Other editions of book The Beetle

The Beetle BOOK I The House with the Open Window The Surprising Narration of Robert Holt CHAPTER I OUTSIDE 'No room!--Full up!' He banged the door in my face. That was the final blow. To have tramped about all day looking for work; to have begged even for a job which would give me money enough to buy a little food; and to have tramped and to have begged in vain,--that was bad. But, sick at heart, depressed in mind and in body, exhausted by hunger and fatigue, to have been compelled to pocket any little pride I might have left, and solicit, as the penniless, homeless tramp which indeed I was, a night's lodging in the casual ward,--and to solicit it in vain!--that was worse. Much worse. About as bad as bad could be. I stared, stupidly, at the door which had just been banged in my face. I could scarcely believe that the thing was possible. I had hardly expected to figure as a tramp; but, supposing it conceivable that I could become a tramp, that I should be refused admission to that abode of all ignominy, the tramp's ward, was to have attained a depth of misery of which never even in nightmares I had dreamed. As I stood wondering what I should do, a man slouched towards me out of the shadow of the wall. 'Won't 'e let yer in?' 'He says it's full.' 'Says it's full, does 'e? That's the lay at Fulham,--they always says it's full. They wants to keep the number down.' I looked at the man askance. His head hung forward; his hands were in his trouser pockets; his clothes were rags; his tone was husky.

'The Beetle' (1897) tells the story of a fantastical creature, "born of neither god nor man," with supernatural and hypnotic powers, who stalks British politician Paul Lessingham through fin de siecle London in search of vengeance for the defilement of a sacred tomb in Egypt. In imitation of various popular fiction genres of the late nineteenth century, Marsh unfolds a tale of terror, late imperial fears, and the "return of the repressed," through which the crisis of late imperial Englishness is revealed.

A story about a mysterious oriental figure who pursues a British politician to London, where he wreaks havoc with his powers of hypnosis and shape-shifting, Marsh’s novel is of a piece with other sensational turn-of-the-century fictions such as Stoker’s Dracula, George du Maurier’s Trilby, and Sax Rohmer’s Fu Manchu novels. Like Dracula and many of the sensation novels pioneered by Wilkie Collins and others in the 1860s, The Beetle is narrated from the perspectives of multiple characters, a technique used in many late nineteenth-century novels (those of Wilkie Collins and Stoker, for example) to create suspenseRichard Marsh was the pseudonym of the British author born Richard Bernard Heldmann.The title character is Mary Louise Burrows. In the first books of the series, she is a fifteen-year-old girl with unusual maturity (though the other girls in her boarding school find her somewhat priggish). She is suddenly confronted with the fact that her beloved grandfather is suspected of no less a crime than treason against the United States. With the help of old and new friends of Mary Louise … the truth is uncovered. The novel features a federal agent named John O’Gorman; he is assisted by his daughter Josie, a young woman he has himself trained to function as an investigator. (The Josie O’Gorman character, despite preceding Nancy Drew by more than a decade, is much less traditionally feminine.)

This eBook edition of "THE BEETLE" has been formatted to the highest digital standards and adjusted for readability on all devices. Richard Marsh's greatest commercial success, The Beetle, is a story about a mysterious oriental person who pursues a British politician to London, where he wreaks havoc with his powers of hypnosis and shape-shifting. The story is narrated from the perspectives of multiple characters to create suspense. The novel engages with numerous themes and problems of the Victorian fin de siècle, including the New Woman, unemployment and urban destitution, radical politics, homosexuality, science, and Britain's imperial engagements (in particular those in Egypt and the Sudan). "The Beetle" sold out upon its initial printing, and continued to sell well and to be published for several decades into the 20th century. In the 1920s the novel's story was made into a film, and adapted for the London stage.

The story is told from four points of view, which generally flow from each other with limited scene repetition. In order, the four narrators are Robert Holt, Sydney Atherton, Marjorie Lindon, and Augustus Champnell.[2] The story is written down as elaborate testimonies gathered by Champnell, who is a detective and who, despite only appearing during his own narration, provides the context of the antagonists' motives and the wrap-up of how the rest of the cast fared after the adventure. The events described are insinuated to be based on fact and several names used in the novel are supposedly altered to protect the identities of those involved. The year is not given, or rather left ambiguous at 18—, but everything takes place over a three-day period around 2 June on a Friday.Robert Holt, a clerk who has been looking all day for a place to work, which he hasn't had for a long time, seeks shelter and food at a workhouse in Fulham. He is, however, denied, and in the dark and rain walks on looking for another place to stay. He comes upon a road occupied by only two houses, one of which in terrible state. He finds that one to have the window open and invites himself in. This proves to be a mistake, as he comes face to face with what is later revealed to be a beetle. He is hypnotised into paralysis and the beetle takes their human form again, if covered largely by a blanket;

The Beetle (or The Beetle: A Mystery) is an 1897 horror novel by the British writer Richard Marsh, in which a polymorphous Ancient Egyptian entity seeks revenge on a British Member of Parliament. It initially out-sold Bram Stoker's similar horror story Dracula, which appeared the same year. The Beetle is about about a mysterious oriental figure who pursues a British politician to London, where he wreaks havoc with his powers of hypnosis and shape-shifting. Marsh's novel is of a piece with other sensational turn-of-the-century fictions such as Stoker's Dracula, George du Maurier's Trilby, and Sax Rohmer's Fu Manchu novels.

A fantastic creature, "born of neither god nor man," hypnotic and supernatural, stalks British politician Paul Lessingham through turn-of-the-century London. A classic tale of supernatural horror.Richard Marsh (1857-1915) was the pseudonym of the British author born Richard Bernard Heldmann. He is best known for his supernatural thriller The Beetle: A Mystery, published in the same year as Bram Stoker's Dracula and initially even more popular. The Beetle remained in print until 1960, and was subsequently resurrected in 2004 and 2007. Heldman was educated at Eton and Oxford University. He began to publish short stories, mostly adventure tales, as "Bernard Heldmann," before adopting the name "Richard Marsh" in 1893. Several of the prolific Marsh's novels were published posthumously.