Books with title The Idle Thoughts of an Idle Fellow

The aptly titled sequel to Idle Thoughts of an Idle Fellow which is also recorded by Assembled Stories and proved immensely popular. In this succeeding outburst of whimsy Jerome reflects on a variety of subjects such as 'the art of making up one's mind', 'the care and management of women' and 'the minding of other peoples business'. A childhood of poverty and being parent less from the age of fourteen ensured that Jerome was always in touch with his own humanity and beneath the humour there is the benevolent wisdom of the author - a shrewd but sympathetic observer of human nature and its folly. About Assembled Stories: Over the years the national press have reviewed Assembled Stories titles as "excellent", "remarkable", "entrancing", "superb", "magic for sure", "masterly", "wonderful", "a class act" and "a splendid example of audio at its best".

Second Thoughts Of An Idle Fellow ON THE ART OF MAKING UP ONE’S MIND “Now, which would you advise, dear? You see, with the red I shan’t be able to wear my magenta hat.” “Well then, why not have the grey?” “Yes—yes, I think the grey will be more useful.” “It’s a good material.” “Yes, and it’s a pretty grey. You know what I mean, dear; not a common grey. Of course grey is always an uninteresting colour.” “It’s quiet.” “And then again, what I feel about the red is that it is so warm-looking. Red makes you feel warm even when you’re not warm. You know what I mean, dear!” “Well then, why not have the red? It suits you—red.” “No; do you really think so?” “Well, when you’ve got a colour, I mean, of course!” “Yes, that is the drawback to red. No, I think, on the whole, the grey is safer.” “Then you will take the grey, madam?” “Yes, I think I’d better; don’t you, dear?”

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A childhood of poverty and being parent less from the age of fourteen ensured that Jerome was always in touch with his own humanity and beneath the humour there is the benevolent wisdom of the author - a shrewd but sympathetic observer of human nature and its folly. The follow-up to Jerome K. Jerome's bestselling volume of humorous essays, Idle Thoughts of an Idle Fellow, this collection offers the author's witty observations on all manner of topics, ranging from love to children to cats and dogs. Readers who appreciate a good turn of phrase and are in dire need of a good laugh shouldn't hesitate to read The Second Thoughts of an Idle Fellow.

"Now, which would you advise, dear? You see, with the red I shan't be able to wear my magenta hat.""Well then, why not have the grey?""Yes—yes, I think the grey will be MORE useful.""It's a good material.""Yes, and it's a PRETTY grey. You know what I mean, dear; not a COMMON grey. Of course grey is always an UNINTERESTING colour.""Its quiet.""And then again, what I feel about the red is that it is so warm-looking. Red makes you FEEL warm even when you're NOT warm. You know what I mean, dear!""Well then, why not have the red? It suits you—red.""No; do you really think so?""Well, when you've got a colour, I mean, of course!""Yes, that is the drawback to red. No, I think, on the whole, the grey is SAFER.""Then you will take the grey, madam?""Yes, I think I'd better; don't you, dear?""I like it myself very much.""And it is good wearing stuff. I shall have it trimmed with—Oh! you haven't cut it off, have you?""I was just about to, madam.""Well, don't for a moment. Just let me have another look at the red. You see, dear, it has just occurred to me—that chinchilla would look so well on the red!""So it would, dear!""And, you see, I've got the chinchilla."

We are delighted to publish this classic book as part of our extensive classic literature collection. This book is a reproduction of an important historical work. Unlike some other reproductions of classic texts, We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. Also in books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy. We use state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. "Now, which would you advise, dear? You see, with the red I shan't be able to wear my magenta hat.""Well then, why not have the grey?""Yes—yes, I think the grey will be MORE useful.""It's a good material.""Yes, and it's a PRETTY grey. You know what I mean, dear; not a COMMON grey. Of course grey is always an UNINTERESTING colour.""Its quiet.""And then again, what I feel about the red is that it is so warm-looking. Red makes you FEEL warm even when you're NOT warm. You know what I mean, dear!""Well then, why not have the red? It suits you—red.""No; do you really think so?""Well, when you've got a colour, I mean, of course!""Yes, that is the drawback to red. No, I think, on the whole, the grey is SAFER."

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We laugh at her, but are we so very much better? Come, my superior male friend, have you never stood, amid your wardrobe, undecided whether, in her eyes, you would appear more imposing, clad in the rough tweed suit that so admirably displays your broad shoulders; or in the orthodox black frock, that, after all, is perhaps more suitable to the figure of a man approaching—let us say, the nine-and-twenties? Or, better still, why not riding costume? Did we not hear her say how well Jones looked in his top-boots and breeches, and, "hang it all," we have a better leg than Jones. What a pity riding-breeches are made so baggy nowadays. Why is it that male fashions tend more and more to hide the male leg? As women have become less and less ashamed of theirs, we have become more and more reticent of ours. Why are the silken hose, the tight-fitting pantaloons, the neat kneebreeches of our forefathers impossible to-day? Are we grown more modest—or has there come about a falling off, rendering concealment advisable?

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