Books with title The Knights of the Round Table

In a world of wizards, giants, and dragons, King Arthur and the Knights of the Round Table are the only defense against the forces of evil that threaten the kingdom of Camelot. Written in graphic-novel format. These reader-favorite tiles are now updated for enhanced Common Core State Standards support, including discussion and writing prompts developed by a Common Core expert, an expanded introduction, bolded glossary words and dynamic new covers.

This classic fifteenth-century chronicle of King Arthur and his knights is the essential interpretation of Arthurian legend in the English language.Full of adventure, magic, and romance, these are the timeless tales of Arthur, the great warrior king of Britain; his loyal knight Lancelot; the beautiful Queen Guinevere; and the mysterious Merlin. Based on French Arthurian romances reaching back to the twelfth century, Sir James Knowles’s narrative tells of the goings-on at Camelot, epic battles against invading Saxon enemies, and Arthur’s quest for the Holy Grail, among many other exciting events.Sometimes published as Le Morte d’Arthur, these accounts of chivalry and daring escapades have inspired generations of storytellers, from the Romantic poet Alfred, Lord Tennyson to T. H. White, author of The Once and Future King, from American satirist Mark Twain to British comedy troupe Monty Python.

An essential collection of chivalric romance, swordplay, wizardry and brutal feats of courage Malory’s 15th century Morte d’Arthur is one of the world’s greatest pieces of myth-making, with most gothic and modern fantasy finding its roots in this splendid mix of history, magic and literature. This selected edition features many of Aubrey Beardsley’s classic illustrations.

The tales of King Arthur and his Knights are of Celtic origin. The Celts were the people who occupied Britain at the time when the history of the country opens, and a few words are necessary to explain why the characters in the stories act and speak as though they belonged to a later age.It is believed that King Arthur lived in the sixth century, just after the Romans withdrew from Britain, and when the Britons, left to defend themselves against the attacks of the marauding Saxons, rose and defeated them at Mount Badon, securing to themselves peace for many years. It was probably about this time that King Arthur and his company of Knights performed the deeds which were to become the themes of stories and lays for generations afterwards.In olden times, it was the custom of minstrels and story-tellers to travel through the land from court to court, telling of tales of chivalry and heroism, and for many centuries the tales of King Arthur formed the stock from which the story-teller drew.In this way the stories came to be handed down from father to son, in Brittany (whose people are of the same family as the Welsh) as well as in Wales and England, and by this means alone were they prevented from being lost. But in the reigns of Henry II. and Richard I., they were set down on paper, and so became literature. Before this, however, a British writer had written out some of the tales, and from him as well as from the lips of the bards and story-tellers of their own generation, the writers in the time of Henry II. were able to collect their information.Now, it will be remembered that the second and third crusades were being carried on during the reigns of Henry II. and Richard I., and many English and French Knights were therefore fighting in the fields of Palestine.The story-teller, whose living depended on the welcome his stories met with, instead of telling them according to tradition, altered them to suit the tastes of his hearers. Thus, the old heroes of tradition were placed upon prancing horses, clothed in coats of mail, and armed with lances as if they had been vassals of King Henry or King Richard. And in this way the story-teller called up before the minds of the listeners pictures of deeds of chivalry, such as husbands and brothers were performing for the Christian faith in far-off Palestine. The writers of the time, both English and French, set them down as they heard and knew them, and so in their altered and historically inaccurate form they have reached us at the present day.One of the most famous of the books compiled by old English writers was the “Historia Britonum,” which was written (in Latin) by Geoffrey, Bishop of Asaph. It contained an account of a war which King Arthur waged in Western Europe, but made no mention of the Holy Grail.From this and other books of romances compiled in England, and very largely, too, from books of French romances, Sir Thomas Malory obtained the material for his “Morte d’Arthur,” which was written in 1470. This is the most famous of the early books of Arthurian legend, and it is from the “Morte d’Arthur” that most of the stories in this book are taken. Some, however, are taken from the “High History of the Holy Graal,” translated from the French by Dr. Sebastian Evans. The language throughout has been modified with a view to making the legends more easy of study.

King Arthur and the Knights of the Round Table! What magic is in the words! How they carry us straight to the days of chivalry, to the witchcraft of Merlin, to the wonderful deeds of Lancelot and Perceval and Galahad, to the Quest for the Holy Grail, to all that "glorious company, the flower of men," as Tennyson has called the king and his companions! Down through the ages the stories have come to us, one of the few great romances which, like the tales of Homer, are as fresh and vivid to-day as when men first recited them in court and camp and cottage. Other great kings and paladins are lost in the dim shadows of long-past centuries, but Arthur still reigns in Camelot and his knights still ride forth to seek the Grail."No little thing shall beThe gentle music of the bygone years,Long past to us with all their hopes and fears."So wrote the poet William Morris in The Earthly Paradise. And surely it is no small debt of gratitude we owe the troubadours and chroniclers and poets who through many centuries have sung of Arthur and his champions, each adding to the song the gifts of his own imagination, so building from simple folk-tales one of the most magnificent and moving stories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétien de Troies, a Frenchman, who in the twelfth century put many of the old Arthurian legends into verse; to Sir Thomas Malory, who first wrote out most of the stories in English prose, and whose book, the Morte Darthur, was printed by William Caxton, the first English printer, in 1485; and to Alfred, Lord Tennyson, who in his series of poems entitled the Idylls of the King retold the legends in new and beautiful guise in the nineteenth century.