Other editions of book Cease firing

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from Cease FiringThe river was wide. It dealt in loops and a tortuous course, and for the most part it was yellow and turbid and strong of current. There were sandbars in the river, there were jewelled islands; there were parallel swamps, lakes, and bayous. From the border of these, and out of the water, rose tall trees, starred over, in their season, with satiny cups or disks, flowers of their own or vast flowering vines, networks of languid bloom. The Spanish moss, too, swayed from the trees, and about their knees shivered the canebrakes. Of a remarkable personality throughout, in its last thousand miles the river grew unique. Now it ran between bluffs of coloured day, and now it flowed above the level of the surrounding country. You did not go down to the river: you went up to the river, the river caged like a tiger behind the levees. Time of flood was the tiger's time. Down went the levee - widened in an instant the ragged crevasse - out came the beast! -December, along the stretch of the Mississippi under consideration, was of a weather nearly like a Virginian late autumn. In the river towns and in the plantation gardens roses yet bloomed. In the fields the cotton should have been gathered, carried - all the silver stuff - in wagons, or in baskets on the heads of negroes, to the gin-houses. This December it was not so. It was the December of 1862. Life, as it used to be, had disintegrated. Life, as it was, left the fields untended and the harvest ungathered. Why pick cotton when there was nowhere to send it? The fields stayed white.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Lang: - English, Pages 481. Reprinted in 2019 with the help of original edition published long back [1912]. This book is Printed in black & white, Hardcover, sewing binding for longer life with Matt laminated multi-Colour Dust Cover, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. (Any type of Customisation is possible with extra charges). Hope you will like it and give your comments and suggestions.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Mary Johnston was born in 1870 in Buchanan, Virginia, the eldest child of Major John W. Johnston, a Confederate veteran whose family was connected with that of General Joseph E. Johnston and Elizabeth Alexander. A delicate child, educated by governesses and tutors, she lived at home until she was nineteen; browsing in her father’s library, she became an avid reader, particularly of history. She traveled in Europe and the Middle East with her widowed father and in 1893 moved to New York. During her four-year residence there she was bedridden, and in default of an active life she began to write. Her first novel, Prisoners of Hope, written to help the family financially, was little noticed; her second, To Have and to Hold, a romantic story of the Virginia Colony, sold more than half a million copies. Her third novel, Audrey, repeated this success. Although her subsequent work was less enthusiastically received, she was henceforth provided with an independent career. She never married. Upon her father’s death, she moved to Richmond and afterward to Three Hills, the house she built at Warm Springs, Virginia. There, after an operation, she died on May 9, 1936.In the United States the historical novel, largely because of its influence on major realistic writers, has earned a place of fairly high repute. In its own right, the genre has also received the approval of a large reading public and many authors have achieved commercial success. If the achievements of Mary Johnston do not now seem remarkable, the reason is that new generations have surpassed them; in the early twentieth century, they were extraordinary.Johnston will be remembered as a creator of historical verisimilitude and as a skillful narrator. Although she did not confine herself to American locales and events, she was at her best when depicting them. The Long Roll and its sequel, Cease Firing, are romances of the Civil War period. Her zeal in the cause of women’s rights prompted her two feminist novels, Hagar and The Wanderers. The heroine in Hagar is a financially successful southern writer; Hagar is widely considered her most interesting novel. Johnston’s socialist pacifism produced Foes, which was the first of a series of novels having mystical bearings, indebted in some measure to her interest in Buddhism; of these, the most noteworthy are Michael Forth and Sweet Rocket.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Mary Johnston was born in 1870 in Buchanan, Virginia, the eldest child of Major John W. Johnston, a Confederate veteran whose family was connected with that of General Joseph E. Johnston and Elizabeth Alexander. A delicate child, educated by governesses and tutors, she lived at home until she was nineteen; browsing in her father’s library, she became an avid reader, particularly of history. She traveled in Europe and the Middle East with her widowed father and in 1893 moved to New York. During her four-year residence there she was bedridden, and in default of an active life she began to write. Her first novel, Prisoners of Hope, written to help the family financially, was little noticed; her second, To Have and to Hold, a romantic story of the Virginia Colony, sold more than half a million copies. Her third novel, Audrey, repeated this success. Although her subsequent work was less enthusiastically received, she was henceforth provided with an independent career. She never married. Upon her father’s death, she moved to Richmond and afterward to Three Hills, the house she built at Warm Springs, Virginia. There, after an operation, she died on May 9, 1936.In the United States the historical novel, largely because of its influence on major realistic writers, has earned a place of fairly high repute. In its own right, the genre has also received the approval of a large reading public and many authors have achieved commercial success. If the achievements of Mary Johnston do not now seem remarkable, the reason is that new generations have surpassed them; in the early twentieth century, they were extraordinary.Johnston will be remembered as a creator of historical verisimilitude and as a skillful narrator. Although she did not confine herself to American locales and events, she was at her best when depicting them. The Long Roll and its sequel, Cease Firing, are romances of the Civil War period. Her zeal in the cause of women’s rights prompted her two feminist novels, Hagar and The Wanderers. The heroine in Hagar is a financially successful southern writer; Hagar is widely considered her most interesting novel. Johnston’s socialist pacifism produced Foes, which was the first of a series of novels having mystical bearings, indebted in some measure to her interest in Buddhism; of these, the most noteworthy are Michael Forth and Sweet Rocket.