Other editions of book She: A History of Adventure

She, subtitled A History of Adventure, is a novel by English writer H. Rider Haggard, first serialised in The Graphic magazine from October 1886 to January 1887. She was extraordinarily popular upon its release and has never been out of print. The story is a first-person narrative that follows the journey of Horace Holly and his ward Leo Vincey to a lost kingdom in the African interior. There they encounter a primitive race of natives and a mysterious white queen named Ayesha who reigns as the all-powerful "She", or "She-who-must-be-obeyed". In this work, Rider Haggard developed the conventions of the Lost World subgenre, which many later authors emulated. She is placed firmly in the imperialist literature of nineteenth-century England, and inspired by Rider Haggard's experiences of South Africa and British colonialism. The story expresses numerous racial and evolutionary conceptions of the late Victorians, especially notions of degeneration and racial decline prominent during the fin de siècle. In the figure of She, the novel notably explored themes of female authority and feminine behaviour. It has received praise and criticism alike for its representation of womanhood.

She, subtitled A History of Adventure, is a novel by English writer H. Rider Haggard, first serialised in The Graphic magazine from October 1886 to January 1887. She was extraordinarily popular upon its release and has never been out of print.The story is a first-person narrative that follows the journey of Horace Holly and his ward Leo Vincey to a lost kingdom in the African interior. There they encounter a primitive race of natives and a mysterious white queen named Ayesha who reigns as the all-powerful "She", or "She-who-must-be-obeyed". In this work, Rider Haggard developed many of the conventions of the lost world subgenre, which many later authors emulated. She is placed firmly in the imperialist literature of nineteenth-century England, and inspired by Rider Haggard's experiences of South Africa and British colonialism. The story expresses numerous racial and evolutionary conceptions of the late Victorians, especially notions of degeneration and racial decline prominent during the fin de siècle. In the figure of She, the novel notably explored themes of female authority and feminine behaviour. It has received praise and criticism alike for its representation of womanhood

It was in this very month something over twenty years ago that I, Ludwig Horace Holly, was sitting one night in my rooms at Cambridge, grinding away at some mathematical work, I forget what. I was to go up for my fellowship within a week, and was expected by my tutor and my college generally to distinguish myself. At last, wearied out, I flung my book down, and, going to the mantelpiece, took down a pipe and filled it. There was a candle burning on the mantelpiece, and a long, narrow glass at the back of it; and as I was in the act of lighting the pipe I caught sight of my own countenance in the glass, and paused to reflect. The lighted match burned away till it scorched my fingers, forcing me to drop it; but still I stood and stared at myself in the glass, and reflected.

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She, subtitled A History of Adventure, is a novel by the English writer H. Rider Haggard, published in book form in 1887 following serialisation in The Graphic magazine between October 1886 and January 1887. She was extraordinarily popular upon its release and has never been out of print.The story is a first-person narrative which follows the journey of Horace Holly and his ward Leo Vincey to a lost kingdom in the African interior. They encounter a primitive race of natives and a mysterious white queen named Ayesha who reigns as the all-powerful "She" or "She-who-must-be-obeyed". Haggard developed many of the conventions of the lost world genre which countless authors have emulated.Haggard was “part of the literary reaction against domestic realism that has been called a romance revival.” Other writers following this trend were Robert Louis Stevenson, George MacDonald, and William Morris. Haggard was inspired by his experiences living in South Africa for seven years (1875-1882) working at the highest levels of the British colonial administration. Like many of his works, She is a vivid example of what is now labeled, usually with censure, “imperialist literature”. As such, the story embraces concepts of race and evolution, especially notions of degeneration, racial decline and racial purity, prominent in the late Victorian period and at the turn of the century—ideas whose influence would shape the 20th century. In nineteenth-century England, works by Haggard and others—such as G.A. Henty—were devoured by a voracious audience that included children. In the figure of She, the novel notably explored themes of female authority and feminine behaviour. Its representation of womanhood has received both praise and criticism

She, subtitled A History of Adventure, is a novel by the English writer H. Rider Haggard, published in book form in 1887 following serialisation in The Graphic magazine between October 1886 and January 1887. She was extraordinarily popular upon its release and has never been out of print. The story is a first-person narrative which follows the journey of Horace Holly and his ward Leo Vincey to a lost kingdom in the African interior. They encounter a primitive race of natives and a mysterious white queen named Ayesha who reigns as the all-powerful "She" or "She-who-must-be-obeyed". Haggard developed many of the conventions of the lost world genre which countless authors have emulated.

How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About She: A History of Adventure by H. Rider Haggard She — subtitled A History of Adventure — is a novel by H. Rider Haggard (1856–1925), first serialised in The Graphic magazine from October 1886 to January 1887. She is one of the classics of imaginative literature, and one of the best-selling books of all time, with over 83 million copies sold in 44 different languages as of 1965. She was extraordinarily popular upon its release and has never been out of print. According to literary historian Andrew M. Stauffer, "She has always been Rider Haggard's most popular and influential novel, challenged only by King Solomon's Mines in this regard".

She, subtitled A History of Adventure, is a novel by English writer H. Rider Haggard, first serialised in The Graphic magazine from October 1886 to January 1887. She was extraordinarily popular upon its release and has never been out of print.The story is a first-person narrative that follows the journey of Horace Holly and his ward Leo Vincey to a lost kingdom in the African interior. There they encounter a primitive race of natives and a mysterious white queen named Ayesha who reigns as the all-powerful "She", or "She-who-must-be-obeyed". In this work, Rider Haggard developed many of the conventions of the Lost World subgenre, which many later authors emulated.She is placed firmly in the imperialist literature of nineteenth-century England, and inspired by Rider Haggard's experiences of South Africa and British colonialism. The story expresses numerous racial and evolutionary conceptions of the late Victorians, especially notions of degeneration and racial decline prominent during the fin de siècle. In the figure of She, the novel notably explored themes of female authority and feminine behaviour. It has received praise and criticism alike for its representation of womanhood.

Somewhere in Africa, a tiny, primitive tribe, the Amahaggers, live secretly amongst the debris of a lost Egyptian civilization, ruled by the beautiful semi-goddess Ayesha, or She-who-must-be-obeyed. Ludwig Horace Holly, a Cambridge academic, is reluctantly drawn into plans for a voyage in search of this legendary queen. With his adopted son, Leo, he sets out on a brave journey, following a trail of clues. Shipwrecked and captured by cannibals, their voyage soon turns into a nightmare. This masterpiece of suspense and adventure, by the author of King Solomon’s Mines, contains some of the most sensual, gently erotic passages in 19th-century literature.