Books with title The Idiot

In The Idiot, 27-year-old Prince Lyov Nikolayevich Myshkin returns to Russia after a long absence. He suffers from epilepsy (just like Dostoyevsky himself) and is prone to seizures, though they had been treated with some success in Switzerland by a Dr. Schneider. The Myshkin family line is said to end with him and his cousin, Lizaveta Prokofyevna, who is the wife of Ivan Fyodorovitch Epanchin, and mother to Adelaida, Alexandra, and, lastly, Aglaia, Nastasya Filippovna's rival.

The Idiot is a novel by the 19th-century Russian author Fyodor Dostoevsky. It was first published serially in the journal The Russian Messenger in 1868-69.The title is an ironic reference to the central character of the novel, Prince (Knyaz) Lev Nikolayevich Myshkin, a young man whose goodness, open-hearted simplicity and guilelessness lead many of the more worldly characters he encounters to mistakenly assume that he lacks intelligence and insight. In the character of Prince Myshkin, Dostoevsky set himself the task of depicting "the positively good and beautiful man." The novel examines the consequences of placing such a unique individual at the centre of the conflicts, desires, passions and egoism of worldly society, both for the man himself and for those with whom he becomes involved.

Prince Lyov Nikolayevitch Myshkin is one of the great characters in Russian literature. Is he a saint or just naïve? Is he an idealist or, as many in General Epanchin s society feel, an idiot ? Certainly, his return to St. Petersburg after years in a Swiss clinic has a dramatic effect on the beautiful Aglaia, youngest of the Epanchin daughters, and on the charismatic but willful Nastasya Filippovna. As he paints a vivid picture of Russian society, Dostoyevsky shows how principles conflict with emotions - with tragic results.

The Idiot (pre-reform Russian: Идіотъ; post-reform Russian: Идиот, tr. Idiót) is a novel by the 19th-century Russian author Fyodor Dostoevsky. It was first published serially in the journal The Russian Messenger in 1868-9. The title is an ironic reference to the central character of the novel, Prince (Knyaz) Lev Nikolayevich Myshkin, a young man whose goodness, open-hearted simplicity and guilelessness lead many of the more worldly characters he encounters to mistakenly assume that he lacks intelligence and insight. In the character of Prince Myshkin, Dostoevsky set himself the task of depicting "the positively good and beautiful man."[1] The novel examines the consequences of placing such a unique individual at the centre of the conflicts, desires, passions and egoism of worldly society, both for the man himself and for those with whom he becomes involved.

After his great portrayal of a guilty man in Crime and Punishment, Dostoevsky set out in The Idiot to portray a man of pure innocence. The twenty-six-year-old Prince Myshkin, following a stay of several years in a Swiss sanatorium, returns to Russia to collect an inheritance and "be among people." Even before he reaches home he meets the dark Rogozhin, a rich merchant's son whose obsession with the beautiful Nastasya Filippovna eventually draws all three of them into a tragic denouement. In Petersburg the prince finds himself a stranger in a society obsessed with money, power, and manipulation. Scandal escalates to murder as Dostoevsky traces the surprising effect of this "positively beautiful man" on the people around him, leading to a final scene that is one of the most powerful in all of world literature.

The Idiot (1868), written under the appalling personal circumstances Dostoevsky endured while travelling in Europe, not only reveals the author's acute artistic sense and penetrating psychological insight, but also affords his most powerful indictment of a Russia struggling to emulate contemporary Europe while sinking under the weight of Western materialism. It is the portrait of nineteenth-century Russian society in which a "positively good man" clashes with the emptiness of a society that cannot accommodate his moral idealism. Meticulously faithful to the original, this new translation includes explanatory notes and a critical introduction by W.J. Leatherbarrow.

The Idiot by Fyodor Dostoyevsky - Translated by Eva Martin. Prince Lev Nikolayevich Myshkin, a fair-haired young man in his mid-twenties and a descendant of one of the oldest Russian lines of nobility, is on a train to Saint Petersburg on a cold November morning. He is returning to Russia having spent the past four years in a Swiss clinic for treatment of a severe epileptic condition. On the journey Myshkin meets a young man of the merchant class, Parfyon Semyonovich Rogozhin, and is struck by his passionate intensity, particularly in relation to a woman—the dazzling society beauty Nastassya Filippovna—with whom he is obsessed. Rogozhin has just inherited a very large fortune from his dead father and he intends to use it to pursue the object of his desire. Joining in their conversation is a somewhat disreputable civil servant named Lebedyev - an "omniscient" gentleman with a profound knowledge of social trivia and gossip. Realizing who Rogozhin is, he firmly attaches himself to him.

In an age before psychology was a modern scientific field, Fyodor Dostoyevsky (November 11, 1821 – February 9, 1881) was a Russian writer of realist fiction and essays that explored the depths of the human psyche. Known for acclaimed novels Crime and Punishment, The Idiot and The Brothers Karamazov, Dostoyevsky's work discusses the human mind in a world full of political and social upheaval in 19th century Russia, becoming the forerunner of existentialism. The Idiot was first published in 1869 and is considered one of Dostoevsky's greatest novels.

Vintage - Signet CJ 930 -This have been reprinted multiple time- with different translations introductions, that is the difference in some editions- Translated by Henry and Olga Carlisle Introduction by Harold Rosenberg - The Idiot (1868), written under the appalling personal circumstances Dostoevsky endured while travelling in Europe, not only reveals the author's acute artistic sense and penetrating psychological insight, but also affords his most powerful indictment of a Russia struggling to emulate contemporary Europe while sinking under the weight of Western materialism. It is the portrait of nineteenth-century Russian society in which a "positively good man" clashes with the emptiness of a society that cannot accommodate his moral idealism. A New American Library book - NAL