Books with title The Four Horsemen of the Apocalypse:

The Four Horsemen of the Apocalypse is probably the world’s most famous novel about the First World War; it was the best selling book in in 1919, at the end of the warSet in 1914, it tells in third person, the vicissitudes of two Argentine families, the Desnoyers and the von Hartrott. Both, by maternal line, come from the Spanish rancher based in Argentina, Mr. Julio Madariaga; while his sons-in-law are of French (Marcelo Desnoyers) and German (Karl von Hartrott) origin respectively.After the death of Don Julio; von Hartrott leave for Germany and Desnoyers for France, and they end up on opposite sides of the terrible conflict...

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+Copyright 1918, 192nd printing April 1961, ex-library, hardcover with dustjacket, 482 pages. SYNOPSIS: "Historical novel first published in 1916 tells a tangled tale of the French and German sons-in-law of an Argentinian land-owner who find themselves fighting on opposite sides in the First World War. When Julio finally decided to fight, the world and his family knew him for a different man. In the end the man who was once a spoiled son of privilege, became a man of honor and integrity, noble soldier in the war to end all wars." CONDITION: Library cardholder/checkout sheet and stamps/notations inside. Dustjacket is enclosed in mylar overlay taped to cover. Binding is secure.

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

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This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

PART I CHAPTER I THE TRYST (In the Garden of the Chapelle Expiatoire) They were to have met in the garden of the Chapelle Expiatoire at five o’clock in the afternoon, but Julio Desnoyers with the impatience of a lover who hopes to advance the moment of meeting by presenting himself before the appointed time, arrived an half hour earlier. The change of the seasons was at this time greatly confused in his mind, and evidently demanded some readjustment. Five months had passed since their last interview in this square had afforded the wandering lovers the refuge of a damp, depressing calmness near a boulevard of continual movement close to a great railroad station. The hour of the appointment was always five and Julio was accustomed to see his beloved approaching by the reflection of the recently lit street lamps, her figure enveloped in furs, and holding her muff before her face as if it were a half-mask. Her sweet voice, greeting him, had breathed forth a cloud of vapor, white and tenuous, congealed by the cold. After various hesitating interviews, they had abandoned the garden. Their love had acquired the majestic importance of acknowledged fact, and from five to seven had taken refuge in the fifth floor of the rue de la Pompe where Julio had an artist’s studio. The curtains well drawn over the double glass windows, the cosy hearth-fire sending forth its ruddy flame as the only light of the room, the monotonous song of the samovar bubbling near the cups of tea—all the seclusion of life isolated by an idolizing love—