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The fairy tale is a poetic recording of the facts of life, an interpretation by the imagination of its hard conditions, an effort to reconcile the spirit which loves freedom and goodness and beauty with its harsh, bare and disappointing conditions. It is, in its earliest form, a spontaneous and instinctive endeavor to shape the facts of the world to meet the needs of the imagination, the cravings of the heart. It involves a free, poetic dealing with realities in accordance with the law of mental growth; it is the naïve activity of the young imagination of the race, untrammelled by the necessity of rigid adherence to the fact. This collection of tales, gathered from the rich literature of the childhood of the world, or from the books of the few modern men who have found the key of that wonderful world, is put forth not only without apology, but with the hope that it may widen the demand for these charming reports of a world in which the truths of our working world are loyally upheld, while its hard facts are quietly but authoritatively dismissed from attention. The modern child passes through the same stages as did the children of four thousand years ago. He, too, is a poet. He believes that the world about him throbs with life and is peopled with all manner of strange, beautiful, powerful folk, who live just outside the range of his sight; he, too, personifies light and heat and storm and wind and cold as his remote ancestors did. He, too, lives in and through his imagination; and if, in later life, he grows in power and becomes a creative man, his achievements are the fruits of the free and vigorous life of his imagination. The fairy tale belongs to the child and ought always to be within his reach, not only because it is his special literary form and his nature craves it, but because it is one of the most vital of the textbooks offered to him in the school of life. In ultimate importance it outranks the arithmetic, the grammar, the geography, the manuals of science; for without the aid of the imagination none of these books is really comprehensible. INTRODUCTION ONE EYE, TWO EYES, THREE EYES (Grimm's Fairy Tales) THE MAGIC MIRROR (Grimm's Fairy Tales) THE ENCHANTED STAG (Grimm's Fairy Tales) HANSEL AND GRETHEL (Grimm's Fairy Tales) THE STORY OF ALADDIN; OR, THE WONDERFUL LAMP ("Arabian Nights' Entertainments") THE HISTORY OF ALI BABA, AND OF THE FORTY ROBBERS KILLED BY ONE SLAVE ("Arabian Nights' Entertainments") THE SECOND VOYAGE OF SINDBAD THE SAILOR ("Arabian Nights' Entertainments") THE WHITE CAT (From the tale by the Comtesse d'Aulnoy) THE GOLDEN GOOSE (Grimm's Fairy Tales) THE TWELVE BROTHERS (Grimm's Fairy Tales) THE FAIR ONE WITH THE GOLDEN LOCKS (From the tale by the Comtesse d'Aulnoy) TOM THUMB (First written in prose in 1621 by Richard Johnson) BLUE BEARD (From the French tale by Charles Perrault) CINDERELLA; OR, THE LITTLE GLASS SLIPPER (From the French tale by Charles Perrault) PUSS IN BOOTS (From the French tale by Charles Perrault) THE SLEEPING BEAUTY IN THE WOOD (From the French tale by Charles Perrault) JACK AND THE BEAN-STALK (Said to be an allegory of the Teutonic Al-fader, The tale written in French by Charles Perrault) JACK THE GIANT KILLER (From the old British legend told by Geoffrey of Monmouth, of Corineus the Trojan) LITTLE RED RIDING HOOD (From the French tale by Charles Perrault) THE THREE BEARS (Robert Southey) THE PRINCESS ON THE PEA (From the tale by Hans Christian Andersen) THE UGLY DUCKLING (From the tale by Hans Christian Andersen) THE LIGHT PRINCESS (George MacDonald) BEAUTY AND THE BEAST (From the French tale by Madame Gabrielle de Villeneuve)

The fairy tale is a poetic recording of the facts of life, an interpretation by the imagination of its hard conditions, an effort to reconcile the spirit which loves freedom and goodness and beauty with its harsh, bare and disappointing conditions. It is, in its earliest form, a spontaneous and instinctive endeavor to shape the facts of the world to meet the needs of the imagination, the cravings of the heart. Classics included in this volume include: One Eye, Two Eyes, Three Eyes, The Magic Mirror, The Enchanted Stag, Hansel and Grethel, The Story of Aladdin, This Story of Ali Baba, The Second Voyage of Sinbad the Sailor, The White Cat, The Golden Goose, The Twelve Brothers, The Fair One With the Golden Locks, Tom Thumb, Blue Beard, Cinderella, Puss In Boots, The Sleeping Beauty In the Wood, Jack and The Bean-Stalk . Hamilton Wright Mabie,(December 13, 1846 – December 31, 1916) was an American essayist, editor, critic, and lecturer.He was born at Cold Spring, N. Y. in 1846. Mabie was the youngest child of Sarah Colwell Mabie who was from a wealthy Scottish-English family and Levi Jeremiah Mabie, whose ancestors were Scots-Dutch. They were early immigrants to New Amsterdam, New Netherland about 1647. Due to business opportunities with the opening of the Erie Canal his family moved to Buffalo, New York when he was approaching school age. At the young age of 16 he passed his college entrance examination, but waited a year before he attended Williams College (1867) and the Columbia Law School (1869). While at Williams, Mabie was a member of Alpha Delta Phi fraternity and would serve as the first president of the North-American Interfraternity Conference (formally known as the National Interfraternity Conference He received honorary degrees from his own alma mater, from Union College, and from Western Reserve and Washington and Lee universities. Although he passed his bar exams in 1869 he hated both the study and practice of law. In 1876 he married Jeanette Trivett. In the summer of 1879 he was hired to work at the weekly magazine, Christian Union (renamed The Outlook in 1893), an association that lasted until his death. In 1884, Mabie was promoted to associate editor of the Christian Union and then elected to the Author's Club, whose members included such men of established reputation as George Cary Eggleston, Richard Watson Gilder, Brander Matthews, and Edmund Clarence Stedman. In 1890, a small collection of Mabie's essays which reflected upon life, literature and nature were published as a volume entitled My Study Fire".

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The fairy tale is a poetic recording of the facts of life, an interpretation by the imagination of its hard conditions, an effort to reconcile the spirit which loves freedom and goodness and beauty with its harsh, bare and disappointing conditions. It is, in its earliest form, a spontaneous and instinctive endeavor to shape the facts of the world to meet the needs of the imagination, the cravings of the heart. Classics included in this volume include: One Eye, Two Eyes, Three Eyes, The Magic Mirror, The Enchanted Stag, Hansel and Grethel, The Story of Aladdin, This Story of Ali Baba, The Second Voyage of Sinbad the Sailor, The White Cat, The Golden Goose, The Twelve Brothers, The Fair One With the Golden Locks, Tom Thumb, Blue Beard, Cinderella, Puss In Boots, The Sleeping Beauty In the Wood, Jack and The Bean-Stalk..... Hamilton Wright Mabie,(December 13, 1846 – December 31, 1916) was an American essayist, editor, critic, and lecturer.He was born at Cold Spring, N. Y. in 1846. Mabie was the youngest child of Sarah Colwell Mabie who was from a wealthy Scottish-English family and Levi Jeremiah Mabie, whose ancestors were Scots-Dutch. They were early immigrants to New Amsterdam, New Netherland about 1647. Due to business opportunities with the opening of the Erie Canal his family moved to Buffalo, New York when he was approaching school age. At the young age of 16 he passed his college entrance examination, but waited a year before he attended Williams College (1867) and the Columbia Law School (1869).While at Williams, Mabie was a member of Alpha Delta Phi fraternity and would serve as the first president of the North-American Interfraternity Conference (formally known as the National Interfraternity Conference. He received honorary degrees from his own alma mater, from Union College, and from Western Reserve and Washington and Lee universities. Although he passed his bar exams in 1869 he hated both the study and practice of law. In 1876 he married Jeanette Trivett. In the summer of 1879 he was hired to work at the weekly magazine, Christian Union (renamed The Outlook in 1893), an association that lasted until his death.In 1884, Mabie was promoted to associate editor of the Christian Union and then elected to the Author's Club, whose members included such men of established reputation as George Cary Eggleston, Richard Watson Gilder, Brander Matthews, and Edmund Clarence Stedman.n 1890, a small collection of Mabie's essays which reflected upon life, literature and nature were published as a volume entitled My Study Fire". Many of Mabie's books are available at Project Gutenberg.Mabie was a resident of Summit, New Jersey.

Excerpt from Fairy Tales Every Child Should Know This collection of tales, gathered from the rich literature of the childhood of the world, or from the books of the few modern men who have found the key of that wonderful world, is put forth not only without apology, butwith the hope that it may widen the demand for these charming reports of a world in which the truths of our working world are loyally upheld, while its hard facts are quietly but authoritatively dismissed from attention. The widest interpretation has been given to the fairy tale, so as to include many of those classic romances of childhood in which no fairy appears, but which are invested with the air and are permeated with the glorious freedom of fairy land. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

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The fairy tales in this book are: One eye, two eyes, three eyes (Grimm's) The Magic Mirror (Grimm's) The Enchanted Stag (Grimm's) Hansel and Gretel (Grimm's) The Story of Aladdon; or, The Wonderful Lamp (Arabian Nights) The History of Ali Baba, and of The Forty Robbers Killed By One Slave (Arabian Nights) The Second Voyage of Sinbad The Sailor (Arabian Nights) The White Cat (From the tale by the Comtesse d'Aulnoy) The Golden Goose (Grimm's Fairy Tales) The Twelve Brothers (Grimm's) The Fair One With The Golden Locks (From the tale by the Comtesse d'Aulnoy) Tom Thumb (first written in prose in 1621 by Richard Johnson) Blue Beard (from the French tale by Charles Perrault) Cinderella; or, The Little Glass Slipper (from the French tale by Charles Perrault) Puss in Boots (from the French tale by Charles Perrault) The Sleeping Beauty in The Wood (from the French tale by Charles Perrault) Jack and the beanstalk (written in French by Charles Perrault) Jack the Giant Killer (from the old British legend told by Geoffrey of Monmouth, of Corineus the Trojan) Little Red Riding Hood (Perrault) The Three Bears (Robert Southey) The Princess on the Pea (Hans Christian Andersen) The Ugly Duckling (HCA) The Light Princess (George Macdonald) Beauty and the Beast (Madame Gabrielle de Villeneuve)