson Fairy Bookis the 8th volume in this series.