Other editions of book In the Cage

A young girl working in a Mayfair post office is privy to the brief yet substantial messages telegraphed by wealthy, fashionable people to their similar friends. As she reads, she develops her own particular intimacy with various scandals, amours, and intrigues. Her mind captive in the cage of her workplace, and with only the prospect of a rather dull marriage to look forward to, she surrenders to her powerful imagination, her chosen entertainment being the sporadic visits of the dashing Captain Everard, and the 'extravagance, selfishness, immorality, and crimes' of the idle rich.

It had occurred to her early that in her position—that of a young person spending, in framed and wired confinement, the life of a guinea-pig or a magpie—she should know a great many persons without their recognising the acquaintance. That made it an emotion the more lively—though singularly rare and always, even then, with opportunity still very much smothered—to see any one come in whom she knew outside, as she called it, any one who could add anything to the meanness of her function.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

An unnamed telegraphist works in the branch post office at Cocker's, a grocer in a fashionable London neighborhood. Her fiancé, a decent if unpolished man named Mr. Mudge, wants her to move to a less expensive neighborhood to save money and to be near him at all times. She refuses because she likes the glimpses of society life she gets from the telegrams at her current location.

It had occurred to her early that in her position—that of a young person spending, inframed and wired confinement, the life of a guinea-pig or a magpie—she should know agreat many persons without their recognising the acquaintance. That made it an emotionthe more lively—though singularly rare and always, even then, with opportunity still verymuch smothered—to see any one come in whom she knew outside, as she called it, any onewho could add anything to the meanness of her function. Her function was to sit there withtwo young men—the other telegraphist and the counter-clerk; to mind the “sounder,”which was always going, to dole out stamps and postal-orders, weigh letters, answer stupidquestions, give difficult change and, more than anything else, count words as numberless asthe sands of the sea, the words of the telegrams thrust, from morning to night, through thegap left in the high lattice, across the encumbered shelf that her forearm ached withrubbing. This transparent screen fenced out or fenced in, according to the side of thenarrow counter on which the human lot was cast, the duskiest corner of a shop pervadednot a little, in winter, by the poison of perpetual gas, and at all times by the presence ofhams, cheese, dried fish, soap, varnish, paraffin and other solids and fluids that she came toknow perfectly by their smells without consenting to know them by their names.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In the Cage is a novella by Henry James, first published as a book in 1898. This long story centers on an unnamed London telegraphist. She deciphers clues to her clients' personal lives from the often cryptic telegrams they submit to her as she sits in the "cage" at the post office. Sensitive and intelligent, the telegraphist eventually finds out more than she may want to know.

Henry James’s novella In the Cage tells the story of a young women, the “betrothed of Mr Mudge”, who works at a post-office counter sending telegrams mostly from the “idle rich” to their fellows to arrange their meetings, parties and other affairs. Concerned, as ever, with the plight of the not so well-to-do–and particularly the role and circumstances of women–James finely delineates our heroine’s increasing preoccupation with Captain Everard for whom she sends a considerable number of messages and about whom she has increasingly warm thoughts: “people of her sort… didn’t count as infidelity, counted only as something else: she might have been curious, since it came to that, to see exactly as what”.In the Cage (written in the same year as the more well-known The Turn of the Screw is a sly, slight, vaguely sentimental work but one that acts as a fine introduction to this most convoluted of writers. Exact (“exacting” yet with a pointillist’s precision) is the word most often used to describe James’s prose but very often the modern reader will find his hesitant, pedantic, clause-heavy sentences difficult to follow, overlong and tortuously complex. But the key to reading and enjoying James is in succumbing to those very sentences, allowing his perfect ear and fine metre to establish its own rhythm, letting it guide one’s response to his beautiful, matchless use of language.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.