Other editions of book New Grub Street

The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world. New Grub Street opens with Milvain, an “alarmingly modern young man” driven by pure financial ambition in navigating his literary career. He accepts that he will “always despise the people [he] write[s] for,” networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, née Yule, who cannot accept her husband’s inflexibly high standards--and consequent poverty. The Yule family includes Amy’s two uncles—John, a wealthy invalid, and Alfred, a species of critic—and Alfred’s daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain’s sisters, who move to London following their mother’s death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian’s intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage: ‘As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn’t repulsive.’ Eventually, reason enough for an engagement is provided by a legacy of £5000 left to Marian by John Yule. Life (and death) eventually end the possibility of this union. Milvain’s initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian’s father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian’s marriage; but his objection proves to be an obstacle to Milvain only after Yule’s eyesight fails and Marian’s legacy is reduced to a mere £1500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain. By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon’s poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of £10,000 upon John Yule’s death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas. Milvain, it is said, has married the woman he loves, although it should be noted that the narrator never states this as a fact, merely reporting it as something others have said about Milvain. In fact, in a conversation that ends the book, the reader is left to question whether Milvain is in fact haunted by his love for Marian, and his ungentlemanly actions in that regard.

The story is about the literary world of late-Victorian London that Gissing inhabited, and its title, New Grub Street, alludes to the London street, Grub Street, which in the 18th century became synonymous with the "hack writing" that pervades Gissing's novel; Grub Street itself was no longer extant when Gissing was writing. The novel contrasts Edwin Reardon, a congenitally uncommercial but talented writer, against Jasper Milvain, a selfish and unscrupulous hack who rejects artistic endeavour for material gain. Milvain's trite, manipulative work ascends while Reardon's work--and his life--spiral downward.The novel suggests that the literary world rewards materialistic self-promotion more than serious artistic sensibility. Gissing's biography--a respected writer who struggled for a long time to obtain commercial success--strongly suggests the novel is autobiographical, the author's stand-in being (of course) Reardon.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Jasper Milvain is an ambitious young writer trying to establish himself as a journalist in London. During a stay with his mother and sisters in the country, he meets Alfred Yule, an experienced and disappointed man of letters, and his daughter, Marian, to whom Milvain finds himself troublingly attracted—troublingly because she is poor and because Milvain has already decided he must marry a woman who can help him in his career. With engaging frankness, Milvain explains to her his ideas about the importance of money in a literary life: It can buy the all-important first success as well as influential friends.

New Grub Street is a novel by George Gissing published in 1891, which is set in the literary and journalistic circles of 1880s London. Gissing revised and shortened the novel for a French edition of 1901.The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.

The story is about the literary world of late-Victorian London that Gissing inhabited, and its title, New Grub Street, alludes to the London street, Grub Street, which in the 18th century became synonymous with the "hack writing" that pervades Gissing's novel; Grub Street itself was no longer extant when Gissing was writing. The novel contrasts Edwin Reardon, a congenitally uncommercial but talented writer, against Jasper Milvain, a selfish and unscrupulous hack who rejects artistic endeavour for material gain. Milvain's trite, manipulative work ascends while Reardon's work--and his life--spiral downward.