Other editions of book The Seven Lamps of Architecture

A classic work by the great Victorian expresses his deepest convictions about the nature and role of architecture and its aesthetics. Though Ruskin himself later called it “a wretched rant”, this book really paved the way for modern architectural history and criticism, laying down criteria by which to judge buildings which were not simply those of Vitruvius or Alberti dressed up in 18th-centtury tasteful finery. He puts forward an eloquent case, among other things for the preservation of historic buildings. This edition includes reproductions of the 14 original plates of Ruskin’s superb drawings of architectural details from such structures as the Doge’s Palace in Venice to the Cathedral of Rouen.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Some years ago, in conversation with an artist whose works, perhaps, alone, in the present day, unite perfection of drawing with resplendence of color, the writer made some inquiry respecting the general means by which this latter quality was most easily to be attained. The reply was as concise as it was comprehensive-"Know what you have to do, and do it"-comprehensive, not only as regarded the branch of art to which it temporarily applied, but as expressing the great principle of success in every direction of human effort; for I believe that failure is less frequently attributable to either insufficiency of means or impatience of labor, than to a confused understanding of the thing actually to be done; and therefore, while it is properly a subject of ridicule, and sometimes of blame, that men propose to themselves a perfection of any kind, which reason, temperately consulted, might have shown to be impossible with the means at their command, it is a more dangerous error to permit the consideration of means to interfere with our conception, or, as is not impossible, even hinder our acknowledgment of goodness and perfection in themselves.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from The Seven Lamps of ArchitectureIn one of the side chapels of the Cathedral of Sens there is a most precious tomb of the Cardinal Duprin,2 surrounded on four sides with admirable sculpture, full of most Giottesque invention, and most in structive in the various modes by which expression has been attained through vigorous undercut shadows. All the faces have the look of portraits, and most vigorous ones; a design of the Cardinal in council on one Of the shorter sides is exquisite in its variation of vivid gesture, and the figures of the secretary sitting, and the standing figure laying the sceptre on the table, are graceful as Perugino. The horses' heads also are superb.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

A classic work by the great Victorian expresses his deepest convictions about the nature and role of architecture and its aesthetics. Though Ruskin himself later called it “a wretched rant”, this book really paved the way for modern architectural history and criticism, laying down criteria by which to judge buildings which were not simply those of Vitruvius or Alberti dressed up in 18th-centtury tasteful finery. He puts forward an eloquent case, among other things for the preservation of historic buildings. This edition includes reproductions of the 14 original plates of Ruskin’s superb drawings of architectural details from such structures as the Doge’s Palace in Venice to the Cathedral of Rouen.

A classic work by the great Victorian expresses his deepest convictions about the nature and role of architecture and its aesthetics. Though Ruskin himself later called it “a wretched rant”, this book really paved the way for modern architectural history and criticism, laying down criteria by which to judge buildings which were not simply those of Vitruvius or Alberti dressed up in 18th-centtury tasteful finery. He puts forward an eloquent case, among other things for the preservation of historic buildings. This edition includes reproductions of the 14 original plates of Ruskin’s superb drawings of architectural details from such structures as the Doge’s Palace in Venice to the Cathedral of Rouen.The memoranda which form the basis of the following Essay have been thrown together during the preparation of one of the sections of the third volume of "Modern Painters."[1] I once thought of giving them a more expanded form; but their utility, such as it may be, would probably be diminished by farther delay in their publication, more than it would be increased by greater care in their arrangement.