Other editions of book Twenty Years After

Twenty Years After is the exciting sequel to The Three Musketeers. The novel follows events in France, during the childhood reign of Louis XIV, and in England near the end of the English Civil War. Oliver Cromwell seeks to execute King Charles I and it is up to our heroes to come out of retirement and battle both age and evil. A rousing tale of derring-do.

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Twenty Years After (1845), the sequel to The Three Musketeers, is a supreme creation of suspense and heroic adventure. Two decades have passed since the musketeers triumphed over Cardinal Richelieu and Milady. Time has weakened their resolve, and dispersed their loyalties. But treasons and stratagems still cry out for justice: civil war endangers the throne of France, while in England Cromwell threatens to send Charles I to the scaffold. Dumas brings his immortal quartet out of retirement to cross swords with time, the malevolence of men, and the forces of history. But their greatest test is a titanic struggle with the son of Milady, who wears the face of Evil.

This antiquarian book contains Alexandre Dumas’s historical novel, “Twenty Years After”. The sequel to “The Three Musketeers”, it is set twenty years after the first episode. The aging musketeers are coaxed out of retirement when a dastardly threat to the monarchy presents itself, but will they be able to succeed this time? Packed with intrigue and daring-do, “Twenty Years After” will not disappoint fans of Duma’s work. Alexandre Dumas (1802–1870) was a famous French writer. He is best remembered for his exciting romantic sagas, including "Chicot the Jester" and "The Count of Monte Cristo". Despite making a great deal of money from his writing, Dumas was almost perpetually penniless thanks to his lavish lifestyle. His novels have been translated into nearly a hundred different languages, and have inspired over 200 motion pictures. Many of the earliest books, particularly those dating back to the 1900s and before, are becoming extremely scarce and increasingly expensive. We are republishing this antiquarian book now in an affordable, modern, high-quality edition complete with a specially commissioned new biography of the author.

Twenty Years After is a sequel to The Three Musketeers and precedes The Vicomte de Bragelonne. It follows events in France during La Fronde, the childhood reign of Louis XIV, and in England near the end of the English Civil War. The musketeers are valiant and just in their efforts to protect Louis XIV and the doomed Charles I from their attackers. The d'Artagnan series includes; The Three Musketeers, Twenty Years, The Vicomte de Bragelonne, Ten Years Later, Louise de la Valliere and The Man in the Iron Mask. Alexandre Dumas was a French writer whose works have been translated into nearly 100 languages. His historical novels include The Count of Monte Cristo, The Three Musketeers, The Corsican Brothers, and The Man in the Iron Mask.

Why buy our paperbacks? Expedited shipping High Quality Paper Made in USA Standard Font size of 10 for all books 30 Days Money Back Guarantee BEWARE of Low-quality sellers Don't buy cheap paperbacks just to save a few dollars. Most of them use low-quality papers & binding. Their pages fall off easily. Some of them even use very small font size of 6 or less to increase their profit margin. It makes their books completely unreadable. How is this book unique? Unabridged (100% Original content) Font adjustments & biography included Illustrated Twenty Years After by Alexandre Dumas Twenty Years After (French: Vingt ans après) is a novel by Alexandre Dumas, first serialized from January to August 1845. A book of the D'Artagnan Romances, it is a sequel to The Three Musketeers and precedes The Vicomte de Bragelonne (which includes the sub-plot Man in the Iron Mask). The novel follows events in France during the Fronde, during the childhood reign of Louis XIV, and in England near the end of the English Civil War, leading up to the victory of Oliver Cromwell and the execution of King Charles I. Through the words of the main characters, particularly Athos, Dumas comes out on the side of the monarchy in general, or at least the text often praises the idea of benevolent royalty. His musketeers are valiant and just in their efforts to protect young Louis XIV and the doomed Charles I from their attackers.

In a splendid chamber of the Palais Royal, formerly styled the Palais Cardinal, a man was sitting in deep reverie, his head supported on his hands, leaning over a gilt and inlaid table which was covered with letters and papers. Behind this figure glowed a vast fireplace alive with leaping flames; great logs of oak blazed and crackled on the polished brass andirons whose flicker shone upon the superb habiliments of the lonely tenant of the room, which was illumined grandly by twin candelabra rich with wax-lights.Any one who happened at that moment to contemplate that red simar—the gorgeous robe of office—and the rich lace, or who gazed on that pale brow, bent in anxious meditation, might, in the solitude of that apartment, combined with the silence of the ante-chambers and the measured paces of the guards upon the landing-place, have fancied that the shade of Cardinal Richelieu lingered still in his accustomed haunt.It was, alas! the ghost of former greatness. France enfeebled, the authority of her sovereign contemned, her nobles returning to their former turbulence and insolence, her enemies within her frontiers—all proved the great Richelieu no longer in existence.In truth, that the red simar which occupied the wonted place was his no longer, was still more strikingly obvious from the isolation which seemed, as we have observed, more appropriate to a phantom than a living creature—from the corridors deserted by courtiers, and courts crowded with guards—from that spirit of bitter ridicule, which, arising from the streets below, penetrated through the very casements of the room, which resounded with the murmurs of a whole city leagued against the minister; as well as from the distant and incessant sounds of guns firing—let off, happily, without other end or aim, except to show to the guards, the Swiss troops and the military who surrounded the Palais Royal, that the people were possessed of arms.