What's Wrong With The World
G. K. Chesterton
Paperback
(CreateSpace Independent Publishing Platform, March 23, 2015)
“Most modern freedom is at root fear. It is not so much that we are too bold to endure rules; it is rather that we are too timid to endure responsibilities.” A steadfast champion of the working man, family, and faith, Chesterton was one of the most influential English writers of the 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction. Chesterton has been called the "prince of paradox". Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories-first carefully turning them inside out." He also eloquently opposed materialism, snobbery, hypocrisy, and any adversary of freedom and simplicity in modern society. Chesterton is well known for his reasoned apologetics and even those who disagree with him have recognized the universal appeal of such works as Orthodoxy and The Everlasting Man. Chesterton, as a political thinker, cast aspersions on both liberalism and conservatism, saying: The whole modern world has divided itself into Conservatives and Progressives. The business of Progressives is to go on making mistakes. The business of the Conservatives is to prevent the mistakes from being corrected. Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify such a position with Catholicism more and more, eventually converting to Roman Catholicism. George Bernard Shaw, Chesterton's "friendly enemy" according to Time, said of him, "He was a man of colossal genius". Culled from the thousands of essays he contributed to newspapers and periodicals over his lifetime, What’s Wrong With the World pulses with the author's unique brand of sharp commentary. As readable and rewarding today as when they were written over a century ago, these essays offer Chesterton's unparalleled analysis of contemporary ideals, his incisive critique of modern efficiency, and his humorous but heartfelt defense of the common man against trendsetting social assaults and political correctness.