Other editions of book Lysbeth; a tale of the Dutch 1901

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Excerpt from Lysbeth: A Tale of the DutchThere are, roughly, two ways of writing an historical romance - the first to choose some notable and leading characters of the time to be treated, and by the help of history attempt to picture them as they were; the other, to make a study of that time and history with the country in which it was enacted, and from it to deduce the neces sary characters.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

We are delighted to publish this classic book as part of our extensive classic literature collection. This book is a reproduction of an important historical work. Unlike some other reproductions of classic texts, We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. Also in books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy. We use state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. Any one who has visited this pleasant town knows that it lies in the midst of wide, flat meadows, and is intersected by many canals filled with Rhine water. But now, as it was winter, near to Christmas indeed, the meadows and the quaint gabled roofs of the city lay buried beneath a dazzling sheet of snow, while, instead of boats and barges, skaters glided up and down the frozen surface of the canals, which were swept for their convenience. Outside the walls of the town, not far from the Morsch poort, or gate, the surface of the broad moat which surrounded them presented a sight as gay as it was charming. Just here one of the branches of the Rhine ran into this moat, and down it came the pleasure-seekers in sledges, on skates, or afoot. They were dressed, most of them, in their best attire, for the day was a holiday set apart for a kind of skating carnival, with sleighing matches, such games as curling, and other amusements.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Lysbeth: A Tale of the Dutch is a 1901 novel by H. Rider Haggard. Sir Henry Rider Haggard, KBE (22 June 1856 – 14 May 1925), known as H. Rider Haggard, was an English writer of adventure novels set in exotic locations, predominantly Africa, and a pioneer of the Lost World literary genre.He was also involved in agricultural reform throughout the British Empire. His stories, situated at the lighter end of Victorian literature, continue to be popular and influential. Early years Henry Rider Haggard, generally known as H. Rider Haggard or Rider Haggard, was born at Bradenham, Norfolk, the eighth of ten children, to Sir William Meybohm Rider Haggard, a barrister, and Ella Doveton, an author and poet. His father was born in Saint Petersburg, Russia, to British parents. Haggard was initially sent to Garsington Rectory in Oxfordshire to study under Reverend H. J. Graham, but unlike his older brothers who graduated from various private schools, he attended Ipswich Grammar School. This was because his father, who perhaps regarded him as somebody who was not going to amount to much, could no longer afford to maintain his expensive private education. After failing his army entrance exam, he was sent to a private crammer in London to prepare for the entrance exam for the British Foreign Office,[4] for which he never sat. During his two years in London he came into contact with people interested in the study of psychical phenomena. In 1875, Haggard's father sent him to what is now South Africa to take up an unpaid position as assistant to the secretary to Sir Henry Bulwer, Lieutenant-Governor of the Colony of Natal.[8] In 1876 he was transferred to the staff of Sir Theophilus Shepstone, Special Commissioner for the Transvaal. It was in this role that Haggard was present in Pretoria in April 1877 for the official announcement of the British annexation of the Boer Republic of the Transvaal. Indeed, Haggard raised the Union flag and read out much of the proclamation following the loss of voice of the official originally entrusted with the duty. At about that time, Haggard fell in love with Mary Elizabeth "Lilly" Jackson, whom he intended to marry once he obtained paid employment in Africa. In 1878 he became Registrar of the High Court in the Transvaal, and wrote to his father informing him that he intended to return to England and marry her. His father forbade it until Haggard had made a career for himself, and by 1879 Jackson had married Frank Archer, a well-to-do banker. When Haggard eventually returned to England, he married a friend of his sister, Marianna Louisa Margitson (1859–1943) in 1880, and the couple travelled to Africa together. They had a son named Jack (who died of measles at age 10) and three daughters, Angela, Dorothy and Lilias. Lilias Rider Haggard became an author, edited The Rabbit Skin Cap and I Walked By Night, and wrote a biography of her father entitled The Cloak That I Left (published in 1951). Moving back to England in 1882, the couple settled in Ditchingham, Norfolk, Louisa's ancestral home. Later they lived in Kessingland and had connections with the church in Bungay, Suffolk. Haggard turned to the study of law and was called to the bar in 1884. His practice of law was desultory and much of his time was taken up by the writing of novels which he saw as being more profitable. Haggard lived at 69 Gunterstone Road in Hammersmith, London, from mid-1885 to circa April 1888....

Sir Henry Rider Haggard 22 June 1856 – 14 May 1925) was an English writer of adventure fiction set in exotic locations, predominantly Africa, and a pioneer of the lost world literary genre. He was also involved in agricultural reform throughout the British Empire. His stories, situated at the lighter end of Victorian literature, continue to be popular and influential.

Lysbeth, a Tale of the Dutch BOOK THE FIRST THE SOWING CHAPTER I THE WOLF AND THE BADGER The time was in or about the year 1544, when the Emperor Charles V. ruled the Netherlands, and our scene the city of Leyden. Any one who has visited this pleasant town knows that it lies in the midst of wide, flat meadows, and is intersected by many canals filled with Rhine water. But now, as it was winter, near to Christmas indeed, the meadows and the quaint gabled roofs of the city lay buried beneath a dazzling sheet of snow, while, instead of boats and barges, skaters glided up and down the frozen surface of the canals, which were swept for their convenience. Outside the walls of the town, not far from the Morsch poort, or gate, the surface of the broad moat which surrounded them presented a sight as gay as it was charming. Just here one of the branches of the Rhine ran into this moat, and down it came the pleasure-seekers in sledges, on skates, or afoot. They were dressed, most of them, in their best attire, for the day was a holiday set apart for a kind of skating carnival, with sleighing matches, such games as curling, and other amusements. Among these merry folk might have been seen a young lady of two or three and twenty years of age, dressed in a coat of dark green cloth trimmed with fur, and close-fitting at the waist. This coat opened in front, showing a broidered woollen skirt, but over the bust it was tightly buttoned and surmounted by a stiff ruff of Brussels lace. Upon her head she wore a high-crowned beaver hat, to which the nodding ostrich feather was fastened by a jewelled ornament of sufficient value to show that she was a person of some means. In fact, this lady was the only child of a sea captain and shipowner named Carolus van Hout, who, whilst still a middle-aged man, had died about a year before, leaving her heiress to a very considerable