Books with title The song of Hiawatha 1900

The Song of Hiawatha - Complete Edition – Complete 304 page New Edition by Henry W. Longfellow. The Song of Hiawatha is an 1855 epic poem, in trochaic tetrameter, by Henry Wadsworth Longfellow, featuring an Indian hero. Longfellow's sources for the legends and ethnography found in his poem were the Ojibwe Chief Kahge-ga-gah-bowh during their visits at Longfellow's home; Black Hawk and other Sac and Fox Indians Longfellow encountered on Boston Commons; Algic Researches (1839) and additional writings by Henry Rowe Schoolcraft, an ethnographer and United States Indian agent; and Heckewelder's Narratives. In sentiment, scope, overall conception, and many particulars, Longfellow's poem is very much a work of American Romantic literature, not a representation of Native American oral tradition. Longfellow insisted, "I can give chapter and verse for these legends. Their chief value is that they are Indian legends." Longfellow had originally planned on following Schoolcraft in calling his hero Manabozho, the name in use at the time among the Ojibwe of the south shore of Lake Superior for a figure of their folklore, a trickster-transformer. But in his journal entry for June 28, 1854, he wrote, "Work at 'Manabozho;' or, as I think I shall call it, 'Hiawatha'—that being another name for the same personage." Hiawatha was not "another name for the same personage" (the mistaken identification of the trickster figure was made first by Schoolcraft and compounded by Longfellow), but a probable historical figure associated with the founding of the League of the Iroquois, the Five Nations then located in present-day New York and Pennsylvania. Because of the poem, however, "Hiawatha" became the namesake for towns, schools, trains and a telephone company in the western Great Lakes region, where no Iroquois nations historically resided.

This is the completely illustrated and annotated edition including an extensive primer on the author's life and works and many splendid drawings by Harrsion Fisher. 'This Indian Edda, if I may so call it,' says the author, 'is founded on a tradition, prevalent among the North American Indians, of a personage of miraculous birth, who was sent among them to clear their rivers, forests, and fishing-grounds, and to teach them the arts of peace. He was known among different tribes by the several names of Michabou, Chiabo, Manabozho, Tarcuyawagon, and Hiawatha. ' We are further informed, that 'the scene of the poem is among the Ojibways on the southern shore of Lake Superior, in the region between the Pictured Rocks and the Grand Sable.' Here then, at last, is a genuine American poem, by a native of America; a poem redolent of pine-forests and the smoke of wigwams. ' In reading American poetry, we never get beyond the shores of Kent,' said a surly critic some years ago. It is obvious enough, that if this complaint was justifiable then, it is utterly without foundation now. Longfellow's poem created an immense and instant sensation, not only in this country, but in England. It was read, it was quoted, it was praised, it was ridiculed, it was dramatized, it was parodied, it was attacked as a plagiarism. It remains to this day the most parodied poem in the English language.

Initially conceived by Longfellow after reading the works of Henry Rowe Schoolcraft, "The Song of Hiawatha" is an epic poem based on the legends of the Ojibway Indians of Michigan, Wisconsin, and Minnesota. The beautiful descriptions of this part of the United States are intertwined with the story of the Native American Hiawatha. From his youth to his marriage, from his daily existence of gathering food to his participation in the traditions of his people, Longfellow weaves a tale of impressive scope in this lyric work. Ultimately, this poem tells the story of the American Indian, including his habitual life, fight for survival, and gradual disappearance at the arrival of white men.

Return to the shores of Gitche Gumee and sing the Song of Hiawatha Out of childhood into manhood Now had grown my Hiawatha, Skilled in all the craft of hunters, Learned in all the lore of old men, In all youthful sports and pastimes, In all manly arts and labors. Swift of foot was Hiawatha; He could shoot an arrow from him, And run forward with such fleetness, That the arrow fell behind him! Strong of arm was Hiawatha; He could shoot ten arrows upward, Shoot them with such strength and swiftness, That the tenth had left the bow-string Ere the first to earth had fallen!--Longfellow

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Initially conceived by Longfellow after reading the works of Henry Rowe Schoolcraft, "The Song of Hiawatha" is an epic poem based on the legends of the Ojibway Indians of Michigan, Wisconsin, and Minnesota. The beautiful descriptions of this part of the United States are intertwined with the story of the Native American Hiawatha. From his youth to his marriage, from his daily existence of gathering food to his participation in the traditions of his people, Longfellow weaves a tale of impressive scope in this lyric work. Ultimately, this poem tells the story of the American Indian, including his habitual life, fight for survival, and gradual disappearance at the arrival of white men.