Other editions of book The Letters of Jane Austen

Letters of Jane Austen - With an Introduction And Critical Remarks. Vol. 2 is an unchanged, high-quality reprint of the original edition of 1884. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This edition of Jane Austen's letters was edited by Fanny Knight's son Edward Hugessen Knatchbull-Hugessen (the first Baron Brabourne, lived 1829-1893), and was published in 1884. It's neither complete (about two thirds of the letters now known to have survived are included), nor are the texts of the letters necessarily always transcribed with minute scholarly fidelity, but it's out of copyright, and includes many annotations and quaint comments on the letters. (The latest edition of

Miss Austen's life coincided with two of the momentous epochs of history,—the American struggle for independence, and the French Revolution; but there is scarcely an allusion to either in her letters. She was interested in the fleet and its victories because two of her brothers were in the navy and had promotion and prize-money to look forward to. In this connection she mentions Trafalgar and the Egyptian expedition, and generously remarks that she would read Southey's "Life of Nelson" if there was anything in it about her brother Frank! She honors Sir John Moore by[v] remarking after his death that his mother would perhaps have preferred to have him less distinguished and still alive; further than that, the making of the gooseberry jam and a good recipe for orange wine interests her more than all the marchings and countermarchings, the man[oe]uvres and diplomacies, going on the world over. In the midst of the universal vortex of fear and hope, triumph and defeat, while the fate of Britain and British liberty hung trembling in the balance, she sits writing her letters, trimming her caps, and discussing small beer with her sister in a lively and unruffled fashion wonderful to contemplate. "The society of rural England in those days," as Mr. Goldwin Smith happily puts it, "enjoyed a calm of its own in the midst of the European tempest like the windless centre of a circular storm." The point of view of a woman with such an environment must naturally be circumscribed and narrow; and in this Miss Austen's charm consists. Seeing little, she painted what she saw with absolute fidelity and a dexterity and perfection unequalled. "On her was bestowed, though in a humble form, the gift which had been bestowed on Homer, Shakespeare, Cervantes, Scott, and a few others,—the gift of creative power." Endowed with the keenest and most delicate insight and a vivid sense of humor, she depicted with exactitude what she observed and what she understood, giving[vi] to each fact and emotion its precise shade and value. The things she did not see she did not attempt. Affectation was impossible to her,—most of all, affectation of knowledge or feeling not justly her own. "She held the mirror up to her time" with an exquisite sincerity and fidelity; and the closeness of her study brought her intimately near to those hidden springs which underlie all human nature. This is the reason why, for all their skimp skirts, leg-of-mutton sleeves, and bygone impossible bonnets, her characters do not seem to us old-fashioned. Minds and hearts are made pretty much after the same pattern from century to century; and given a modern dress and speech, Emma or Elizabeth or dear Anne Eliot could enter a drawing-room to-day, and excite no surprise except by so closely resembling the people whom they would find there.

One of the most beloved authors in English literature, Jane Austen wrote myriad novels, stories and poems that illustrated her sophisticated sense of irony, humor and biting commentary on the society of Regency England. As the majority of her work was published anonymously, in the custom of female authors at the time, much of her notoriety came about posthumously. In addition to her published works, Austen kept avid personal correspondence with friends and family, particularly her sister, Cassandra. This collection of letters provides an invaluable glimpse into the author's life, which was spent primarily within a close-knit family circle making perceptive observations of human behavior and relationships. Pursuant to the themes of her novels, it is clear that Austen was unimpressed by pomposity and pretention and held a deep adoration for those she loved. These letters, pervaded by her usual charming wit, will be a joy to read for any Jane Austen enthusiast

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

HAVE just received yours and Mary's letter, and I thank you both, though their contents might have been more agreeable. I do not at all expect to see you on Tuesday, since matters have fallen out so unpleasantly; and if you are not able to return till after that day, it will hardly be possible for us to send for you before Saturday, though for my own part I care so little about the ball that it would be no sacrifice to me to give it up for the sake of seeing you two days earlier. We are extremely sorry for poor Eliza's illness. I trust, however, that she has continued to recover since you wrote, and that you will none of you be the worse for your attendance on her. What a good-for-nothing fellow Charles is to bespeak the stockings! I hope he will be too hot all the rest of his life for it!