Other editions of book Poems

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

About the Book Poetry is a literary form that uses aesthetic and rhythmic qualities of language (e.g. phonaesthetics, sound symbolism, and metre) to enhance the prosaic ostensible meaning, or generate an alternative meaning. Poetry uses numerous devices such as assonance, alliteration, onomatopoeia and rhythm are sometimes used to achieve musical or incantatory effects. Poetry's long history dates back to prehistorical times ehen hunting poetry was created in Africa.Also in this Book Poetry as an art form predates written text, with the earliest poetry having been recited or sung, and employed as a way of remembering oral history. The oldest examples of epic poetry include the Epic of Gilgamesh from Bablylon and the Greek epics The Iliad and The Odyssey, and the Indian Sanskrit epics of Ramayana and Mahabharata. The longest epic poems in history were the Mahabharata and the Tibetan Epic of King Gesar. Aristotle's Poetics considered that there were three genres of poetry—the epic, the comic, and the tragic. Later aestheticians identified: epic poetry, lyric poetry, and dramatic poetry. One of the most popular form since the Late Middle Ages, is the sonnet, which by the 13th century had become standardized as fourteen lines following a set rhyme scheme. The form had crystallized further by the 14th century and the Italian Renaissance, under the guidance of Petrarch.And in this Book Poetry anthologies with multiple authors are collections of poems of a number of poets that have been gathered by a compiler, and published in a single volume, or series of volumes. These anthologies are rarely random, and more likely to be themed in the manner of "Best American Poetry" and the like.About us Leopold Classic Library has the goal of making available to readers the classic books that have been out of print for decades. While these books may have occasional imperfections, we consider that only hand checking of every page ensures readable content without poor picture quality, blurred or missing text etc. That's why we: republish only hand checked books; that are high quality; enabling readers to see classic books in original formats; that are unlikely to have missing or blurred pages. You can search "Leopold Classic Library" in categories of your interest to find other books in our extensive collection. Happy reading!

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

About the Book Poetry is a literary form that uses aesthetic and rhythmic qualities of language (e.g. phonaesthetics, sound symbolism, and metre) to enhance the prosaic ostensible meaning, or generate an alternative meaning. Poetry uses numerous devices such as assonance, alliteration, onomatopoeia and rhythm are sometimes used to achieve musical or incantatory effects. Poetry's long history dates back to prehistorical times ehen hunting poetry was created in Africa. Also in this Book Poetry as an art form predates written text, with the earliest poetry having been recited or sung, and employed as a way of remembering oral history. The oldest examples of epic poetry include the Epic of Gilgamesh from Bablylon and the Greek epics The Iliad and The Odyssey, and the Indian Sanskrit epics of Ramayana and Mahabharata. The longest epic poems in history were the Mahabharata and the Tibetan Epic of King Gesar. Aristotle's Poetics considered that there were three genres of poetry—the epic, the comic, and the tragic. Later aestheticians identified: epic poetry, lyric poetry, and dramatic poetry. One of the most popular form since the Late Middle Ages, is the sonnet, which by the 13th century had become standardized as fourteen lines following a set rhyme scheme. The form had crystallized further by the 14th century and the Italian Renaissance, under the guidance of Petrarch. About us Leopold Classic Library has the goal of making available to readers the classic books that have been out of print for decades. While these books may have occasional imperfections, we consider that only hand checking of every page ensures readable content without poor picture quality, blurred or missing text etc. That's why we: republish only hand checked books; that are high quality; enabling readers to see classic books in original formats; that are unlikely to have missing or blurred pages. You can search "Leopold Classic Library" in categories of your interest to find other books in our extensive collection. Happy reading!

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and the unconventional utterance of daring thoughts. In the case of the present author, there was absolutely no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without setting her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a very few friends; and it was with great difficulty that she was persuaded to print, during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiously indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and the unconventional utterance of daring thoughts. In the case of the present author, there was absolutely no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without setting her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a very few friends; and it was with great difficulty that she was persuaded to print, during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiously indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness.