Other editions of book Cymbeline

Excerpt from CymbelineDate of Composition. No positive evidence em for the date of composition of c's-latin; the probabilities are in favour of 1609-10.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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The secret marriage of a king's daughter sets off a chain reaction of slander, jealousy, and divine intervention in this fairy tale-like romance. Shakespeare based his play on myths of an early Celtic king of Britain, incorporating historical elements from classical Rome and Renaissance Italy. With a cast that includes an evil stepmother, scheming suitor, and devoted lovers, the drama is heightened by duels, kidnappings, and disguised identities.

Cymbeline also known as Cymbeline, King of Britain, is a play by William Shakespeare set in Ancient Britain and based on legends that formed part of the Matter of Britain concerning the early Celtic British King Cunobeline. Although listed as a tragedy in the First Folio, modern critics often classify Cymbeline as a romance or even a comedy. Like Othello and The Winter's Tale, it deals with the themes of innocence and jealousy. While the precise date of composition remains unknown, the play was certainly produced as early as 1611

Cymbeline also known as Cymbeline, King of Britain, is a play by William Shakespeare set in Ancient Britain and based on legends that formed part of the Matter of Britain concerning the early Celtic British King Cunobeline. Although listed as a tragedy in the First Folio, modern critics often classify Cymbeline as a romance or even a comedy. Like Othello and The Winter's Tale, it deals with the themes of innocence and jealousy. While the precise date of composition remains unknown, the play was certainly produced as early as 1611

William Shakespeare is widely considered the greatest writer in the history of the English language, so renowned and respected that the time period in which he lived is often known as the Age of Shakespeare. Indeed, his genius is questioned only by those who doubt the authenticity of his authorship of timeless classics like Romeo and Juliet. As Ben Jonson once put it, "He was not of an age, but for all time.” No other writer, in English or in any other language, can rival the appeal that Shakespeare has enjoyed around the world, and nobody’s had a bigger influence.

Cymbeline, the Roman Empire's vassal king of Britain, once had two sons, Guiderius and Arvirargus, but they were stolen twenty years earlier as infants by an exiled traitor named Belarius. Cymbeline now discovers that his only child left, his daughter Imogen (or Innogen), has secretly married her lover Posthumus Leonatus, an otherwise honourable man of Cymbeline's court. The lovers have exchanged jewellery as tokens: Imogen now with a bracelet, and Posthumus with a ring. Cymbeline dismisses the marriage and banishes Posthumus, since Imogen, as Cymbeline's only child, must produce a fully royal-blooded heir to succeed to the British throne. In the meantime, Cymbeline's Queen is conspiring to have Cloten, her cloddish and arrogant son by an earlier marriage, married to Imogen, to secure her bloodline. The Queen is also plotting to murder both Imogen and Cymbeline, procuring what she believes to be deadly poison from the court doctor, Cornelius, who, suspicious, switches the poison with a harmless sleeping potion. The Queen passes the "poison" along to Pisanio, Posthumus and Imogen's loving servant, who is led to believe it is a medicinal drug. No longer able to be with her banished Posthumus, Imogen secludes herself in her chambers, away from Cloten's aggressive advances.

Cymbeline, the Roman Empire's vassal king of Britain, once had two sons, Guiderius and Arvirargus, but they were stolen twenty years earlier as infants by an exiled traitor named Belarius. Cymbeline now discovers that his only child left, his daughter Imogen (or Innogen), has secretly married her lover Posthumus Leonatus, an otherwise honourable man of Cymbeline's court. The lovers have exchanged jewellery as tokens: Imogen now with a bracelet, and Posthumus with a ring. Cymbeline dismisses the marriage and banishes Posthumus, since Imogen, as Cymbeline's only child, must produce a fully royal-blooded heir to succeed to the British throne. In the meantime, Cymbeline's Queen is conspiring to have Cloten, her cloddish and arrogant son by an earlier marriage, married to Imogen, to secure her bloodline. The Queen is also plotting to murder both Imogen and Cymbeline, procuring what she believes to be deadly poison from the court doctor, Cornelius, who, suspicious, switches the poison with a harmless sleeping potion. The Queen passes the "poison" along to Pisanio, Posthumus and Imogen's loving servant, who is led to believe it is a medicinal drug. No longer able to be with her banished Posthumus, Imogen secludes herself in her chambers, away from Cloten's aggressive advances.

Critics and fans alike call Shakespeare's romance Cymbeline one of his most underrated plays. Set in ancient England, the play follows the aftermath of the illicit marriage of Imogen, a princess who has risked everything by wedding a suitor some deem unsuitable without seeking her father's permission. When King Cymbeline discovers her treachery, all hell breaks loose. Coycoy brings great works of literature from the past centuries, holding the highest standards and reproduce the text as its earliest readers would have encountered it. Look for more titles in the Coycoy's collection to build your own and best library. @coycoy.editorial

Excerpt from CymbelineCymbeline was twice married his second wife was a wicked plotting woman, and a cruel step-mother to Imogen, Cymbeline's daughter by his first wife.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Wonder of Shakespeare One who reads a few of Shakespeare's great plays and then the meager story of his life is generally filled with a vague wonder. Here is an unknown country boy, poor and poorly educated according to the standards of his age, who arrives at the great city of London and goes to work at odd jobs in a theater. In a year or two he is associated with scholars and dramatists, the masters of their age, writing plays of kings and clowns, of gentlemen and heroes and noble women, all of whose lives he seems to know by intimate association. In a few years more he leads all that brilliant group of poets and dramatists who have given undying glory to the Age of Elizabeth. Play after play runs from his pen, mighty dramas of human life and character following one another so rapidly that good work seems impossible; yet they stand the test of time, and their poetry is still unrivaled in any language. For all this great work the author apparently cares little, since he makes no attempt to collect or preserve his writings. A thousand scholars have ever since been busy collecting, identifying, classifying the works which this magnificent workman tossed aside so carelessly when he abandoned the drama and retired to his native village. He has a marvelously imaginative and creative mind; but he invents few, if any, new plots or stories. He simply takes an old play or an old poem, makes it over quickly, and lo! this old familiar material glows with the deepest thoughts and the tenderest feelings that ennoble our humanity; and each new generation of men finds it more wonderful than the last. How did he do it? That is still an unanswered question and the source of our wonder.