Other editions of book Stories From The Arabian Nights

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This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1907 Excerpt: ...and his son and guest were alone together over their wine, which indeed was the very project that Cogia Houssain had formed. Going forth, therefore, in haste, she dressed herself as a dancer, assuming the headdress and mask suitable for the character. Then she fastened a silver girdle about her waist, and hung upon it a dagger of the same material. So Abdallah took his tabor, and played Morgiana into the hall. As soon as she had entered she made a low curtsey, and stood awaiting orders. Then Ali Baba, seeing that she wished to perform in his guest's honour, said kindly, "Come in, Morgiana, and show Cogia Houssain what you can do." Immediately Abdallah began to beat upon his tabor and sing an air for Morgiana to dance to; and she, advancing with much grace and propriety of deportment, began to move through several figures, performing them with the ease and facility which none but the most highly practised can attain to. Then, for the last figure of all, she drew out the dagger and, holding it in her hand, danced a dance which excelled all that had preceded it in the surprise and change and quickness and dexterity of its movements. Now she presented the dagger at her own breast, now at one of the onlookers; but always in the act of striking she drew back. At length, as though out of breath, she snatched his instrument from Abdallah with her left hand, and, still holding the dagger in her right, advanced the hollow of the tabor toward her master, as is the custom of dancers when claiming their fee. Ali Baba threw in a piece of gold; his son did likewise. Then advancing it in the same manner toward Cogia Houssain, who was feeling for his purse, she struck under it, and before he knew had plunged her dagger deep into his heart. Ali Baba and his son, se...