Other editions of book Witch Wood

His heart seemed to stop, his legs wavered so he sank on his knees. For he was looking again on the accursed glade. It was no longer empty. The draped altar was hidden by figures - human or infernal - moving round it in a slow dance. Beyond this circle sat another who played on some instrument. The moss stilled the noise and movement and the only sound was the high mad piping...

Set against the religious struggles and civil wars of seventeenth century Scotland, John Buchan’s gripping atmospheric tale in the spirit of Stevenson and Neil Munro. As a moderate presbyterian minister, young David Sempill disputes with the extremists of his faith, as all around, the defeated remnants of Montrose’s men are being harried and slaughtered. There are still older conflicts to be faced however, symbolised by the presence of the Melanudrigall Wood, a last remnant of the ancient Caledonian forest. Here there is black magic to be uncovered, but also the more positive pre-Christian intimations of nature worship. In such setting, and faced with the onset of the plague, David Sempill’s struggle and eventual disappearance take on a strange and timeless aspect in what was John Buchan’s own favourite among his many novels.Time, my grandfather used to say, stood still in that glen of his. But the truth of the saying did not survive his death, and the first daisies had scarcely withered on his grave before a new world was knocking at the gate.

Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine (extra customization on request like complete leather, Golden Screen printing in Front, Color Leather, Colored book etc.) Reprinted in 2019 with the help of original edition published long back [1927]. This book is printed in black & white, sewing binding for longer life, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - English, Pages 390. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. COMPLETE LEATHER WILL COST YOU EXTRA US$ 25 APART FROM THE LEATHER BOUND BOOKS. {FOLIO EDITION IS ALSO AVAILABLE.}

Novel about mysterious events in seventeenth-century rural Scotland. At the time the novel appeared, Samuel Merwin commented that "His [Buchan's] knowledge and his sense of the past seem to me to find their best outlet in this new book... He has taken an old border legend, of a gentle country minister, supposed to have been spirited away by the fairies in the dark wood of Melanudrigill, and has breathed an astonishing life into it."

Set against the religious struggles and civil wars of seventeenth century Scotland, John Buchan’s gripping atmospheric tale in the spirit of Stevenson and Neil Munro. As a moderate presbyterian minister, young David Sempill disputes with the extremists of his faith, as all around, the defeated remnants of Montrose’s men are being harried and slaughtered. There are still older conflicts to be faced however, symbolised by the presence of the Melanudrigall Wood, a last remnant of the ancient Caledonian forest. Here there is black magic to be uncovered, but also the more positive pre-Christian intimations of nature worship. In such setting, and faced with the onset of the plague, David Sempill’s struggle and eventual disappearance take on a strange and timeless aspect in what was John Buchan’s own favourite among his many novels.443 pages, with a reading time of ~6.75 hours (110,910 words), and first published in 1927.

Set against the religious struggles and civil wars of seventeenth century Scotland, John Buchan’s gripping atmospheric tale in the spirit of Stevenson and Neil Munro. As a moderate presbyterian minister, young David Sempill disputes with the extremists of his faith, as all around, the defeated remnants of Montrose’s men are being harried and slaughtered. There are still older conflicts to be faced however, symbolised by the presence of the Melanudrigall Wood, a last remnant of the ancient Caledonian forest. Here there is black magic to be uncovered, but also the more positive pre-Christian intimations of nature worship. In such setting, and faced with the onset of the plague, David Sempill’s struggle and eventual disappearance take on a strange and timeless aspect in what was John Buchan’s own favourite among his many novels.

Set against the religious struggles and civil wars of seventeenth century Scotland, John Buchan’s gripping atmospheric tale in the spirit of Stevenson and Neil Munro. As a moderate presbyterian minister, young David Sempill disputes with the extremists of his faith, as all around, the defeated remnants of Montrose’s men are being harried and slaughtered. There are still older conflicts to be faced however, symbolised by the presence of the Melanudrigall Wood, a last remnant of the ancient Caledonian forest. Here there is black magic to be uncovered, but also the more positive pre-Christian intimations of nature worship. In such setting, and faced with the onset of the plague, David Sempill’s struggle and eventual disappearance take on a strange and timeless aspect in what was John Buchan’s own favourite among his many novels.

Set against the religious struggles and civil wars of seventeenth century Scotland, John Buchan’s gripping atmospheric tale in the spirit of Stevenson and Neil Munro. As a moderate presbyterian minister, young David Sempill disputes with the extremists of his faith, as all around, the defeated remnants of Montrose’s men are being harried and slaughtered. There are still older conflicts to be faced however, symbolised by the presence of the Melanudrigall Wood, a last remnant of the ancient Caledonian forest. Here there is black magic to be uncovered, but also the more positive pre-Christian intimations of nature worship. In such setting, and faced with the onset of the plague, David Sempill’s struggle and eventual disappearance take on a strange and timeless aspect in what was John Buchan’s own favourite among his many novels.

The Reverend David Sempill began his ministry in Woodilee on the fifteenth day of August in the year of grace sixteen hundred and forty-four. He was no stranger to the glen, for as a boy he had spent his holidays with his grandfather, who was the miller of Roodfoot. In that year when the horn of the Kirk was exalted the voice of a patron mattered less; Mr. Sempill had been, as they said, "popularly called," and so entered upon his office with the eager interest of the parish which had chosen him. A year before he had been licensed by the presbytery of Edinburgh; he was ordained in Woodilee in the present year on the last Sabbath of June, and "preached in" on the first Sabbath of August by the weighty voice of Mungo Muirhead, the minister of Kirk Aller. His plenishing—chiefly books—had come from Edinburgh on eight pack-horses, and, having escaped the perils of Carnwath Moss, was now set out in an upper chamber of the little damp manse, which stood between the kirk and Woodilee burn.