Books with title Twelve

In his internationally bestselling and critically acclaimed novel The Passage, Justin Cronin constructed an unforgettable world transformed by a government experiment gone horribly wrong. With The Twelve, the story continues... In the present day: As a man-made apocalypse unfolds, three strangers navigate the chaos, desperate to find others, to survive, to witness the dawn on the other side of disaster. Lila, a doctor and an expectant mother, has been so broken by the spread of violence and infection that she continues to plan for her child's arrival even as society dissolves around her. Kittridge, known to the world as "Last Stand in Denver," has been forced by loss of electrical power to flee his stronghold and is now on the road, dodging the infected, armed but alone and well aware that a tank of gas will get him only so far. April is a teenager fighting to guide her little brother safely through a minefield of death and ruin. These three will learn that they have not been fully abandoned-and that in connection lies hope, even on the darkest of nights. One hundred years in the future: Amy, Peter, Alicia, and the others introduced in The Passage work with a cast of new characters to hunt the original twelve virals... unaware that the rules of the game have changed, and that one of them will have to sacrifice everything to bring the Twelve down. The scope widens and the intensity deepens as the epic tale of sacrifice and survival begun in The Passage surges forward in this breathtaking sequel. Special Features Exclusive to this Collector's Edition: • epic cover artwork by Tomislav Tikulin • black & white interior illustrations by Jill Bauman • deluxe oversized design with a fine binding • Smyth sewn with a bound-in satin ribbon page marker

Theodore Dreiser was arguably the most important figure in the development of fiction in the twentieth century. And although world-famous for his novels "Sister Carrie" and "Jennie Gerhardt", Theodore Dreiser was also highly accomplished in journalism, autobiography, and travel writing. In 1919, having recently accepted the publishing contract of a new publisher, Dreiser proposed to publish a "book of characters" that would collect twelve biographical sketches of individuals who were major influences on Dreiser, both as a man and as a writer. The resulting narratives combine the best attributes of the character sketch, the autobiography, and the short story into miniature masterpieces of prose. The men profiled in "Twelve Men" are a diverse and colourful group: from Dreiser's equally famous brother, the song-writer Paul Dreiser's ("My Brother Paul"), to the entirely obscure railroad foreman Michael Burke ("The Mighty Rourke"), on whose work crew Dreiser had laboured in 1903. The twelve narratives are compelling portraits of the men portrayed, but they also reveal many insights into Dreiser's own life and work.

Peter In any group of men I have ever known, speaking from the point of view of character and not that of physical appearance, Peter would stand out as deliciously and irrefutably different. In the great waste of American intellectual dreariness he was an oasis, a veritable spring in the desert. He understood life. He knew men. He was free—spiritually, morally, in a thousand ways, it seemed to me. As one drags along through this inexplicable existence one realizes how such qualities stand out; not the pseudo freedom of strong men, financially or physically, but the real, internal, spiritual freedom, where the mind, as it were, stands up and looks at itself, faces Nature unafraid, is aware of its own weaknesses, its strengths; examines its own and the creative impulses of the universe and of men with a kindly and non-dogmatic eye, in fact kicks dogma out of doors, and yet deliberately and of choice holds fast to many, many simple and human things, and rounds out life, or would, in a natural, normal, courageous, healthy way. The first time I ever saw Peter was in St. Louis in 1892; I had come down from Chicago to work on the St. Louis Globe-Democrat, and he was a part of the art department force of that paper. At that time—and he never seemed to change later even so much as a hair's worth until he died in 1908—he was short, stocky and yet quick and even jerky in his manner, with a bushy, tramp-like "get-up" of hair and beard, most swiftly and astonishingly disposed of at times only to be regrown at others, and always, and intentionally, I am sure, most amusing to contemplate. In addition to all this he had an air of well-being, force and alertness which belied the other surface characteristics as anything more than a genial pose or bit of idle gayety. Plainly he took himself seriously and yet lightly, usually with an air of suppressed gayety, as though saying, "This whole business of living is a great joke." He always wore good and yet exceedingly mussy clothes, at times bespattered with ink or, worse yet, even soup—an amazing grotesquery that was the dismay of all who knew him, friends and relatives especially. In addition he was nearly always liberally besprinkled with tobacco dust, the source of which he used in all forms: in pipe, cigar and plug, even cigarettes when he could obtain nothing more substantial. One of the things about him which most impressed me at that time and later was this love of the ridiculous or the grotesque, in himself or others, which would not let him take anything in a dull or conventional mood, would not even permit him to appear normal at times but urged him on to all sorts of nonsense, in an effort, I suppose, to entertain himself and make life seem less commonplace

As one drags along through this inexplicable existence one realizes how such qualities stand out; not the pseudo freedom of strong men, financially or physically, but the real, internal, spiritual freedom, where the mind, as it were, stands up and looks at itself, faces Nature unafraid, is aware of its own weaknesses, its strengths; examines its own and the creative impulses of the universe and of men with a kindly and non-dogmatic eye, in fact kicks dogma out of doors, and yet deliberately and of choice holds fast to many, many simple and human things, and rounds out life, or would, in a natural, normal, courageous, healthy way.

A literary thriller unfolding in multiple time frames, The Twelve is a page-turning epic of sacrifice and survival. In the present day: As three strangers attempt to navigate the chaos cast upon civilization by a U.S. government experiment gone wrong, their destinies intertwine. A hundred years in the future: Amy, Peter, Alicia, and the others introduced in The Passage hunt the original twelve virals . . . unaware that the rules of the game have changed, and that one of them will have to sacrifice everything to bring the Twelve down.