Books with title New Arabian Nights

*This book is Annotated (It contains a biography of the Author).* New Arabian Nights by Robert Louis Stevenson, first published in 1882, is a collection of short stories previously published in magazines between 1877 and 1880. The collection contains Stevenson's first published fiction, and a few of the stories are considered by some critics to be his best work, as well as pioneering works in the English short story tradition.

Verily the works and words of those gone before us have become instances and examples to men of our modern day, that folk may view what admonishing chances befell other folk and may therefrom take warning; and that they may peruse the annals of antique peoples and all that hath betided them, and be thereby ruled and restrained. Praise, therefore, be to Him who hath made the histories of the past an admonition unto the present! Now of such instances are the tales called "A Thousand Nights and a Night," together with their far-famed legends and wonders.

The Irish illustrator René Bull unleashed an exuberant energy in his work that meshed well with the exotic themes and settings of his masterpieces, The Arabian Nights and the Rubaiyat. This new Calla Edition presents 20 full-color plates and nearly 100 black-line illustrations from the original in a distinctive new page design that makes this volume an immediate heirloom for confirmed bibliophiles.

No library's complete without the classics! This edition collects the beloved tales of Arabian Nights, translated by Sir Richard Burton.They are ancient stories, but they still enchant our imaginations today. Ali Baba and the Forty Thieves. Sinbad the Sailor. Aladdin. These and the other Middle Eastern stories collected in Arabian Nights are delightful, fascinating, and fun for fans and first-time readers alike. A scholarly introduction provides new information and context for these well-known stories. Arabian Nights is a compelling look at a long-gone culture–and the perfect addition to any home library.

(Book Jacket Status: Jacketed)These stories (and stories within stories, and stories within stories within stories), told by the Princess Shahrazad under the threat of death if she ceases to amuse, first reached the West around 1700. They fired in the European imagination an appetite for the mysterious and exotic which has never left it. Collected over centuries from India, Persia, and Arabia, and ranging from vivacious erotica, animal fables, and adventure fantasies to pointed Sufi tales, the stories of The Arabian Nights provided the daily entertainment of the medieval Islamic world at the height of its glory.The present new translation by Husain Haddawy is of the Mahdi edition, the definitive Arabic edition of a fourteenth-century Syrian manuscript in the Bibliothèque Nationale in Paris, which is the oldest surviving version of the tales and is considered to be the most authentic. This early version is without the embellishments and additions that appear in later Indian and Egyptian manuscripts, on which all previous English translations were based.

The stories in the Fairy Books have generally been such as old women in country places tell to their grandchildren. Nobody knows how old they are, or who told them first. The children of Ham, Shem and Japhet may have listened to them in the Ark, on wet days. Hector's little boy may have heard them in Troy Town, for it is certain that Homer knew them, and that some of them were written down in Egypt about the time of Moses. People in different countries tell them differently, but they are always the same stories, really, whether among little Zulus, at the Cape, or little Eskimo, near the North Pole. The changes are only in matters of manners and customs; such as wearing clothes or not, meeting lions who talk in the warm countries or talking bears in the cold countries. There are plenty of kings and queens in the fairy tales, just because long ago there were plenty of kings in the country. A gentleman who would be a squire now was a kind of king in Scotland in very old times, and the same in other places. These old stories, never forgotten, were taken down in writing in different ages, but mostly in this century, in all sorts of languages. These ancient stories are the contents of the Fairy books

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Arabian Nights - stories told by Queen Shahrazad over a thousand and one nights, to beguile the Sultan into deferring her execution - first began to appear in the West in the early 18th century, firing in the European imagination an appetite for the mysterious and exotic which has never left it. Collected over centuries from Persia and Arabia and India, and ranging from vivacious erotica, animal fables and adventure fantasies to pointed Sufi teaching tales, they provided the daily entertainment of the medieval Islamic world at the height of its glory. English translations soon proliferated. Early ones were taken from Antoine Galland’s French version, but later scholars went back to the Arabic text and it is on three classic 19th-century translators – Richard Burton, Edward W. Lane and John Payne - that this anthology principally draws. It celebrates their role in bringing these stories to the centre of world literature, for they were subsequently retranslated into many other languages, including Chinese.. This collection showcases the richness and artistry of these English translations and to allow them to speak for the cultural context in which they were made. It is of academic importance in that it provides an alternative and more positive history of Orientalism, and reflects the history of Arabic Studies in Europe and North America and the ways in which they have fashioned the debate around Arabic literature and the translation of Arabic literary texts. It will also serve as a textbook for World Literature programmes and courses in the Anglophone world. But above all its timeless tales, its stories within stories, continue to fascinate and enchant, and the variety of translations used can only add to the pleasure of the general reader. The new Everyman edition has been beautifully designed to give something of the flavour of the first editions and includes elegant illustrations by the popular early Victorian engraver and designer, William Harvey.